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Black Swan Green by David Mitchell — book cover

Black Swan Green

by David Mitchell
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Overview

From the author of Cloud Atlas, now a major motion picture starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant, and directed by Lana and Andy Wachowski and Tom Tykwer

From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new.

Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.

Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date.

Synopsis

From highly acclaimed two-time Man Booker finalist David Mitchell comes a glorious, sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new.In his previous novels, David Mitchell dazzled us with his narrative scope and his virtuosic command of multiple voices and stories. The New York Times Book Review said, "Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across [Cloud Atlas's] every page." Black Swan Green inverts the telescopic vision of Cloud Atlas to track a single year in what is, for 13-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the 13 chapters create an exquisitely observed world that is anything but sleepy. Pointed, funny, profound, left field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell's subtlest yet most acc...

The Washington Post - Ron Charles

Mitchell makes all this look easy, but from the pen of anyone less gifted, these stories would turn precious, maudlin or dull. He has a perfect ear for that most calamitous year, the first of the teens, when we come face-to-face with the volatile nature of life. There's plenty of sadness in that discovery, of course, but humor, too, and he spins them together subtly in this touching novel.

About the Author, David Mitchell

David Mitchell is one of Granta’s Best of Young British Novelists 2003. His first novel, Ghostwritten, won the Mail on Sunday/John Llewellyn Rhys Prize and was shortlisted for the Guardian First Book Award and his second, number9dream, was shortlisted for the Booker Prize. He lives in Herefordshire, England.

Reviews

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Editorials

From Barnes & Noble

With this delightful coming-of-age tale, David Mitchell forsakes the grandiose settings and narrative leaps of his prior novel (the award-winning Cloud Atlas) for a seemingly miniaturized sort of novel. As he follows teenage Jason Taylor through 13 months of life in a sleepy English village (the Black Swan Green of the title), Mitchell explores themes as large as love, war, cruelty, courage, and poetry -- all through the voice of a stammering boy trying to survive school, his parents' disintegrating marriage, and the secret burden of his own hopes and dreams.

From the Publisher

"Mitchell's rendering of time and place in this new book has a warm and lived-in feel. . . . [W]hat Mitchell has set out to do here – to capture the flux of youth, and to dazzle the reader with everyday, awkward human interaction rather than clever narrative conceits – is risky and rewarding. . . . Mitchell's obvious efforts to please the reader work wonderfully, and the novel is never less than tremendously engaging. . . ."
Toronto Star

"Warmly personal, funny and as matter-of-fact and grounded as [Mitchell’s] other books are enigmatic and lofty, Black Swan Green has a strong autobiographical flavour. . . . An easy and enjoyable read, Black Swan Green is at its most compelling when the dialogue is fraught with tension. . . . [I]t offers more in the way of intimacy [than Mitchell’s other work]: It offers a friendship with its precocious and well-meaning young narrator that persists well beyond the last word."
The Globe and Mail

Praise for David Mitchell:
“David Mitchell entices his readers on to a rollercoaster. . . . Then – at least in my case – they can’t bear the journey to end. . .a complete narrative pleasure that is rare. . . .Powerful and elegant. . . . He isn’t afraid to jerk tears or ratchet up suspense – he understands that’s what we make stories for. . . . He plays delicious games with other people’s voices, ideas and characters.”
—A. S. Byatt, The Guardian (UK)

“Audacious, exhilarating. . . . A formidable creation. . . . [Mitchell’s] brilliance takes one’s breath away in a manner not unlike a first experience of Chartres or the Duomo. It is a pleasure to sit inside such an edifice, and to marvel. Repeat visits are in order. Each time, a little more structure is revealed. Each time, the space grows less intimidating. Until, finally, it is just a book, one that you are reading with amazement and delight.”
The Globe and Mail

Praise for Cloud Atlas:
Cloud Atlas is a head rush, both action-packed and chillingly ruminative.”
—People

“Mitchell has the imagination and technique to deliver a fully figured world with its own language, landscape and customs. An astonishing range of textures and voices are combined to make these worlds feel real. . . . An exorbitant artistic effort has yielded an overwhelming literary creation. . . . Mitchell’s storytelling in Cloud Atlas is of the best.”
The Independent

Ron Charles

Mitchell makes all this look easy, but from the pen of anyone less gifted, these stories would turn precious, maudlin or dull. He has a perfect ear for that most calamitous year, the first of the teens, when we come face-to-face with the volatile nature of life. There's plenty of sadness in that discovery, of course, but humor, too, and he spins them together subtly in this touching novel.
— The Washington Post

Publishers Weekly

Any "whingers" out there won't feel comfortable in Mitchell's new novel of burgeoning and cruel adolescent boys in the rural but hardly pastoral England village of Black Swan Green. Heyborne, who performed one of the characters in the audiobook of Mitchell's Cloud Atlas, embodies the voice of 13-year-old Jason Taylor to perfection. His timbre is youthful and a tad reluctant, as might be expected of a teenager with a stammer who wants desperately to fit in with his rowdy friends. Jason's friends sound too much like Jason himself, but since they are viewed from Jason's perspective and since boys in a clique do tend to sound alike, the choices Heyborne makes are not problematic. The 1980s Worcestershire slang is more challenging, however. The addition of the letter "y" to words to form adjectives is somewhat "educationy," but it is sometimes hard to work through regionalisms that one cannot see in order to place them better. Although Mitchell's novel doesn't lives up to Lord of the Flies, which it derives from, Heyborne's performance is both compelling and compassionate, and the audio is entertaining and highly rewarding. Simultaneous release with the Random House hardcover (Reviews, Jan. 2). (Apr.) Copyright 2006 Reed Business Information.

Library Journal

Mitchell, author of the amazing Cloud Atlas, re-creates the parallel universe inhabited by a 13-year-old English boy in 1982. It's a world of superstition, misinformation, obsession with social status, the mystery of girls, popular songs, school, his family's increasing dysfunction, and dimly understood political upheaval. Mostly though, Jason Taylor struggles with his stammer ("the hangman") and bullies. If they ever find out he writes poetry (as Eliot Bolivar), he'll just die. As in previous books, Mitchell's structure is a series of stories that add up to a novel. Recorded, some of the stories seem to end abruptly, but Kirby Heyborne's reading is a treat, never more so than when he tackles the accent of Madame Eva van Outryve de Crommelynck, an elderly migr who counsels Jason about his poetry, confronting him with a sophistication he can scarcely have imagined. From Jason's first cigarette to his first kiss, this novel finds the strange in the quotidian. The antique Brit slang delights as often as it baffles. Highly recommended as a great performance of one of the better novels of the year. John Hiett, Iowa City P.L. Copyright 2006 Reed Business Information.

School Library Journal

Adult/High School-Thirteen chapters provide a monthly snapshot of Jason Taylor's life in small-town England from January 1982 to January 1983. Whether the 13-year-old narrator is battling his stammer or trying to navigate the social hierarchy of his schoolmates or watching the slow disintegration of his parents' marriage, he relates his story in a voice that is achingly true to life. Each chapter becomes a skillfully drawn creation that can stand on its own, but is subtly interwoven with the others. While readers may not see the connectedness in the first two thirds of the book, the final three sections skillfully bring the threads together. The author does not pull any punches when it comes to the casual cruelty that adolescent boys can inflict on one another, but it is this very brutality that underscores the sweetness of which they are also capable. With its British slang and complex twists and turns, this title is not a selection for reluctant readers, but teens who enjoy multifaceted coming-of-age stories will be richly rewarded. The chapter entitled "Rocks," which centers around the British conflict in the Falkland Islands in May 1982, is especially compelling as Jason and his peers deal with the death of one of their own. Mitchell has been hailed as one of the great new authors of the 21st century; with Black Swan Green, he shows again how the best books challenge readers' complacency.-Kim Dare, Chantilly Regional Library, Fairfax County, VA Copyright 2006 Reed Business Information.

Kirkus Reviews

Adolescent angst during the Margaret Thatcher-inflected year of 1982 is the subject of two-time Booker nominee Mitchell's lively (autobiographical?) fourth novel. It contrasts strikingly with the matter, and manner, of the intricate "systems novels" (Ghostwritten, 2000; Number9Dream, 2001; Cloud Atlas, 2004) that made his reputation, if only in the racy anguished voice of its 13-year-old narrator Jason Taylor. Jason, who grows up in a sleepy, quaintly named eponymous Worcestershire village, suffers from a mortifying speech defect (he stammers), his older sister Julia's stony condescension, his schoolmates' casual malice and repeated outcroppings of inopportune "boners." In short, he's a kid-albeit, in Mitchell's deft hands, an intriguingly sentient and thoughtful one. There are wonderful scenes of sexual near-discovery and boyish bravado set in the woods near Jason's home (in the vicinity of the Malvern Hills immortalized in William Langland's medieval poem "Piers Plowman"), which segue into more individual focus as we observe Jason's healing encounter with a reclusive "old witch," strained relations with his control-freak Dad (a harried supermarket manager) and weary Mum (who wants her independence) and an educative brief relationship with an aged bohemian (Madame Crommelnyck) who happens upon the poems Jason furtively writes (as "Eliot Bolivar") and-in the grandest of manners-undertakes to educate him. The episodic narrative thus proceeds through numerous embarrassments and enlightenments, within the confusing contexts of the Falklands War (Great National Crusade, or chauvinist folly?), Black Swan Green's communal plans to regulate the lives of its new gypsy population and Jason'spainful adjustment to his own emergent life and the fact that the stable family relationship that has always sheltered as well as smothered him is a thing equally capable of growth, change and confusion. Great Britain's Catcher in the Rye-and another triumph for one of the present age's most interesting and accomplished novelists.

Book Details

Published
February 1, 2007
Publisher
Random House Publishing Group
Pages
304
Format
Paperback
ISBN
9780812974010

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