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Book cover of When Harlem Was in Vogue
General & Miscellaneous American Art, New York City - History, African American Regional History - Northeastern & Mid-Atlantic States, Literary Movements - General & Miscellaneous, African American Literature - Literary Criticism, 20th Century American Li

When Harlem Was in Vogue

by David Lewis, David Levering Lewis
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Overview

"A major study...one that thorougly interweaves the philosophies and fads, the people and movements that combined to give a small segment of Afro America a brief place in the sun."β€”The New York Times Book Review.

This focuses on the creation and manipulation of an arts and belles-lettres bulture by a tiny African-American elite.

Synopsis

Tremendous optimism filled the streets of Harlem during the decade and a half following World War I. Langston Hughes, Eubie Blake, Marcus Garvey, Zora Neale Hurston, Paul Robeson, and countless others began their careers; Afro-America made its first appearance on Broadway; musicians found new audiences in the chic who sought out the exotic in Harlem's whites-only nightclubs; riotous rent parties kept economic realities at bay; and A'Lelia Walker and Carl Van Vechten outdid each other with glittering "integrated" soirées.
When Harlem Was in Vogue recaptures the excitement of those times, displaying the intoxicating hope that black Americans could create important art and compel the nation to recognize their equality. In this critically-acclaimed study of race assimilation, David Levering Lewis focuses on the creation and manipulation of an arts and belles-lettres culture by a tiny Afro-American elite, striving to enhance "race relations" in America, and ultimately, the upward mobility of the Afro-American masses. He demonstrates how black intellectuals developed a systematic program to bring artists to Harlem, conducting nation-wide searches for black talent and urging WASP and Jewish philanthropists (termed "Negrotarians" by Zora Neale Hurston) to help support writers.
This extensively-researched, fascinating volume reveals the major significance of the Renaissance as a movement which sprang up in Harlem but lent its mood to the entire era, and as a culturally-vital period whose after-effects continue to add immeasurably to the richness and character of American life.

Library Journal

"Lewis summons back the spirit and substance of New York City's black center during its best years," said LJ's reviewer (LJ 3/15/81). The author traces the history of blacks in Harlem from 1905, when they began moving uptown, to the riot of 1935. Another natural for Black History Month, this "gem of a book" remains "highly recommended."

About the Author, David Lewis

About the Author:
David Levering Lewis is Martin Luther King, Jr. Professor of History at Rutgers, The State University of New Jersey, New Brunswick. He is the author of several books, including King: A Biography, The Race to Fashoda: European Colonialism and African Resistance in the Scramble for Africa, and a forthcoming volume, The Life and Times of W.E.B. Du Bois.

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Editorials

Library Journal

"Lewis summons back the spirit and substance of New York City's black center during its best years," said LJ's reviewer (LJ 3/15/81). The author traces the history of blacks in Harlem from 1905, when they began moving uptown, to the riot of 1935. Another natural for Black History Month, this "gem of a book" remains "highly recommended."

Book Details

Published
June 1, 1997
Publisher
Penguin Group (USA)
Pages
448
Format
Paperback
ISBN
9780140263343

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