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Overview
William Empson (1906-1984) was the foremost English literary critic of the twentieth century. He was a man of huge energy and curiosity, and a genuine eccentric who remained imperturbable in the face of all the extraordinary circumstances in which he found himself. The discovery of contraceptives in his possession by a bedmaker at Cambridge University led to his being robbed of a promised Fellowship. Yet Seven Types of Ambiguity (1930), drafted while he was still an undergraduate, promptly brought him world-wide fame.
Empson invented modern literary criticism in English. He acted too as a cultural fifth-columnist, challenging received doctrine in life and literature. "It is a very good thing for a poet...to be saying something which is considered very shocking at the time," he maintained. "To become morally independent of one's formative society...is the grandest theme of all literature, because it is the only means of moral progress."
His public life took him through many of the major political events of the modern world—the rise of imperialism in Japan, the Sino-Japanese war in China, wartime propaganda for the BBC, and the Chinese civil war and Communist takeover of Peking in 1949. His friends and critical sparring partners included I. A. Richards, Kathleen Raine, J. B. S. Haldane, Humphrey Jennings, George Orwell, Robert Lowell, Dylan Thomas, Stephen Spender, Helen Gardner, and T. S. Eliot.
"It is of great importance now that writers should try to keep a certain world-mindedness," he insisted. "Without the literatures you cannot have a sense of history, and history is like the balancing-pole of the tightrope-walker...; and nowadays we very much need the longer balancing-pole of not national but world history." His passionate world-mindedness, and his humanism, combativeness, and wit, are fully in evidence in this, the first of two volumes exploring his remarkable life and work.
Synopsis
William Empson was the foremost English literary critic of the twentieth century. He was a man of huge energy and curiosity, and a genuine eccentric who remained imperturbable in the face of all the extraordinary circumstances in which he found himself. The discovery of contraceptives in his possession by a bedmaker at Cambridge University led to his being robbed of a promised Fellowship. Yet Seven Types of Ambiguity, drafted while he was still an undergraduate, promptly brought him world-wide fame.
Empson invented modern literary criticism in English. He acted too as a cultural fifth-columnist, challenging received doctrine in life and literature. "It is a very good thing for a poet to be saying something which is considered very shocking at the time," he maintained. "To become morally independent of one's formative society ... is the grandest theme of all literature, because it is the only means of moral progress."
His public life took him through many of the major political events of the modern world the rise of imperialism in Japan, the Sino-Japanese war in China, wartime propaganda for the BBC, and the Chinese civil war and Communist takeover of Peking in 1949. His friends and critical sparring partners included I. A. Richards, Kathleen Raine, J. B. S. Haldane, Humphrey Jennings, George Orwell, Robert Lowell, Dylan Thomas, Stephen Spender, Helen Gardner, and T. S. Eliot.
"It is of great importance now that writers should try to keep a certain world-mindedness," he insisted. "Without the literatures you cannot have a sense of history, and history is like the balancing-pole of the tightrope-walker ... ; and nowadays we very much need the longer balancing-pole of not national but world history." His passionate world-mindedness, and his humanism, combativeness, and wit, are fully in evidence in this, the first of two volumes exploring his remarkable life and work.
Publishers Weekly
Haffenden takes a completist approach to his idiosyncratic subject and his groundbreaking critical works, including Seven Types of Ambiguity. Empson (1906-1984) hailed from Yorkshire squirearchy whose unexceptional history interests Haffenden perhaps more than it should. Empson distinguished himself as a public school student with his mild unconventionality. At Cambridge on scholarship, he gained notoriety for his technically striking poetry. But his academic career, fostered by I.A. Richards, was derailed by scandal after a housekeeper's discovery of prophylactics in his possession clinched suspicions that Empson had a female visitor in his rooms (Haffenden identifies her, though the gentlemanly Empson did not). He published Seven Types of Ambiguity to immediate acclaim and accepted teaching positions abroad, which took him to Japan and then China during the Japanese invasion. In between, he returned to London, rubbing shoulders with Dylan Thomas and W.H. Auden. Haffenden, a professor of English literature at the University of Sheffield (where Empson eventually taught) and editor of Empson's Complete Poems, is a competent biographer, but for such a fascinating character and such an eventful life, he delves into the details without bringing off Empson in his singular brilliance. 16 b&w photos not seen by PW. (June) Copyright 2005 Reed Business Information.