Synopsis
Read the Bldg Blog interview with Mary Beard about the Wonders of the World series
(Part I and Part II)
Westminster Abbey is the most complex church in existence. National cathedral, coronation church, royal mausoleum, burial place of poets, resting place of the great and of the Unknown Warrior, former home of parliament, backdrop to the funeral of Diana, Princess of Wales—this rich and extraordinary building unites many functions.
Westminster Abbey is both an appreciation of an architectural masterpiece and an exploration of the building's shifting meanings. We hear the voices of those who have described its forms, moods, and ceremonies, from Shakespeare and Voltaire to Dickens and Henry James; we see how rulers have made use of it, from medieval kings to modern prime ministers. In a highly original book, classicist and cultural historian Richard Jenkyns teaches us to look at this microcosm of history with new eyes.
Publishers Weekly
Far from being the singular expression of a king's will to create a monument for all time, London's imposing masterwork is in fact something like the story of Europe itself: a living geography of accreted history, a "coalescence of functions" that, from one angle, can seem a junk heap of invariably outmoded ideas (sculptural, architectural and even religious), and on the other, a disorganized but breathtaking record of life, death, hope and futility that one wants to get lost in, as if one were experiencing a guided tour of the afterlife by Charon himself. Oxford don Jenkyns describes architectural qualities in intricate but not overwhelming detail, introducing the novice to new terms and concerns; he is particularly poetic in writing about light in the building, whether describing optical effects in the shadowy alcoves or the differences in the way light filters through new or old glass. In active service as a cathedral, a burial place for the esteemed and a venue for much-televised coronations and funerals, Westminster Abbey is also a clutter of monuments to poets, scientists, saints and kings, the divine and the pedestrian. If Jenkyns is not so omniscient a cultural historian as Simon Schama, he hits all the right notes briskly and cleanly, making this both a perfect tour book and a light educational read. (Mar.) Copyright 2005 Reed Business Information.