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A Common Pornography by Kevin Sampsell β€” book cover

A Common Pornography

by Kevin Sampsell
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Overview

In 2003 Kevin Sampsell authored a chapbook memoir of the same title. It was written as a kind of "memory experiment," in which he recollected luminous details from his childhood in independently amusing chapters. It functioned as an experiential catalogue of American youth in the 70s and 80s.

In 2008 Kevin's estranged father died of an aneurysm. When he returned home to Kennewick, Washington for the funeral, Kevin's mother revealed to him disturbing threads in their family history -- stories of incest, madness, betrayal, and death -- which retroactively colored Kevin's memories of his upbringing and youth. He learned of his mother's first two husbands, the fathers of his three older, mythologized half-siblings, and the havoc they wreaked on his mother. He learned of his own father's seething resentment of his step-children, which was expressed in physical, psychological, and sexual abuse. And he learned more about his oldest step-sister, Elinda, who, as a young girl, was labeled "feebleminded" by a teacher. When she became a teenager, she was sent to a psychiatric hospital. She entered the clinic at 98 pounds. She left two years later 200 pounds, diabetic, having endured numerous shock treatments. Then, after finally returning home, she was made pregnant by Kevin's father. Only at the end of the book do we learn what chance in life a person like this has.

While his family's story provides the framework of the book, what's left in between is Kevin's story of growing up in the Pacific Northwest. He tells of his first jobs, first bands, first loves, and one worn, teal blue suitcase filled with the choicest porn in all of Kennewick, Washington.

Employing the same form of memoir as he did in his previous book, Kevin intertwines the tragic with the everyday, the dysfunctional with the fun, lending A COMMON PORNOGRAPHY its undeniable, unsensationalized reality. The elastic conceit of his "memory experiment" captures the many shades and the whole of the Sampsell family -- both its tragedy and its resiliency. Kevin relates this history in a charming, honest, insightful, and funny voice.

Synopsis

A Common Pornography explores the fragmented world of youthful memories in a style at once spare, haunting, and uncomfortably nostalgic. Kevin Sampsell's daring and creative style of memoir is peppered with insightful (perhaps distracting) footnotes by Mike Daily and ethereal photo-colleges by Melody Owen to create a literary montage unlike anything of recent memory.

About the Author, Kevin Sampsell

Kevin Sampsell lives in Portland, Oregon, and works at the legendary Powell's City of Books. He started his small press, Future Tense Books, in 1990 and has published small books by many of America's most exciting new writers. His own writing has appeared widely in publications such as Nerve, McSweeney's, Pindeldyboz, 3 AM, Hobart, Night Train, Elimae, Smith, Opium, and Failbetter. His essays and reviews of books and music have also appeared in various publications.

His previous books include Beautiful Blemish (Word Riot Press) and Creamy Bullets (Chiasmus). He also edited the anthologies The Insomniac Reader (Manic D Press) and Portland Noir (Akashic).

Reviews

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Editorials

Publishers Weekly

A memoir in collage form, this frank but fragmented narrative chronicles the author's early life in the Pacific Northwest. Told in a series of small pieces, some less than a quarter of a page long, Sampsell follows a stream-of-consciousness series of memories centering loosely around a collection of family secrets unearthed after his father's funeral. Replicating the effects of memory, Sampsell's chronicle begins piecemeal and becomes more detailed as it goes, emphasizing the unfiltered honesty of the story and his efforts to tell it. Though it can be frustrating waiting for the pieces to add up, there's enough bathos, dysfunctional family antics and coming-of-age adventures-naked photoshoots, psychiatric hospitalizations, late-night donut shops and the tri-city New Wave scene-to keep readers turning pages. Sampsell's eye for detail and deadpan delivery envliven a dark personal history with bathos and a powerful desire for understanding.
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Kirkus Reviews

A pop-culture-infused, sexually charged memoir of growing up in the Pacific Northwest in the 1970s. Sampsell (Creamy Bullets, 2008, etc.) structures the narrative as a series of brief vignettes, retroactively assembling the jagged pieces of a family history splintered by abuse, abortion, incest, addiction and institutionalization. The author effectively combines swift, lyrical prose and provocative subject matter, including childhood and adolescent exploits in suburban environs, fluctuating interpersonal relationships, sexual experimentation, popular music, pornography addiction, Catholicism and racial tension. The author presents his work as a "memory experiment" spurred by the death of his father and the resulting revisitation of old places; the fragmentation of the narrative reflects the piecemeal nature of memory. In the introduction, Sampsell focuses tightly on his father, presenting him as a wrathful phantasm. The author then moves on to his adolescence, during which he remained ignorant of his complex and troubled father's greatest transgressions. He chronicles his growing interest in radio broadcasting, relationships and sex. Eventually he had a son of his own, prompting an oath to be a better father than his had been, but we see little of that father/son relationship, other than an occasional mention. It's an odd reticence, considering the candor with which Sampsell describes the loss of his virginity to an impassive prostitute, or his participation in mutual masturbation in a sex-shop video booth. Crisp, punchy reminiscences that mostly resonate but occasionally ring hollow. Author events in New York, Boston, Washington, D.C., Los Angeles, San Francisco, Portland, Ore., Seattle

Book Details

Published
May 2, 2002
Publisher
Future Tense Books
Pages
60
Format
Paperback
ISBN
9781892061157

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