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Beginnings: A Memoir by Horton Foote β€” book cover

Beginnings: A Memoir

by Horton Foote
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Overview

Pulitzer Prize-winning author Horton Foote has chronicled the experiences of American life in both his internationally acclaimed plays and his Academy Award-winning screenplays To Kill a Mockingbird and Tender Mercies. Now, in this poignant and delightful memoir, he tells the story of how he discovered his own vocation.

Horton Foote recalls his youthful aspirations, leaving his Depression-era Texas home to become an actor at age sixteen. He lands in New York City to search for work β€” and to study with some of the great Russian and American drama teachers of the 1930s. But after mixed results on the stage, he finally recognizes his true passion: the written word.

Collaborating with such legendary talents as Tennessee Williams, Agnes de Mille, and Lillian Gish, Foote thrived in a world of artistic commitment and creative passion. Yet through it all, Horton maintained his genuine Southern charm, often returning home to Wharton, the town that nurtured and inspired him as a storyteller.

From one of the most moving and distinctive voices of our time, Beginnings is a rare, personal look at a fascinating era in American life and at the making of an American literary icon.

Synopsis

Pulitzer Prize-winning author Horton Foote has chronicled the experiences of American life in both his internationally acclaimed plays and his Academy Award-winning screenplays To Kill a Mockingbird and Tender Mercies. Now, in this poignant and delightful memoir, he tells the story of how he discovered his own vocation.

Horton Foote recalls his youthful aspirations, leaving his Depression-era Texas home to become an actor at age sixteen. He lands in New York City to search for work — and to study with some of the great Russian and American drama teachers of the 1930s. But after mixed results on the stage, he finally recognizes his true passion: the written word.

Collaborating with such legendary talents as Tennessee Williams, Agnes de Mille, and Lillian Gish, Foote thrived in a world of artistic commitment and creative passion. Yet through it all, Horton maintained his genuine Southern charm, often returning home to Wharton, the town that nurtured and inspired him as a storyteller.

From one of the most moving and distinctive voices of our time, Beginnings is a rare, personal look at a fascinating era in American life and at the making of an American literary icon.

Book Magazine

Playwright and screenwriter Horton Foote never hurries his stories. His plays reveal their secrets slowly. Even the film version of To Kill a Mockingbird, for which Foote wrote the screenplay, features a series of graceful, lingering scenes. So it should come as no surprise that Foote takes his sweet time with this memoir. Beginnings, which starts where 2000's Farewell ends, recounts Foote's move in the middle of the Depression to Pasedena, California, where he was an acting student at the Pasedena Playhouse. Foote tells dozens of absorbing anecdotes about his life, including his struggles to drop his Texan accent and his first years as a starving actor in New York. Some readers may find the languid pace frustrating, but those willing to exercise patience will find this memoir enthralling.
—Jack Helbig

About the Author, Horton Foote

Horton Foote, born in Wharton, Texas, in 1916, has written and adapted over fifty plays and screenplays, including The Trip to Bountiful, The Young Man from Atlanta, Tender Mercies, and To Kill a Mockingbird. In 1996 he was elected to the Theatre Hall of Fame, and in 1998, to the American Academy of Arts and Letters, from which he received the Gold Medal for Drama for his life's work. Foote has won two Oscars, a Pulitzer Prize, Writers Guild awards, and the PEN/Laura Pels Foundation Award for Drama, and was most recently awarded the president's National Medal of Arts from former President Bill Clinton.

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Editorials


Playwright and screenwriter Horton Foote never hurries his stories. His plays reveal their secrets slowly. Even the film version of To Kill a Mockingbird, for which Foote wrote the screenplay, features a series of graceful, lingering scenes. So it should come as no surprise that Foote takes his sweet time with this memoir. Beginnings, which starts where 2000's Farewell ends, recounts Foote's move in the middle of the Depression to Pasedena, California, where he was an acting student at the Pasedena Playhouse. Foote tells dozens of absorbing anecdotes about his life, including his struggles to drop his Texan accent and his first years as a starving actor in New York. Some readers may find the languid pace frustrating, but those willing to exercise patience will find this memoir enthralling.
β€”Jack Helbig

Publishers Weekly

"The lady opened her eyes then and looked up at me, and said, `Seven hundred and fifty dollars is a fortune to me. A fortune.' `Yes, ma'am,' I said, and I wished she would get off the subject. I felt guilty enough about my daddy spending the money without her going on about it." This conversation about acting school tuition, between the author and a woman on a bus during the depression, is emblematic of the tone of this memoir and the bulk of Foote's dramatic work (which concern both the conflicting worlds of his quiet Texas hometown and boisterous 1930s New York). The author of The Trip to Bountiful and scenarist for To Kill a Mockingbird, winner of two Academy Awards and a Pulitzer Prize, has penned a nostalgic record of his early career, picking up where his earlier memoir, Farewell (2001), left off. Foote has a gentle way with words and emotions, and while his early days at Pasadena Playhouse were difficult he had to lose his strong Texas accent to even be considered for roles, and dealt with family tragedies (e.g., an uncle's suicide) and near-fatal appendicitis the tenor and temper of his writing is always calming. After moving to New York in 1935, Foote continued acting, but also took up writing at the suggestion of Agnes de Mille and launched a new career as a playwright. Foote's portrayal of the New York theater and arts scene in the mid-1930s is fascinating he met or knew everyone from Lynn Riggs (who wrote the play upon which Oklahoma was based) to Tennessee Williams and the book ends after he meets his future wife, Lillian Vallish. Often scanty in details or world-shaking insights, Foote's chronicle is still as charming as his plays and will be welcomed by his fans. (Nov.)Copyright 2001 Cahners Business Information.

Kirkus Reviews

A wearisomely folksy account of a young actor's apprenticeship in the 1930s. Renowned playwright Foote takes up where Farewell (1999) left off, with his Depression-era departure from his hometown of Wharton, Texas, for a now-defunct acting school in Pasadena, California. He arrived in Pasadena a polite young rube and, judging by the aw-shucks narrative voice, left a polite young rube who could act. Considering that Dorothy Parker was then in her acerbic prime, it's astounding that he could manage-particularly given a life in the theater-to have remained so untouched by irony or worldliness. Foote's naivete is initially endearing but eventually cloying. Given his distinguished career in the theater and the movies, he obviously has a fine and discriminating mind. Yet the performer who emerges in these pages shows no promise whatsoever. Nor does the more retrospective author allow himself any discriminating comments about the productions he watched or took part in, the theatrical training he enjoyed, or his own emotional development, if indeed it ever occurred. When he confides that Pauline Lord's performance in Ethan Frome was the "most moving" that he ever saw, he never describes what so impressed him, but simply excerpts the New Republic's review of the show. Meanwhile, Foote adds enough descriptions of friends and events presumably of great interest to the author (an entire chapter is devoted to his appendectomy) to make him a double for your most rambling uncle-for example, when he repeats nearly verbatim the story of a friend's announcement that she is off to Germany only seven pages after already having mentioned it. The memoir cries out for a ruthless editor to help theoctogenarian author give shape and meaning to his narrative. Academics writing about Foote's life and work will have to slog through these unselective, self-indulgent memoirs; other, luckier souls can just say no.

Book Details

Published
December 1, 2002
Publisher
Simon & Schuster Adult Publishing Group
Pages
272
Format
Paperback
ISBN
9780743211161

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