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Overview
The second in the Dr. Max Liebermann series, literature’s first psychoanalytic detective.In the grip of a Siberian winter in 1902, a serial killer in Vienna embarks upon a bizarre campaign of murder. Vicious mutilation, a penchant for arcane symbols, and a seemingly random choice of victim are his most distinctive peculiarities. Detective Inspector Oskar Rheinhardt summons a young disciple of Freud - his friend Dr. Max Liebermann — to assist him with the case. The investigation draws them into the sphere of Vienna’s secret societies — a murky underworld of German literary scholars, race theorists, and scientists inspired by the new evolutionary theories coming out of England. At first, the killer’s mind seems impenetrable — his behaviour and cryptic clues impervious to psychoanalytic interpretation; however, gradually, it becomes apparent that an extraordinary and shocking rationale underlies his actions. . . .
Against this backdrop of mystery and terror, Liebermann struggles with his own demons. The treatment of a patient suffering from paranoia erotica (a delusion of love) and his own fascination with the enigmatic Englishwoman Amelia Lydgate raises doubts concerning the propriety of his imminent marriage. To resolve the dilemma, he must entertain the unthinkable — risking opprobrium and accusations of cowardice.
THIS TITLE COMES FROM MORTALIS: Mysteries and Thrillers
Random House Trade Paperbacks is please to present Mortalis, a line of books featuring mysteries and thrillers that are historical and/or international in scope. The list includes trade paperback originals as well as reprints of classic mysteries, international thrillers, and the occasional tale of true crime.
"Mortalis gives us an ideal way to introduce the best new writers as well as to celebrate the masters in these genres," said Jane von Mehren, Vice President and Publisher, Trade Paperbacks, Random House Publishing Group.
Mortalis republishes some classic authors such as Martin Cruz Smith , P. D. James, Robert Harris, Agatha Christie, and Wilkie Collins as well as original trade paperbacks such as Boris Akunin's SISTER PELAGIA AND THE WHITE BULLDOG (the start of a new series from an internationally bestselling author), New York Times Notable author David Corbett's BLOOD OF PARADISE, and Alex Carr's literary thriller AN ACCIDENTAL AMERICAN. Featuring stunning new packaging, each title contains a "dossier" in the back-a brand new commentary section that illuminates a specific and intriguing aspect of the work, or the author's career.
Synopsis
The second in the Dr. Max Liebermann series, literature’s first psychoanalytic detective.
In the grip of a Siberian winter in 1902, a serial killer in Vienna embarks upon a bizarre campaign of murder. Vicious mutilation, a penchant for arcane symbols, and a seemingly random choice of victim are his most distinctive peculiarities. Detective Inspector Oskar Rheinhardt summons a young disciple of Freud - his friend Dr. Max Liebermann — to assist him with the case. The investigation draws them into the sphere of Vienna’s secret societies — a murky underworld of German literary scholars, race theorists, and scientists inspired by the new evolutionary theories coming out of England. At first, the killer’s mind seems impenetrable — his behaviour and cryptic clues impervious to psychoanalytic interpretation; however, gradually, it becomes apparent that an extraordinary and shocking rationale underlies his actions. . . .
Against this backdrop of mystery and terror, Liebermann struggles with his own demons. The treatment of a patient suffering from paranoia erotica (a delusion of love) and his own fascination with the enigmatic Englishwoman Amelia Lydgate raises doubts concerning the propriety of his imminent marriage. To resolve the dilemma, he must entertain the unthinkable — risking opprobrium and accusations of cowardice.
The Washington Post - Patrick Anderson
London clinical psychologist Frank Tallis's Vienna Blood is one of the finest literary thrillers I've ever read. It's a dazzling tour de force, set in Vienna in 1902, that combines the search for a serial killer with a vibrant portrait of fin-de-siecle Viennese social and cultural life and a disturbing look at the rise of the twisted German nationalism that would soon emerge as Nazism. The novel is a bit long, but that's because Tallis's exceptional descriptive powers lead to elegant word-portraits of everything from architecture to an autopsy to a duel to the mouth-watering Viennese pastries that the characters frequently devour. Impatient readers need not apply, but for everyone else this is the perfect book to curl up with by the fire on a winter evening.
Editorials
Marilyn Stasio
…[a] fine sequel to A Death in Vienna…one cabal with a sinister agenda of Germanic supremacy has given purpose to a serial killer whose terrible handiwork leads Inspector Oskar Rheinhardt to consult with his friend, the psychologist Max Liebermann, on a clinical profile of the murderer. The professional rapport and easy friendship of this duo lend a bit of quiet charm to a series that, rather like a Viennese pastry, is stuffed almost to bursting with showy delights.—The New York Times
Patrick Anderson
London clinical psychologist Frank Tallis's Vienna Blood is one of the finest literary thrillers I've ever read. It's a dazzling tour de force, set in Vienna in 1902, that combines the search for a serial killer with a vibrant portrait of fin-de-siecle Viennese social and cultural life and a disturbing look at the rise of the twisted German nationalism that would soon emerge as Nazism. The novel is a bit long, but that's because Tallis's exceptional descriptive powers lead to elegant word-portraits of everything from architecture to an autopsy to a duel to the mouth-watering Viennese pastries that the characters frequently devour. Impatient readers need not apply, but for everyone else this is the perfect book to curl up with by the fire on a winter evening.—The Washington Post
Publishers Weekly
British clinical psychologist Tallis follows his superior debut, A Death in Vienna(2007), with this gripping sequel. Viennese Det. Insp. Oskar Rheinhardt, already faced with finding the person who butchered the emperor's favorite anaconda, comes under even more pressure from his superiors when several murders are committed in quick succession. The inspector enlists the assistance of insightful Freud disciple Max Liebermann, who quickly deduces that the killer is choosing his victims to correspond with the plot of Mozart's The Magic Flute. The book's strength lies in the relationship and interplay between the two detectives, whose friendship, which includes a shared love of music, may remind some of Patrick O'Brian's Aubrey and Maturin. The clever plotting and quality writing elevate this above most other historicals, even if the solution to the crimes comes as no great surprise. (Jan.)
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