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Overview
The twenty-eight stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including:
* Cory Doctorow
• Robert Charles Wilson
• Michael Swanwick
• Ian McDonald
• Benjamin Rosenbaum
• Kage Baker
• Bruce McAllister
• Alastair Reynolds
• Jay Lake
• Ruth Nestvold
• Gregory Benford
• Justin Stanchfield
• Walter Jon Williams
• Greg Van Eekhout
• Robert Reed
• David D. Levine
• Paul J. McAuley
• Mary Rosenblum
• Daryl Gregory
• Jack Skillingstead
• Paolo Bacigalupi
• Greg Egan
• Elizabeth Bear
• Sarah Monette
• Ken MacLeod
• Stephen Baxter
• Carolyn Ives Gilman
• John Barnes
• A.M. Dellamonica Supplementing the stories are the editor's insightful summation of the year's events and a list of honorable mentions, making this book a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.
This award-winning collection continues to provide dozens of the best stories of the year, including works by renowned veterans and exciting newcomers, such as Terry Bisson, Greg Egan, Ursula K. Le Guin and Nancy Kress. Rounded out with a long list of honorable mentions, this remains the one book for every sci-fi reader.
Synopsis
Gardner Dozois, winner of nine Hugo Awards for best editor, pulls together the finest works of contemporary science fiction. This annual anthology, considered to be the definitive collection of the genre, blends together a wide variety of authors and styles. Space opera, Asimov, international science fiction writers, and hard sf are all found in this collection of 28 stories.
Publishers Weekly
This annual anthology remains the best one-stop shop for short fiction, and it's a must for fans of literary SF. The notion of intelligence links several stories. Nancy Kress, in "Computer Virus," posits an intelligent computer program trying to save its life, but it does so by risking that of a child. The dense and busy "Lobsters" by Charles Stross considers the implications of denying intelligent uploaded constructs here, of lobsters human rights or autonomy. Michael Blumlein's zany "Know How, Can Do," easily the best story, posits a self-aware worm linked to a human brain, told from the point of view of the worm, "Flowers for Algernon"-style, as it acquires human intelligence, language and emotions. Alternative realities remain a productive theme. In "The Two Dicks," Paul McAuley posits an alternative reality where Philip K. Dick, who in this world wrote mainstream fiction instead of SF, meets Nixon. Ken MacLeod's ambitious, character-driven "The Human Front," set in an alternative reality just a little different from ours, describes a man's growth toward adulthood in a war-torn Britain. Dan Simmons, Alastair Reynolds, Maureen F. McHugh and Paul Di Filippo also contribute especially memorable tales. Although one could quibble with Dozois's choices and there are one or two clunkers in here this anthology is an enjoyable read that overall maintains high standards of quality and variety. It's essential for SF fans who simply don't have time to separate the wheat from the chaff on their own. (July 23) Copyright 2002 Cahners Business Information.
Editorials
From Barnes & Noble
Whether you consider this anthology a genre starter kit or a welcome reward for years of SF devotion, Gardner Dozois's yearly compilation fills the reading bill. The 24th installment contains 28 stories by fresh new faces and award-winning masters such as Stephen Baxter, Robert Reed, Michael Swanwick, Kage Baker, Elizabeth Bear, Ian McDonald, and Paolo Bacigalupi.From the Publisher
Praise for THE YEAR'S BEST SCIENCE FICTION TWENTY-THIRD ANNUAL COLLECTION:
"For a broad and eclectic overview of SF and its varieties, Dozois's huge anthology remains essential." -Gary K. Wolf, LOCUS Magazine
"Gardner Dozois is of course the granddaddy of the annual anthology...His housebrick of a collection…is the closest thing the field has to a single 'canon-forming' volume." -Strange Horizons magazine
Publishers Weekly
Dozois's Year's Best, like any successful representative of a large constituency, sometimes suffers from blandness and inconsistency. As usual, it's oversized23 stories, nearly 600 pagesand includes a variety of types of SF as well as near-horror, fantasy and humor. Five of the stories are final nominees for Nebulas, and two new ``Hainish'' stories by Ursula LeGuin were nominated for Tiptree Awards; ``The Matter of Segrri'' won. No story here is less than competent and professional; but, with a few exceptions, there is a voiceless sameness in the writing, practically a house style, that over so many pages grows tedious. (Nearly half the stories, by page count, come from the Dozois-edited Asimov's Science Fiction.) A number are flawed (``hard'' SF stories about ``aliens'' that think just like humans) or unremarkable, but these are outweighed by many fine pieces and by standouts such as LeGuin's ``Forgiveness Day,'' perhaps the best story in the book; Eliot Fintushel's ``New Wave''-like ``Ylem''; William Sanders's ``Going After Old Man Alabama'' and Terry Bisson's ``The Hole in the Hole,'' both of which are winning and funny; Katherine Kerr's chilling ``Asylum''; and Michael Bishop's grand and humane ``Cri de Coeur.'' Dozois's intelligently and ably put-together anthology does its stated job as well as any one book or editor could. Even with competition, it would still be the best of the Best. (July)Publishers Weekly
This annual anthology remains the best one-stop shop for short fiction, and it's a must for fans of literary SF. The notion of intelligence links several stories. Nancy Kress, in "Computer Virus," posits an intelligent computer program trying to save its life, but it does so by risking that of a child. The dense and busy "Lobsters" by Charles Stross considers the implications of denying intelligent uploaded constructs here, of lobsters human rights or autonomy. Michael Blumlein's zany "Know How, Can Do," easily the best story, posits a self-aware worm linked to a human brain, told from the point of view of the worm, "Flowers for Algernon"-style, as it acquires human intelligence, language and emotions. Alternative realities remain a productive theme. In "The Two Dicks," Paul McAuley posits an alternative reality where Philip K. Dick, who in this world wrote mainstream fiction instead of SF, meets Nixon. Ken MacLeod's ambitious, character-driven "The Human Front," set in an alternative reality just a little different from ours, describes a man's growth toward adulthood in a war-torn Britain. Dan Simmons, Alastair Reynolds, Maureen F. McHugh and Paul Di Filippo also contribute especially memorable tales. Although one could quibble with Dozois's choices and there are one or two clunkers in here this anthology is an enjoyable read that overall maintains high standards of quality and variety. It's essential for SF fans who simply don't have time to separate the wheat from the chaff on their own. (July 23) Copyright 2002 Cahners Business Information.Publishers Weekly
As in previous volumes in this series, Dozois, who has won the Hugo for Best Editor 11 times, again presents a large helping of stellar short SF. Nine of the 27 stories are, quite appropriately, from his own magazine, Asimov's, which continues to dominate the various genre awards. Dozois also includes four stories each from Fantasy and Science Fiction and the British Interzone. Also represented are Analog, Amazing, Science Fiction Age, and two semi-pro magazines, Absolute Magnitude and the Australian Altair, as well as such original anthologies as Moon Shots, Not of Women Born and the Canadian Tesseracts. Among the high points are two time-travel pieces, Kage Baker's story of San Francisco before the great earthquake, "Son Observe the Time," and Michael Swanwick's pre-historic time-paradox tale, "Scherzo with Tyrannosaurus"; Eleanor Arnason's understated story of alien gender-role reversal, "Dapple"; Kim Stanley Robinson's "A Martian Romance," which is set not in the world of his Mars trilogy but in a subtly alternate universe; and Greg Egan's "Border Guards," hard-SF that imagines a future in which immortality is a given and soccer is played using the principles of quantum physics. Also included is quality fiction by such luminaries of the field as James Patrick Kelly, Frederik Pohl, Ben Bova, Robert Silverberg and Paul McAuley, plus such rising stars as David Marusek, Alastair Reynolds and Sage Walker. As usual, the anthology begins with a detailed survey of the year in SF and ends with a long list of Honorable Mentions. Dozois's annual volume remains a standard by which the field of SF should be judged. (July) Copyright 2000 Cahners Business Information.|Publishers Weekly
Veteran editor Dozois, 15-time Hugo winner, offers 30 stories, several of them Hugo-nominated. The table of contents is dominated by familiar names like Michael Swanwick and Greg Egan, but occasionally leavened with relative newcomers like Hannu Rajaniemi and more obscure authors like James Alan Gardner. Settings range from the present-day (Nancy Kress's "The Erdmann Nexus") to the distant future (Ian McDonald's "The Tear") and alternate history (Aliete de Bodard's "Butterfly, Falling at Dawn"). Similarly the moods range from relatively upbeat (Dominic Green's "Shining Armour") to pessimistic (Swanwick's "From Babel's Fallen Glory We Fled"). In some entries the SF elements appear to be almost an afterthought, but most earn their inclusion. Dozois also provides short biographies, a detailed overview of the year in SF and a lengthy list of honorable mentions. This is a worthy addition to a venerable series. (July)
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