Publishers Weekly - Publisher's Weekly
A crucial aesthetic issue in SF is how well the science and fiction meld. In Kress's writings, there are never the crude info-dumps or token, thin characters endemic to much of the genre. Every story of the 13 reprinted in this volume has, in addition to the science--sometimes rigorous and detailed, sometimes extrapolated and fantastically ramified--compelling human beings (or other sentients) entangled with one another in ways that are psychologically real. Leading off is the Hugo-winning novella "Beggars in Spain" (1991), which led to Kress's highly regarded Beggars series of novels. From the simple premise of a genetically engineered ability to do without sleep, Kress weaves a compelling tale of factional and personal conflicts in a future meritocracy. Closing the collection is another novella, "Dancing on Air," in which Kress explores the implications of genetic enhancements against the perfectly apt background of stage mothers and their thoroughbred ballerina daughters. This story contains some of the best "alien" POV narrative anyone is likely to see, with the "alien" being a genetically enhanced Doberman. Nearly perfect is "Always True To Thee, in My Fashion," a parodic take on the fashion world in which mood-altering designer drugs go in and out with the clothes. Other stories explore chaos theory, alternate history and, exquisitely in "Summer Wind," the human experience of aging and the passage of time. A recurrent weakness is the crowding of thematic metaphors in a heavy-handed way, so that the plotting at times is greatly overworked. Subplots sometimes converge and provide resonance to the theme as if they created a mathematical proof rather than an organic story. Even in these tales, however, there is much to admire and fascinate. (Aug.)
Kliatt Magazine
…this is a definitve tour de force which nicely packages so many of Kress's best efforts.
Kirkus Reviews
Kress's first story collection since The Aliens of Earth (1993) comprises 13 tales, 1991þ97, and includes the original novella-length version of her splendid Beggars in Spain. Kress shows her talents to best effect when combining several situations and ideas: an alien detective story, in which the murderer does the investigating, that probes the nature of consensual reality; designer drugs, mysterious deaths, and the piercing emotions aroused when love ends abruptly; a fine Sleeping Beauty variant; Adam and Eveþthe feminist version; and an odd, provocative, insidious yarn that, in one of several possible interpretations, promises that on Judgement Day it will be God, not humanity, whoþll be judged. Also on the agenda: ideal beings and chaos theory; genetic engineering and vengeance; cloning; drug-resistant bacteria on the rampage; plus implants, ballet, and mothers. Finally, in a lighter vein: thanks to his interfering old schoolteacher, Walt Disney turns his back on cartoons and instead becomes a third-rate painter; and emotions are acquired, displayed, and discarded like designer fashions. With her focus always on people rather than on gadgets or even ideas, Kress at her best is as incisive and subtle as any. And if you don't like the stories, you can always ponder the collection's baffling title.