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English, Scottish, & Welsh Fiction, Women's Fiction, Historical Figures - Fiction, Family & Friendship - Fiction, European Peoples & Cultures - Fiction & Literature, Arts & Entertainment - Fiction, Character Types - Fiction, Historical Fiction

Vanessa & Virginia

by Susan Sellers
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Overview

You see, even after all these years, I wonder if you really loved me. Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for the attention of their overextended mother, their brilliant but difficult father, and their adored brother, Thoby. As young women, they support each other through a series of devastating deaths, then emerge in bohemian Bloomsbury, bent on creating new lives and groundbreaking works of art. Through everything—marriage, lovers, loss, madness, children, success and failure—the sisters remain the closest of co-conspirators. But they also betray each other.
In this lyrical, impressionistic account, written as a love letter and an elegy from Vanessa to Virginia, Sellers imagines her way into the heart of the lifelong relationship between the writer Virginia Woolf and the painter Vanessa Bell. With sensitivity and fidelity to what is known of both lives, Sellers has created a powerful portrait of sibling rivalry.

Synopsis

You see, even after all these years, I wonder if you really loved me. Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for the attention of their overextended mother, their brilliant but difficult father, and their adored brother, Thoby. As young women, they support each other through a series of devastating deaths, then emerge in bohemian Bloomsbury, bent on creating new lives and groundbreaking works of art. Through everything—marriage, lovers, loss, madness, children, success and failure—the sisters remain the closest of co-conspirators. But they also betray each other.

In this lyrical, impressionistic account, written as a love letter and an elegy from Vanessa to Virginia, Sellers imagines her way into the heart of the lifelong relationship between the writer Virginia Woolf and the painter Vanessa Bell. With sensitivity and fidelity to what is known of both lives, Sellers has created a powerful portrait of sibling rivalry.

Publishers Weekly

A delectable little book for anyone who ever admired the Bloomsbury group, Sellers's first novel speaks in painter Vanessa Bell's voice as she addresses her sister, Virginia Woolf. The story includes everything one ever imagined that happened in the intimate lives of the sisters and their astounding circle, which burst upon late Victorian England and shattered both the artistic and cultural boundaries of the times. Sellers begins during the girls' childhood with their beloved brother, and as they grow up, she taps into the incest, sexual encounters and homoerotic love with and among the many great minds of the era. The fictional world the author has recreated-of the sisters striving to perfect their respective art forms while trying to keep the reality of children and war and illness at bay-is full of color and intellectual promise and laced with despair and untimely deaths. While the mix of first- and second-person perspectives gets tedious (there are many variations on the theme of "I sensed you watching me"), the narrative's a genuine treat for Bloomsbury fans and those at least vaguely familiar with the milieu. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author, Susan Sellers

SUSAN SELLERS is a professor of English at St. Andrews University in Scotland and coeditor of the Cambridge University Press edition of Virginia Woolf's works. She is a past recipient of the Cannongate Prize for new writing and is the author of many short stories and nonfiction books. This is her first novel.

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Editorials

From Barnes & Noble

Barnes & Noble Discover Great New Writers
On the day Virginia Woolf walked along the riverbank searching for stones to fill her pockets, her sister, Vanessa Bell, was in the unfamiliar position of being nowhere nearby. For decades, the painter, Vanessa, and the writer, Virginia, were not only the closest of companions; conversely, they were archrivals. Collaborators, friends, confidantes, and rumored to be lovers, their devotion was tempered by years of jealousy and mistrust. That their creative genius would take such different paths is at the heart of this sensitive and nuanced novel. Told from Vanessa's vantage point, it's a powerful and often disturbing portrait of their intense lifelong relationship.

With a preoccupied, elusive mother and a controlling, judgmental father, the sisters had no external reference except each other. As young girls, they competed for attention from their parents and a beloved younger brother, establishing a pattern that would continue to define and divide them. Later, as members of the Bloomsbury group, they began to craft new lives, notable not only for their unorthodox marriages but also for their seminal works of art.

Sellers's compelling novel is both faithful to the historical record and provocative in its interpretation of it. Boldly original and gracefully written, Vanessa & Virginia examines the lives of these two sisters, who as women and as artists left such a profound and lasting legacy. (Summer 2009 Selection)

Publishers Weekly

A delectable little book for anyone who ever admired the Bloomsbury group, Sellers's first novel speaks in painter Vanessa Bell's voice as she addresses her sister, Virginia Woolf. The story includes everything one ever imagined that happened in the intimate lives of the sisters and their astounding circle, which burst upon late Victorian England and shattered both the artistic and cultural boundaries of the times. Sellers begins during the girls' childhood with their beloved brother, and as they grow up, she taps into the incest, sexual encounters and homoerotic love with and among the many great minds of the era. The fictional world the author has recreated-of the sisters striving to perfect their respective art forms while trying to keep the reality of children and war and illness at bay-is full of color and intellectual promise and laced with despair and untimely deaths. While the mix of first- and second-person perspectives gets tedious (there are many variations on the theme of "I sensed you watching me"), the narrative's a genuine treat for Bloomsbury fans and those at least vaguely familiar with the milieu. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Library Journal

Sellers's elegant first novel imagines life in Britain's Bloomsbury circle from the point of view of Vanessa Bell, Virginia Woolf's older sister. Although Vanessa was an accomplished and highly respected artist, her life was overshadowed by that of her more famous sibling. As she gives Vanessa voice, Sellers examines a relationship between sisters in which love and jealousy are constants; a relationship in which relatives, friends, and lovers are sources of support, inspiration, joy, betrayal, and ultimately devastating sorrow. The amazing aspect of this novel is its painterly quality. As Vanessa recalls her life, layer upon layer of memory is applied to create a portrait of color and shadow, a process that is mirrored in the narrator's descriptions of her methods of painting. While this novel may stand on its own as an exploration of sisterly relationships, it will be more appealing and more accessible to readers already familiar with the lives of Bell and Woolf and knowledgeable about the Bloomsbury milieu. Highly recommended for collections of literary fiction-particularly where Woolf is popular. [See Prepub Alert, LJ1/09.]
—Andrea Kempf

Kirkus Reviews

Despite the title, this first novel by Virginia Woolf scholar Sellers is much more focused on Virginia's sister Vanessa. Vanessa, who narrates the story, is obsessed with her sister from earliest childhood. As a small child, painfully aware that Virginia is favored for her intellect by both their neglectful, beautiful mother and their demanding father, Vanessa finds solace in her capacity for sensory delight and her gifts as a visual artist. When their parents and their beloved brother Thoby die, Vanessa must take care of the nitty-gritty responsibilities while the emotionally delicate Virginia breaks down. After Thoby's death Vanessa agrees to marry Clive Bell. The newlyweds defy convention, openly embracing their carnal attraction. After their first child's birth, Clive's interest wanes and he flirts with Virginia. Eventually both Clive and Vanessa take lovers. Vanessa is adored by Roger Fry and adores Duncan Grant, who is gay although he fathers her third child. Meanwhile, Virginia marries Leonard Woolf. Despite warning Leonard not to pressure Virginia about sex, Vanessa senses an intimacy in the Woolf marriage that has eluded her, except perhaps with Virginia. All the Bloomsbury regulars show up. Vanessa frequently describes her paintings, though more through the eye of a critic than an artist, and Sellers cannot resist throwing in an occasional scholarly quote that would more logically appear in a straightforward biography. Premonitions of Virginia's suicide abound as Vanessa considers the possibility for herself. Vanessa comes across as a whiny victim to Virginia's self-centered prig. A self-consciously precious sort-of-fiction that follows the facts and offers nothing new forBloomsbury cultists while flattening much of the drama into navel-gazing. Agent: Jenny Brown/Jenny Brown Associates

Book Details

Published
April 1, 2010
Publisher
Houghton Mifflin Harcourt
Pages
213
Format
Paperback
ISBN
9780547263380

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