All and Sundry: Uncollected Work, 2004-2009
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Overview
All and Sundry: Uncollected Work 2004-2009 corrals Paul Hornschemeier’s work from the last five years — work previously ungathered, and in many cases never before seen in print.These works span the globe, from periodicals to museums, including: con¬ceptual drawings and comics of Ulysses S. Grant created for an exhibit in Paris; an award-winning cover exhibited in the Victoria and Albert Museum in London; the seventeen-part serialized tale of divine intervention, non-linearity, and social webs “Huge Suit Visits the People” created for the celebrated German newspaper Frankurter Allgemeine Zeitung; and comic strips for The Wall Street Journal and CNN featuring the unlikely cartoon protagonists of Michael Jackson, Sylvester Stallone as Rambo, and the “gray fox,” Anderson Cooper. In addition to these oddities, All and sundry collects covers and designs from multiple foreign editions of Paul’s books, ranging from Holland to Korea, as well as short, illustrated prose (thus far seen only in the pages of the anthology MOME).
The collection concludes with extensive selections from sketches and sketchbooks, providing an unusual glimpse at the chaotic world of Hornschemeier’s work, before the polishing of lines and colors of the printed page. Here we see how works have developed and what the future holds for still gestating projects.
All and Sundry, perhaps more than any previous collection of Hornschemeier’s work, demonstrates the variety and depth of the artist’s interests and pursuits, and invites an examination of the entirety of his process, from first fevered scrawl to final, pristine brush line.
Synopsis
A hefty volume of uncollected work from the acclaimed creator of The Three Paradoxes.
Publishers Weekly
It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs, Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color–heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded. (Oct.)