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Overview
It’s not like she’s the only woman to ever have a baby. At thirty-five. On her own. But Anne Lamott makes it all fresh in her now-classic account of how she and her son and numerous friends and neighbors and some strangers survived and thrived in that all important first year. From finding out that her baby is a boy (and getting used to the idea) to finding out that her best friend and greatest supporter Pam will die of cancer (and not getting used to that idea), with a generous amount of wit and faith (but very little piousness), Lamott narrates the great and small events that make up a woman’s life.
It seems no mother of a newborn has ever been more hilarious, more honest, or more touching than Lamott is within these pages. As a single parent she struggles to support her little family by her wits and writing, learning that blessings and losses come together.
Synopsis
It’s not like she’s the only woman to ever have a baby. At thirty-five. On her own. But Anne Lamott makes it all fresh in her now-classic account of how she and her son and numerous friends and neighbors and some strangers survived and thrived in that all important first year. From finding out that her baby is a boy (and getting used to the idea) to finding out that her best friend and greatest supporter Pam will die of cancer (and not getting used to that idea), with a generous amount of wit and faith (but very little piousness), Lamott narrates the great and small events that make up a woman’s life.
Publishers Weekly
Magazine columnist and novelist Lamott ( All New People ) captures both the poignancy and comedy of her first year as a single mother in this wonderfully candid diary. Her quirky humor steadily draws the reader into her unconventional world as she describes her friends and neighbors in northern California, her participation in a local church, her experiences as a recovering alcoholic and--best of all--her infant son, Sam, born in 1989. She covers maternal emotions from rapturous bliss to bare fury (``In the middle of the colic death marches, I end up looking at the baby with those hooded eyes that were in the old ads for The Boston Strangler ''). Throughout, she airs her strong political and religious beliefs. And when her best friend, Pammy, is diagnosed with terminal cancer, Lamott conveys her anguish with the same depth of feeling and sense of the absurd that characterize her observations about her son, God, recovery, writing, Republicans, men and life as usual. Even non-parents will enjoy this glowing work. (May)