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Wicked Women by Fay Weldon — book cover

Wicked Women

by Fay Weldon, Laura Hammond Hough
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Overview

Here we meet nuclear scientist Defoe Desmond, a post Cold War irrelevancy, who is ineptly drawn to a youthful, wily, husband-stealing New Age journalist; three sisters named Edwina, Thomasina, and Davida, who are appalled when their increasingly wild mother finally gives their father a male heir - two years after his death; and Paula, who keeps so still waiting to hear evidence of her husband's adultery that she does not notice she's giving birth. Weldon's world is peopled with therapists who blithely destroy marriages and family ties, husbands and lovers whose greatest cruelty is their detachment, and clever women navigating the perils and pitfalls of domesticity.

Synopsis

Here we meet nuclear scientist Defoe Desmond, a post Cold War irrelevancy, who is ineptly drawn to a youthful, wily, husband-stealing New Age journalist; three sisters named Edwina, Thomasina, and Davida, who are appalled when their increasingly wild mother finally gives their father a male heir - two years after his death; and Paula, who keeps so still waiting to hear evidence of her husband's adultery that she does not notice she's giving birth. Weldon's world is peopled with therapists who blithely destroy marriages and family ties, husbands and lovers whose greatest cruelty is their detachment, and clever women navigating the perils and pitfalls of domesticity.

Publishers Weekly

These 20 saucy tales prove that the worst varieties of human pretension and evil are often the most entertaining, especially in the hands of an expert vivisectionist like Weldon (The Life and Loves of a She-Devil). Here, she skewers a cross-section of despicable yet grimly fascinating types: the spineless husband, the talentless yet self-adoring artiste, the parasitic therapist and those who presume their sexual confusion is interesting to others. Each is held up to Weldon's strip-search scrutiny and ribald wit. The few sympathetic characters are generally women who mistakenly think they can pursue a career, raise children and have a loyal spouse. In "Santa Claus's New Clothes," the temperamental but beloved matriarch of a big family has been peremptorily ousted by the husband's therapist and new wife. An "astral" sort, the therapist blathers on endlessly about her sensitivity. However, by the end of a disastrous Christmas dinner, her New Age veneer no longer conceals the fact that she's a control freak extraordinaire, a cuckoo in the nest. While hilarious, this story is also very poignant and, like all these juicy tales, acutely observant of the newest strategies in gender affairs.

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Editorials

Publishers Weekly - Publisher's Weekly

These 20 saucy tales prove that the worst varieties of human pretension and evil are often the most entertaining, especially in the hands of an expert vivisectionist like Weldon (The Life and Loves of a She-Devil). Here, she skewers a cross-section of despicable yet grimly fascinating types: the spineless husband, the talentless yet self-adoring artiste, the parasitic therapist and those who presume their sexual confusion is interesting to others. Each is held up to Weldon's strip-search scrutiny and ribald wit. The few sympathetic characters are generally women who mistakenly think they can pursue a career, raise children and have a loyal spouse. In "Santa Claus's New Clothes," the temperamental but beloved matriarch of a big family has been peremptorily ousted by the husband's therapist and new wife. An "astral" sort, the therapist blathers on endlessly about her sensitivity. However, by the end of a disastrous Christmas dinner, her New Age veneer no longer conceals the fact that she's a control freak extraordinaire, a cuckoo in the nest. While hilarious, this story is also very poignant and, like all these juicy tales, acutely observant of the newest strategies in gender affairs.

Library Journal

In these 20 stories, some previously published, Weldon continues to pursue the themes of love, relationships, and family with the humor and poignancy that have made her other writings e.g., Worst Fears so engaging. Delivering these themes with varying degress of satire, sincerity, and subtlety, she offers intricate moments in the lives of defeated lovers, insecure cuckolds, perplexed offspring, daring widow/ers, keen children, and underdogs who overcome the oppression of love. Weldon brings together all facets of the relationship race with a unique mastery, using sharp and cultivated prose. -- Judith A. Akalaitis, Chicago, Illinois

Library Journal

In these 20 stories, some previously published, Weldon continues to pursue the themes of love, relationships, and family with the humor and poignancy that have made her other writings (e.g., Worst Fears) so engaging. Delivering these themes with varying degress of satire, sincerity, and subtlety, she offers intricate moments in the lives of defeated lovers, insecure cuckolds, perplexed offspring, daring widow/ers, keen children, and underdogs who overcome the oppression of love. Weldon brings together all facets of the relationship race with a unique mastery, using sharp and cultivated prose. -- Judith A. Akalaitis, Chicago, Illinois

Chicago Tribune

It is Fay Weldon's enviable gift that the humor she writes seems to emerge unbidden from the weirdness of human nature and the inscrutable equation of the relationship between the sexes.

Deborah Mason

Weldon has become one of the most cunning moral satirists of our time. In her rueful stories, justice is done -- whether we like it or not. -- The New York Times Book Review

Kirkus Reviews

The antagonists who populate these 20 stories are indeed very wicked (no surprise to readers of Weldon's 21 novels, including Worst Fears), but they're not always women. Both sexes and all ages come in for some merry tweaking by this master of sexual satire—making this outing a familiar pleasure for old fans and a thoroughly satisfying introduction for newcomers. When Defoe Desmond's middle-aged wife confronts him about his affair in "End of the Line," she's covered with white ash (she happens to be cleaning the fireplace), and when she kisses him she leaves the ashy mark of death on his cheek. What better indicator that it's time for Defoe to bail out with the fiendishly seductive Weena Dodds, a New Age Times journalist itching to move into the manor house? Weena is certainly evil (she specializes in married men, taking pleasure in ruining their lives and leaving them begging as she moves on to greener pastures), but there comes a day when even the cleverest siren racks up one too many enemies. On the other hand, it's sometimes the man who turns out to be cold- blooded, as in "Wasted Lives," whose film-executive narrator casually dumps his Eastern European mistress the moment he learns that she's pregnant with his child. In "Valediction," an aging couple's children show their true colors by trying to push said parents out of the family home. And in "Through a Dustbin, Darkly," a ghost works her vengeance by pushing her former husband's young second wife to burn down the house they live in. Every kind of evil that lurks in the heart is gleefully explored in all its permutations here, and somehow it all ends up very cheering—wherein lies Weldon's tremendous talent.Though the stories date from as far back as 1972, and in one or two cases their age shows, there are far more hits than misses in this unsentimental education in the war between the sexes.

Book Details

Published
January 1, 1999
Publisher
Grove/Atlantic, Inc.
Pages
320
Format
Paperback
ISBN
9780871137371

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