The New York Times Book Review
Wiesel's strength lies in his utter earnestness. At the end of the day, he is not a hagiographer, but a storyteller turned commentator haunted by the figures that have molded him. ''To comment on a given text means first of all to establish between oneself and the text a relationship of intimacy,'' he writes. Here, as in his earlier books, he embraces canonical Jewish texts and famous Jewish teachers as shapers of his particular past, but fashions them into interlocutors for humanity's future. The inheritor of a tradition emerges again as a creator of traditions.
...Wiesel's storytelling is much more than an act of transmission. It is an act of love and of lesson-giving. — Erin Leib
Publishers Weekly
Wiesel sketches familiar biblical, talmudic and Hasidic panoramas, then asks questions about the personalities that people them. His compelling portraits focus on disturbing episodes and character flaws, drawn with an unexpected zing that brings fresh perspective to these time-worn but timeless texts. Why did Lot's wife look back? To Wiesel, that's more understandable than why Lot did not: "for at times one must look backwardlest one run the risk of turning into a statue. Of stone? No: of ice." The stories "continue to guide and enlighten us" in facing incomprehensible events and contemporary challenges. His "wise men" include the expected (Abraham, Moses, Aaron, Saul and Samuel), but also others rarely discussed (the prophets Isaiah and Hosea, and Talmudic sages like Rabbi Tarfon). His two Hasidic sketches are less successful and seem out of place in the context of the book, and the title is misleading, for Wiesel also considers "wise women" like Sarah, Hagar and Miriam. Wiesel's dramatic narratives are bolstered by generous helpings of midrash, commentary and a sense of humor. He raises the human, social, psychological, religious and historical dimensions of each conflict and character, but integrates them in a seamless way so they do not feel like the lectures they areoriginally delivered at Manhattan's 92nd Street Y and Boston University. It's a treat to see how Wiesel's mind works, to be privy to his literary wisdom, his insights into human character, his narrative directness and self-admitted lack of answers. (Oct. 14) Copyright 2003 Reed Business Information.
Library Journal
Nobel Peace Prize winner Wiesel has written more than 40 books, and though he is known primarily for his lectures and writings on the Holocaust, he has always been fond of relating insightful tales from Jewish tradition. Much like Sages and Dreamers, a volume he published a decade ago, this offering is a compendium of lectures given at the 92nd Street Y in New York and at Boston University. As the subtitle suggests, this volume is divided into three main sections, and the stories proceed in a roughly chronological manner. Wiesel is a fine storyteller, and the general reader will be captivated. He manages, for instance, to rework such well-known biblical tales as the story of Samson by applying the insights of the rabbis. Many readers will find new heroes in his tales, especially among the great Hasidic rabbis whom Wiesel first introduced many years ago in his well-received Souls on Fire. This book will circulate well in most libraries to readers of all backgrounds.-Paul Kaplan, Lake Villa Dist. Lib., IL Copyright 2003 Reed Business Information.
Kirkus Reviews
Nobel Prize-winning novelist and memoirist Wiesel (The Judges, 2002, etc.) leads readers on a spirited, sometimes contentious journey through Jewish history and thought. "Just as the Torah has no beginning," writes Wiesel, "the Talmud has no end. Each succeeding generation of scholars contributes to its growth and its power." Those scholars famously find much to argue about in the layers and layers of earlier commentary, and Wiesel reveals himself to be a wise and humane arbiter himself in pondering some of the finer points of their learned discussions, as even-handed (and sometimes tentative) as his great hero, the medieval Talmudist Rashi. Along the way, Wiesel considers some classic—and some modern—puzzles. If Abraham was such a great guy, then why did he banish Ishmael and have that terrible moment with Isaac? Why such harsh punishment for Lot’s nameless wife, turned to a pillar of salt for having ignored instructions not to look back on a scourged Sodom? ("Only because she looked where it was forbidden to look?" writes Wiesel. "So what! If our own gaze could kill us, there would not be enough room for all the cemeteries on our planet.") Why did Aaron, to name just one ancestor, have such a rough time at the hands of a jealous God? Why is it so difficult for a Christian, say, to convert to Judaism? And, finally, "Must the ineffable remain outside the realm of words, simply because there are no words? Can Auschwitz be understood by anyone who wasn’t there?" Wiesel proposes few definitive answers—here, the question mark appears as often as the period. But his explorations, drawing on the collective wisdom of prophets, rabbis, and scholars from the earliest days to thepresent, are endlessly illuminating.