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Overview
The New York Times Bestseller from the beloved author of Bird by Bird and Traveling Mercies.
Mattie Ryder is marvelously neurotic, well-intentioned, funny, religious, sarcastic, tender, angry, and broke. Her life at the moment is a wreck: her marriage has failed, her mother is failing, her house is rotting, her waist is expanding, her children are misbehaving, and she has a crush on a married man. Then she finds a small rubber blue shoe—nothing more than a gumball trinket—left behind by her father. For Mattie, it becomes a talisman—a chance to recognize the past for what it was, to see the future as she always hoped it could be, and to finally understand her family, herself, and the ever-unfolding mystery of her sweet, sad, and sometimes surprising life.
Synopsis
The NEW YORK TIMES BESTSELLER from the beloved author of Bird by Bird and Traveling Mercies.
A funny, warm, and wise novel about family and forgiveness from an author acclaimed as "nothing short of miraculous" (The New Yorker).
Book Magazine
Lamott's sixth novel shows her protagonist, Mattie Ryder, dealing with the sorts of temptations to which devout Christians rarely admit. Can middle-aged Mattie, a beleaguered mother and daughter, remain an essentially moral person while continuing to sleep with (and wanting to kill) her philandering ex-husband? Should she covet the affections of her handyman friend, who is faithfully, if not happily, married? It's a test of faith for Lamott's characters to find evidence of God's grace amid lives of such messy complexity, but the author shows that it's possible to find Jesus (as she herself has) without losing a sense of humor. Lamott's tragicomic embrace of life's travails and blessings reads like born-again Anne Tyler with a hippie past, depicting a generation that has exchanged the radical rebellions of the '60s for the comforts of lattes and white wine, National Public Radio and diminished expectations. There are a lot of flaws to be found in this book soap opera complications, politically correct clichés but there's also a lot of life. Author Don McLeese
Editorials
From Barnes & Noble
When single mom Mattie Ryder finds a tiny blue rubber shoe in her dead father's car, she decides to investigate how it got there. What should have been a little trinket mystery turns into the key to her relationship with both her parents. A comforting middle-age meditation.Don McLeese
Lamott's sixth novel shows her protagonist, Mattie Ryder, dealing with the sorts of temptations to which devout Christians rarely admit. Can middle-aged Mattie, a beleaguered mother and daughter, remain an essentially moral person while continuing to sleep with (and wanting to kill) her philandering ex-husband? Should she covet the affections of her handyman friend, who is faithfully, if not happily, married? It's a test of faith for Lamott's characters to find evidence of God's grace amid lives of such messy complexity, but the author shows that it's possible to find Jesus (as she herself has) without losing a sense of humor. Lamott's tragicomic embrace of life's travails and blessings reads like born-again Anne Tyler with a hippie past, depicting a generation that has exchanged the radical rebellions of the '60s for the comforts of lattes and white wine, National Public Radio and diminished expectations. There are a lot of flaws to be found in this book—soap opera complications, politically correct clichés—but there's also a lot of life.From The Critics
Lamott's sixth novel shows her protagonist, Mattie Ryder, dealing with the sorts of temptations to which devout Christians rarely admit. Can middle-aged Mattie, a beleaguered mother and daughter, remain an essentially moral person while continuing to sleep with (and wanting to kill) her philandering ex-husband? Should she covet the affections of her handyman friend, who is faithfully, if not happily, married? It's a test of faith for Lamott's characters to find evidence of God's grace amid lives of such messy complexity, but the author shows that it's possible to find Jesus (as she herself has) without losing a sense of humor. Lamott's tragicomic embrace of life's travails and blessings reads like born-again Anne Tyler with a hippie past, depicting a generation that has exchanged the radical rebellions of the '60s for the comforts of lattes and white wine, National Public Radio and diminished expectations. There are a lot of flaws to be found in this book—soap opera complications, politically correct clichés—but there's also a lot of life. Author—Don McLeesePublishers Weekly
Anyone familiar with Lamott's writing knows her strength is the portrayal of daily life: mothers raising children, lost love, ill parents and more. Mattie, recently separated from her husband, has moved back to the home she grew up in. She decides to renovate the badly run-down house, not anticipating the added complications in her life. Her mother is suffering from dementia, her children are misbehaving and Mattie is still drawn to her estranged husband even though he is involved with a younger woman. This unabridged audio captures the frantic pace of Lamott's work. There are long phone conversations between Mattie and her mother and talks with Angela, Mattie's best friend, who's moving away. Lamott aptly observes that Mattie seems more upset about not seeing her friend than not seeing her husband. Unfortunately, Merlington's quick, flat narration doesn't help bring the novel to life. Some may find themselves overwhelmed by the number of characters while others may struggle to focus on Mattie. While Merlington occasionally changes her voice when other characters are speaking, the overall impression is of a text being read too fast. Based on the Riverhead hardcover (Forecasts, Aug. 26). (Sept.) Copyright 2002 Cahners Business Information.Library Journal
Lamott's fans will not be disappointed with this new novel, her sixth. Her heroine, Mattie Ryder, has problems-nothing earthshaking, just the painful kind that nibble at her self-esteem. She has left her philandering husband and moved into her mother's ramshackle house; her strong, save-the-world mother is slipping into dementia; her daughter chews on her fingers; her son refuses to do homework; and she is attracted to a married man. In addition, she discovers that she has a half-brother, the result of a union between her late father and the daughter of a family friend. Mattie manages these disturbances in part by being brave and by asking, "What would Jesus do?" Lamott (Operating Instructions) excels in her quirky descriptions, such as Mattie's five-year-old daughter looking like a "secretarial kitten gone punk" or someone's mouth having "scrabble-tile" teeth. While the plot meanders occasionally into implausibility, her humorous yet poignant characters will keep listeners interested. Laural Merlington reads convincingly although problems with the tape quality of the review copy occasionally obscured her voice. Recommended for most popular fiction collections.-Nancy R. Ives, SUNY at Geneseo Copyright 2003 Reed Business Information.Kirkus Reviews
Lamott infuses this peripatetic story of a woman’s struggles after a divorce with the same quirky brand of Christianity she explored in her wildly popular memoir, Traveling Mercies (1999).When Mattie finally accepts that her marriage to the charming but unfaithful Nicholas is over, she moves her two children, Harry (six) and Ella (two), back into the house where she grew up because it’s free: conveniently, her mother, still intimidatingly energetic and competent at 72, has paid off the mortgage and decamped to an apartment. Over the next four years, Mattie goes through all the familiar rites of divorce: anger, longing, desperation, slow recovery to strength, and new love. Her children bring her solace even as they drive her crazy (Lamott is the master of domestic detail): Ella’s nail-chewing, Harry’s bouts of temper, as well as moments of tenderness are rendered with casual perfection. The description of the failed marriage itself, however, is generic, and Mattie’s sense of blamelessness in its collapse sets up a self-righteous tone not masked by self-deprecating humor, a Lamott trademark. Mattie prays her way out of bad feelings, and her religion weaves its way throughout, helping her cope as complications arise—which they do. She sleeps with her ex even after his girlfriend moves in and has a baby. She finds clues that her lovable father, a lawyer and liberal activist who died 20 years earlier, had a dark side. Her mother’s mind and body begin a slow, painful slide into senescence. Mattie’s dog dies. And then there is Daniel. We know he’ll become Mattie’s soulmate when he can’t bring himself to kill the rats he’s been hired to eradicate from Mattie’s infested house. While Danielresists her attraction because he’s married, she takes him to her church (his wife is a nonbeliever), and they become best friends to a degree that would threaten the most secure spouse.
Lots of charm in the details, not much for momentum.