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Cage of Stars by Jacquelyn Mitchard β€” book cover

Cage of Stars

by Jacquelyn Mitchard
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Overview

12-year-old Veronica Swan's idyllic life in a close-knit Mormon community is shattered when her two younger sisters are brutally murdered. Although her parents find the strength to forgive the deranged killer, Scott Early, Veronica cannot do the same. Years later, she sets out alone to avenge her sisters' deaths, dropping her identity and severing ties in the process. As she closes in on Early, Veronica will discover the true meaning of sin and compassion, before she makes a decision that will change her and her family's lives forever.

Synopsis

The author of The Deep End of the Ocean delivers a compelling, emotionally charged tale of tragedy, revenge, and redemption. Twelve-year-old Veronica Swan's idyllic life in a close-knit Mormon community is shattered when her two younger sisters are brutally murdered. Although her parents find the strength to forgive the deranged killer, Scott Early, Veronica cannot do the same. Years later, she sets out alone to avenge her sisters' deaths, dropping her identity and severing ties in the process. As she closes in on Early, Veronica will discover the true meaning of sin and compassion, before she makes a decision that will change her and her family's lives forever.

About the Author, Jacquelyn Mitchard

JACQUELYN MITCHARD lives in Massachusetts.

Biography

"Jacquelyn Mitchard has considered changing her name legally to The Deep End of the Ocean. This is because her own name is much less well-known than the title of her first book," so read the opening lines of Mitchard's biography on her web site. Granted, the writer is best known for the novel that holds the distinct honor of being the very first pick in Oprah Winfrey's book club, but Mitchard is also responsible for a number of other bestsellers, all baring her distinctive ability to tackle emotional subject matter without lapsing into cloying sentimentality.

Mitchard got her start as a newspaper journalist in the β€˜70s, but first established herself as a writer to watch in 1985 when she published Mother Less Child, a gut wrenching account of her own miscarriage. Though autobiographical in nature, Mother Less Child introduced the themes of grief and coping that would often resurface in her fiction. These themes were particularly prevalent in the debut novel that would nab Mitchard her greatest notoriety. The Deep End of the Ocean tells of the depression that grips a woman and her son following the disappearance of her younger son. Like Mother Less Child, the novel was also based on a personal tragedy, the death of her husband, and the author's very real grief contributes to the emotional authenticity of the book.

The Deep End of the Ocean became a commercial and critical smash, lauded by every publication from People Magazine to Newsweek. It exemplified Mitchard's unique approach to her subject. In lesser hands, such a story might have sunk into precious self-reflection. However Mitchard approaches her story as equal parts psychological drama and suspenseful thriller. "I like to read stories in which things happen," she told Book Reporter. "I get very impatient with books that are meditations - often beautiful ones - on a single character's thoughts and reactions. I like a story that roller coasters from one event to the next, peaks and valleys."

The Deep End of the Ocean undoubtedly changed Mitchard's life. She was still working part time at the University of Wisconsin-Madison writing speeches when the novel got Oprah's seal of approval and went into production as a major motion picture starring Michelle Pfeiffer. She didn't even consider leaving her job until, as she recounted to Book Slut.com, "my boss finally said to me, β€˜You know, kiddo, people whose books have sold this many copies and are being made into movies don't have this part-time job.'" So, she left her job despite misgivings and embarked upon a writing career that would produce such powerful works as The Most Wanted, Twelve Times Blessed, and The Breakdown Lane. She has also written two non-fictional volumes about peace activist Jane Addams.

Mitchard's latest Cage of Stars tells of Veronica Swan, a twelve-year old girl living in a Mormon community whose life is completely upturned when her sisters are murdered. Again, a story of this nature could have easily played out as a banal tear jerker, but Mitchard allows Veronica to take a more active role in the novel, setting out to avenge the death of her sisters. Consequently, Case of Stars is another example of Mitchard's ability to turn the tables on convention and produce a story with both emotional resonance and a page-turning narrative, making for a novel created with the express purpose of pleasing her fans. "Narrative is not in fashion in the novels of our current era; reflection is," she told Book Reporter. "But buying a book and reading it is a substantial investment of time and money. I want to take readers on a journey full circle. They deserve it."

Good To Know

Mitchard is certainly most famous for her sophisticated adult novels, yet she has also written two children's novels, Rosalie and Starring Prima, as well as Baby Bat's Lullaby, a picture book. She currently has three new children's books in development.

Now that Mitchard has officially scored a successful writing career, what could be left for the writer to achieve? Well, according to her web site, her "truest ambition" is to make an appearance on the popular TV show Law and Order.

Reviews

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Editorials

Catherine Ryan Hyde

Cage of Stars has everything good fiction needs: ably crafted characters, a taut sense of suspense and a lot to say about a world of tough emotional choices.
β€” The Washington Post

Publishers Weekly

A young Mormon girl finds herself torn between retribution and forgiveness in The Deep End of the Ocean author Mitchard's latest. Twelve-year-old Veronica "Ronnie" Swan witnesses the murder of her two sisters in her family's yard in tiny Cedar City, Utah. Murderer Scott Early is immediately apprehended, but is diagnosed with schizophrenia and ends up spending just three years in a state mental hospital. The rest of Ronnie's family turns to their faith to forgive Early, visiting him just before his release after a battery of drugs have restored him to normalcy. But Ronnie remains angry and haunted by her inability to save her sisters from him, and as she comes of age she tracks Early to San Diego, becomes an EMT, talks his wife into hiring her as a nanny for their infant daughter, and starts planning her vengeance. But as Early's life comes into focus, Ronnie's plan leads to an unexpected, if overly summative, climax. Ronnie progresses from a stock girl-next-door type to a young woman with considerable emotional depth, and Mitchard understatedly portrays her attempts to navigate romance and other interactions as a Mormon raised very "of the Church." The results are sweet and solid. (May 1) Copyright 2006 Reed Business Information.

Library Journal

The book opens with the terrible slaughter of two young sisters by a psychopathic killer in a rural Mormon community in Utah. The killer strikes while older sister Veronica (Ronny) is playing hide-and seek with the girls. Told from Ronny's point of view, the story describes the next months and years of a family consumed by grief. Eventually, Ronny's very devout parents are able to forgive the killer, who was sentenced to a few years in a treatment facility and released to return to a normal life with a wife and baby of his own while he studies to become a librarian. Ronny, on the other hand, is consumed by vengeance. Obsessed with destroying the killer and his family, she insinuates herself into the position of nanny to the killer's baby. There are a number of twists and some big coincidences as the story continues. It feels as if the author is reaching for an ending that is just a little too contrived, and it ultimately detracts from the first half of the work. Still, narrator Hope Davis has a beautifully clear voice and captures the strong emotions with compelling drama. Mitchard is an enormously popular author, and Cage of Stars, like her earlier novels, is sure to be in demand in public libraries.
β€”Barbara Valle

Library Journal

As with Mitchard's The Deep End of the Ocean and A Theory of Relativity, this latest novel explores family dynamics in the aftermath of tragedy. Cage of Stars is told from the perspective of a young Mormon girl, 17-year-old Veronica Swan, who relates the story of the murder of her two younger sisters and her subsequent journey to avenge their deaths and find peace. But at what price? Mitchard's novel struggles with questions of divinity and retribution by asking if it is really anyone's place to sit in judgment of others. It is a story that is at times eloquent, yet always painful to read. Readers are invited to get to know the Swans; they will be left all the more complete because of the experience. This is Mitchard's best novel to date and is an essential purchase for all public libraries.-Nanci Milone Hill, Nevins Memorial Lib., MA Copyright 2006 Reed Business Information.

Kirkus Reviews

Mormon teen's sisters meet grisly deaths, resulting in a slow slog over the much-trod territory of post-traumatic stress. Mitchard (The Breakdown Lane, 2005, etc.) is defter with melodrama that admits some farce, an element sorely lacking in this glacially paced chronicle of slaughter's aftermath. Twelve-year-old Veronica (Ronnie) Swan is playfully hiding from her sisters in a shed near the Swan family's Utah home. She emerges to carnage: Scott Early, a pharmacy student on a psychotic rampage, has murdered her sisters with her father's weeding scythe, in what the media will call the Grim Reaper slayings. The Swans are victimized again when Early's diagnosis of schizophrenia means he is incompetent to stand trial. Instead, he is committed for four years-a lenient sentence, but a convenient one, plot-wise. The author offers an interminable depiction of the depressing numbness of the Swans' days (Papa goes for long walks at night, Mama takes to her bed). Eventually the parents decide that forgiving Early is the only way the family can find release, but Ronnie refuses to participate in the therapeutic meeting with Early and his wife, Kelly. The moribund drama almost revives when Ronnie, 16, decamps for California, ostensibly to train as a paramedic and raise funds for college and medical school. Early, now medicated and released, is living with Kelly in San Diego, and Ronnie contrives to become, under assumed name and hairdo, nanny to their infant, Juliet. While saving lives as an apprentice EMT, Ronnie has vague plans to avenge her sisters' deaths or rescue adorable Juliet by kidnapping her. But Mitchard pulls back before things can get remotely nefarious. Instead, there's-you guessedit-peace and reconciliation. The Mormon aspect adds no resonance. The Swans might as well be Lutherans, like Early. Thinly conceived and timidly executed.

Book Details

Published
May 1, 2006
Publisher
Grand Central Publishing
Pages
304
ISBN
9780759515581

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