Overview
In traditional narrative theory, the term "omniscience" refers to a narrator's absolute knowledge and authority. Narrative theory provides no social, historical, or psychological context for omniscience, nor does it attempt to explain the predominance of omniscient narration in nineteenth-century British fiction. Audrey Jaffe uses Dickens's novels and sketches to redefine narrative omniscience as a problematic that has implications for the construction of Victorian subjectivity, giving us new insights into Dickens and into other fiction as well.
Jaffe demonstrates that omniscience is the effect of a series of oppositions—between narrator and character, knowledge and its absence, sympathy and irony, privacy and publicity. Showing how these oppositions participate in and enforce Victorian ideas about family, the subject, and private life, this study illuminates connections between ideology and narrative form.