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Photography - History, Criticism, & Collections

Annie Leibovitz at Work

by Annie Leibovitz
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Overview

“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
—Annie Leibovitz

Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

Synopsis

“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
—Annie Leibovitz

Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

The New York Times - Thomas Mallon

In one of her many meditations on the taking of pictures, Susan Sontag wrote that "all photographs aspire to the condition of being memorable—that is, unforgettable." Annie Leibovitz, Sontag's lover before her death in 2004, says she doesn't really "have a single favorite photograph" among those she's taken; it's her body of work, its "accumulation," that gives her the most satisfaction. And yet Annie Leibovitz at Work, the latest of her books, makes a viewer realize how many of Leibovitz's pictures have managed, individually, to fulfill the egoistic aspiration Sontag ascribed to all photographs.

About the Author, Annie Leibovitz

Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was a career officer in the Air Force and her childhood was spent on a succession of military bases. While studying painting at the San Francisco Art Institute she took night classes in photography, and in 1970 she began working for Rolling Stone magazine. She became Rolling Stone’s chief photographer in 1973. By the time she left the magazine, ten years later, she had shot one hundred and forty-two covers and published photo essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. She joined the staff of Vanity Fair in 1983 and in 1993 also began working for Vogue. In addition to her magazine editorial work, Leibovitz has created influential advertising campaigns for American Express, the Gap, the Milk Board, and Louis Vuitton. She has worked with many arts organizations, including American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov. Her books include Annie Leibovitz: Photographs (1983), Photographs: Annie Leibovitz, 1970—1990 (1991), Olympic Portraits (1996), Women (1999), American Music (2003), and A Photographer’s Life (2006). Exhibitions of her work have appeared in museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.

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Editorials

From Barnes & Noble

"I've created a vocabulary of different styles. I draw from many different ways to take a picture." In one way, we've all been taking Annie Leibovitz for granted. Over the decades, we have savored whole cascades of her artistry in books, in magazines, on album covers. Our easy immersion in her celebrity photographs has blinded us to the realization that she has been incrementally building a body of work that continues to grow more impressive with each passing year. In Annie Leibovitz at Work, she draws on her entire history of picture taking to reveal her strategies, her successes, and her challenges.

Thomas Mallon

In one of her many meditations on the taking of pictures, Susan Sontag wrote that "all photographs aspire to the condition of being memorable—that is, unforgettable." Annie Leibovitz, Sontag's lover before her death in 2004, says she doesn't really "have a single favorite photograph" among those she's taken; it's her body of work, its "accumulation," that gives her the most satisfaction. And yet Annie Leibovitz at Work, the latest of her books, makes a viewer realize how many of Leibovitz's pictures have managed, individually, to fulfill the egoistic aspiration Sontag ascribed to all photographs.
—The New York Times

Library Journal

Known for her celebrity portraits, Leibovitz (A Photographer's Life) has continued to redefine portraiture for almost four decades. This book is a departure in that she discusses her personal approaches, trials, and discoveries as a professional photographer, pairing detailed memories and technical discussions with images of her most iconic celebrity portraits (including the Rolling Stones, Demi Moore, John Lennon, and Queen Elizabeth). The book adheres to a chronological format-from Leibowitz's earliest black-and-white photos of the Rolling Stones and John Lennon to her conceptual color portraits from the 1980s that feature the Blues Brothers in blue face and Whoopi Goldberg submerged in a bathtub of milk. Also included are personal and family photographs as well as her most recent photo shoots for Vanity Fair, including the Obama and Clinton campaigns. Unlike traditional coffee-table books, this work is modest in size yet beautifully printed, but what makes it special is the informal commentary on the making of each image. Highly recommended for all collections.
—Shauna Frischkorn

Book Details

Published
November 1, 2008
Publisher
Random House Publishing Group
Pages
240
Format
Hardcover
ISBN
9780375505102

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