Overview
“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."—Annie Leibovitz
Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.
Synopsis
“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
—Annie Leibovitz
Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.
The New York Times - Thomas Mallon
In one of her many meditations on the taking of pictures, Susan Sontag wrote that "all photographs aspire to the condition of being memorablethat is, unforgettable." Annie Leibovitz, Sontag's lover before her death in 2004, says she doesn't really "have a single favorite photograph" among those she's taken; it's her body of work, its "accumulation," that gives her the most satisfaction. And yet Annie Leibovitz at Work, the latest of her books, makes a viewer realize how many of Leibovitz's pictures have managed, individually, to fulfill the egoistic aspiration Sontag ascribed to all photographs.
Editorials
From Barnes & Noble
"I've created a vocabulary of different styles. I draw from many different ways to take a picture." In one way, we've all been taking Annie Leibovitz for granted. Over the decades, we have savored whole cascades of her artistry in books, in magazines, on album covers. Our easy immersion in her celebrity photographs has blinded us to the realization that she has been incrementally building a body of work that continues to grow more impressive with each passing year. In Annie Leibovitz at Work, she draws on her entire history of picture taking to reveal her strategies, her successes, and her challenges.Thomas Mallon
In one of her many meditations on the taking of pictures, Susan Sontag wrote that "all photographs aspire to the condition of being memorable—that is, unforgettable." Annie Leibovitz, Sontag's lover before her death in 2004, says she doesn't really "have a single favorite photograph" among those she's taken; it's her body of work, its "accumulation," that gives her the most satisfaction. And yet Annie Leibovitz at Work, the latest of her books, makes a viewer realize how many of Leibovitz's pictures have managed, individually, to fulfill the egoistic aspiration Sontag ascribed to all photographs.—The New York Times
Library Journal
Known for her celebrity portraits, Leibovitz (A Photographer's Life) has continued to redefine portraiture for almost four decades. This book is a departure in that she discusses her personal approaches, trials, and discoveries as a professional photographer, pairing detailed memories and technical discussions with images of her most iconic celebrity portraits (including the Rolling Stones, Demi Moore, John Lennon, and Queen Elizabeth). The book adheres to a chronological format-from Leibowitz's earliest black-and-white photos of the Rolling Stones and John Lennon to her conceptual color portraits from the 1980s that feature the Blues Brothers in blue face and Whoopi Goldberg submerged in a bathtub of milk. Also included are personal and family photographs as well as her most recent photo shoots for Vanity Fair, including the Obama and Clinton campaigns. Unlike traditional coffee-table books, this work is modest in size yet beautifully printed, but what makes it special is the informal commentary on the making of each image. Highly recommended for all collections.
—Shauna Frischkorn