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Book cover of Volume II, Oresteia: Agamemnon. Libation-Bearers. Eumenides. (Loeb Classical Library), Vol. 2
Ancient Greek & Roman Drama

Volume II, Oresteia: Agamemnon. Libation-Bearers. Eumenides. (Loeb Classical Library), Vol. 2

by Aeschylus
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Overview

Aeschylus (ca. 525–456 BCE), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once.

Of his total of about eighty plays, seven survive complete. The second volume contains the complete Oresteia trilogy, comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.

Synopsis

Aeschylus (ca. 525–456 BCE), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once.

Of his total of about eighty plays, seven survive complete. The second volume contains the complete Oresteia trilogy, comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.

Mark Griffith - Times Literary Supplement

The Loeb Classical Library, now almost a hundred years old and constituting over [500] volumes, has proven itself (like its French counterpart, the Budé series) an invaluable tool for scholars and students from all over the academic landscape. With Greek or Latin text on the left and English translation on the facing page, it provides quick, consistent and user-friendly access to a wide range of authors, and does not discriminate between those who want to read in the original and those who just want an English version...Alan Sommerstein's three-volume Aeschylus...is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation.

About the Author, Aeschylus

Alan H. Sommerstein is Professor of Greek, University of Nottingham.

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Editorials

Times Literary Supplement

The Loeb Classical Library, now almost a hundred years old and constituting over [500] volumes, has proven itself (like its French counterpart, the Budé series) an invaluable tool for scholars and students from all over the academic landscape. With Greek or Latin text on the left and English translation on the facing page, it provides quick, consistent and user-friendly access to a wide range of authors, and does not discriminate between those who want to read in the original and those who just want an English version...Alan Sommerstein's three-volume Aeschylus...is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation.
— Mark Griffith

Book Details

Published
January 1, 2009
Publisher
Harvard University Press
Pages
544
Format
Hardcover
ISBN
9780674996281

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