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Cheat and Charmer by Elizabeth Frank — book cover

Cheat and Charmer

by Elizabeth Frank
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Overview

Twenty-five years in the making, a first novel that has already been compared to The Sun Also Rises and The Last Tycoon, Cheat and Charmer is certain to be one of the most admired literary debuts of the season. Written by Pulitzer Prize—winning biographer Elizabeth Frank, Cheat and Charmer is a masterful and richly detailed work of fiction–a Tolstoyan novel of marriage, sisterhood, art, politics, compromise, and betrayal set in Hollywood, New York, Paris, and London of the 1950s.
Dinah Lasker grew up in the shadow of her sister, Veevi, a stunning beauty and emerging star who enchanted both the Hollywood set and its imported New York literati. But Veevi’s home was also a hotbed of political activity, owing to her marriage to Stefan Ventura, a Bulgarian filmmaker and high-profile Communist. At the end of the 1930s, when things go badly for him in Hollywood, Ventura and Veevi flee to Paris and into the lengthening shadows of Hitler and fascism.
Cut to 1951, when Dinah is subpoenaed by the House Un-American Activities Committee, which threatens to ruin her husband, Jake, and derail his successful career as a Hollywood writer, producer, and director unless she cooperates. Can Dinah live with herself if she names Veevi–whom she both loves and loathes–in order to save her husband and preserve her idyllic married life? The choices Dinah makes set in motion an unforgettable chain of events. Like Anna Karenina, Dinah must face the consequences of her choices and her needs.
Written with elegance and style, Cheat and Charmer grippingly dramatizes the interior lives of Dinah, Veevi, Jake, and their social circle. Spanning decades and following complex characters on their impassioned pursuits through America and Europe, this is a novel of grand scope, about love and deception, idealism and accommodation, the lies we live, and the truths we cannot avoid.

Synopsis

Twenty-five years in the making, a first novel that has already been compared to The Sun Also Rises and The Last Tycoon, Cheat and Charmer is certain to be one of the most admired literary debuts of the season. Written by Pulitzer Prize-winning biographer Elizabeth Frank, Cheat and Charmer is a masterful and richly detailed work of fiction—a Tolstoyan novel of marriage, sisterhood, art, politics, compromise, and betrayal set in Hollywood, New York, Paris, and London of the 1950s.

Dinah Lasker grew up in the shadow of her sister, Veevi, a stunning beauty and emerging star who enchanted both the Hollywood set and its imported New York literati. But Veevi's home was also a hotbed of political activity, owing to her marriage to Stefan Ventura, a Bulgarian filmmaker and high-profile Communist. At the end of the 1930s, when things go badly for him in Hollywood, Ventura and Veevi flee to Paris and into the lengthening shadows of Hitler and fascism.

Cut to 1951, when Dinah is subpoenaed by the House Un-American Activities Committee, which threatens to ruin her husband, Jake, and derail his successful career as a Hollywood writer, producer, and director unless she cooperates. Can Dinah live with herself if she names Veevi—whom she both loves and loathes—in order to save her husband and preserve her idyllic married life? The choices Dinah makes set in motion an unforgettable chain of events. Like Anna Karenina, Dinah must face the consequences of her choices and her needs.

Written with elegance and style, Cheat and Charmer grippingly dramatizes the interior lives of Dinah, Veevi, Jake, and their social circle. Spanning decades and following complex characters on their impassioned pursuits through America and Europe, this is a novel of grand scope, about love and deception, idealism and accommodation, the lies we live, and the truths we cannot avoid.

The Washington Post - Martha Sherrill

Frank's portraits of Eastern European intellectuals who escape Hitler and Mussolini only to find themselves dining with dim-witted beachgoers in Malibu Colony are hilarious and unforgettable. She sends up bohemian snobbery, communist hypocrisy, East Coast pretension, and deftly zeros in on how transplants to Hollywood manage to feel superior to the other transplants. The Okies hate the Jews, and the Jews look down on Dinah as "an uneducated shiksa, a nobody from nowhere whose great legs were an enviable but nevertheless suspicious sign of her lumpen origins."

About the Author, Elizabeth Frank

Elizabeth Frank -- winner of the the Pulitzer Prize for her 1986 biography of poet Louise Bogan -- grew up in McCarthy-era Hollywood; and mines the memories of that peculiar historical moment in her debut novel, Cheat and Charmer.

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Editorials

Donna Freydkin

It's here, when she details the elaborate guilt-driven game that Dinah and Veevi play, that Elizabeth Frank's Cheat and Charmer truly resonates with anyone who has had a thorny family situation. And unless you grew up with the Camdens of TV's 7th Heaven, you can relate.

The historical setting aside, the novel is less about communism, Joe McCarthy and Hollywood than the fractured, fractious relationship between two sisters.
— USA Today

Martha Sherrill

Frank's portraits of Eastern European intellectuals who escape Hitler and Mussolini only to find themselves dining with dim-witted beachgoers in Malibu Colony are hilarious and unforgettable. She sends up bohemian snobbery, communist hypocrisy, East Coast pretension, and deftly zeros in on how transplants to Hollywood manage to feel superior to the other transplants. The Okies hate the Jews, and the Jews look down on Dinah as "an uneducated shiksa, a nobody from nowhere whose great legs were an enviable but nevertheless suspicious sign of her lumpen origins."
— The Washington Post

The New Yorker

Set in postwar Hollywood, Elizabeth Frank’s first novel evokes a lost world of orange blossoms, pressed linens, and Friday-night luaus at which liveried waiters serve pineapple chunks and rumaki. It is to lay claim to such comforts that Dinah Milligan, a former chorus girl, marries a director of popular cornball comedies, and to preserve his career and the good life to which they’ve grown accustomed that she testifies before the huac. After naming names—including that of her sister—Dinah endures the further trials of ostracism and guilt. This leads her to probe, with keen moral intelligence, the forces that have led to her predicament—a pattern of desires that span continents, oceans, and kidney-shaped pools, and which have entangled the people she loves for most of an American century.

Publishers Weekly

Twenty-five years in the making, this Hollywood novel by Pulitzer Prize-winner Frank (Louise Bogan: A Portrait) is a rich meditation on family, sex, responsibility and betrayal. Dinah Lasker, happily married with two children to successful Hollywood producer-writer-director Jake Lasker, finds her world upended when she is called to testify at the HUAC hearings of the Communist-baiting 1950s. To refuse would mean her husband will be blacklisted; to comply means she must "name" her sister, the always more glamorous Veevi, an unrepentant former Communist and actress living in Paris. Dinah's decision to testify takes place early in the novel and torments her throughout the decade or so that follows, but Frank gradually reveals that "fink" Dinah is really the only decent character in town. Former friends cut her socially; Jake philanders unrepentantly; and Veevi, who is forced to move in with Dinah in Hollywood, begins an affair with Jake. Frank adopts some of the stylistic conventions of mainstream 1950s fiction to mixed effect, but she does a stupendous job of allowing the reader inside each character's self-justifying world view while placing their actions in a larger context. Dinah, far from being a simple do-gooder, is a sympathetic and complex character, and her deep love for her downward-spiraling sister and her ladder-climbing husband is as heart-wrenching as her eventual bid for independence. Agent, Joy Harris Literary Agency. (Oct. 12) Copyright 2004 Reed Business Information.

Library Journal

Frank is an academic whose Louise Bogan: A Portrait won the 1986 Pulitzer Prize, but her fiction debut limits scholarly content to the book's title, borrowed from a poem by A.E. Housman. This is a big, bustling, old-fashioned novel inhabited by outsize characters facing moral dilemmas amid the extravagant environment of Hollywood in the 1950s. The central figure is Dinah Lasker, a politically liberal housewife and mother. Dinah has moved far away from her humble origins (and from playing second fiddle to her stunning movie-star sister) thanks to husband Jake, a successful comedy writer. When subpoenaed to "name names" from her brief association with the Communist Party, Dinah must choose between principles and love. If Dinah refuses to cooperate, Jake will be blacklisted, and his movie career destroyed. Her decision puts in motion subplots involving family, personal ethics, illicit sex, depression, revenge, and betrayal, all depicted in vigorous language with a real feel for the period. Good, entertaining reading; recommended for most public libraries. [See Prepub Alert, LJ 6/1/04 and "Fall Editors' Picks," p. 40- 44.] Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2004 Reed Business Information.

Kirkus Reviews

The years of the Hollywood blacklist, in an ambitious first novel from the Pulitzer-winning critic and biographer (Louise Bogan, 1986). The story focuses on three major characters. The former Dinah Milligan is an energetic not-quite-beauty who enters the fringes of the movie world working as a dancer, then radio writer. Dinah marries Jake Lasker, a successful screenwriter and director. Then both their lives are changed by contact with Dinah's younger sister "Veevi" (Genevieve), a legendary screen goddess who-like Dinah herself-had briefly been a Communist Party member during WWII. Now it's 1951, and Dinah, called to testify before a congressional committee, saves her husband's career (and their comfortable lifestyle) by "naming names," including that of Veevi, living in France with her younger second husband. Dinah is selectively snubbed and ostracized, Jake thrives, and Veevi, dumped for a younger beauty, returns to California. Reputedly a hero of the Resistance along with her late first husband, European director Stefan Ventura, Veevi is now "unemployable"-and her rapacious desire to survive is encapsulated in a remark made to the wayward Jake, comparing herself to Dinah: "She wants things. I want things." Cheat and Charmer is beautifully imagined and plotted, deftly blending tinselly melodrama with astute commentary on politics, sex, and issues of personal ethics and responsibility. It's filled with sharply etched supporting characters (among them: Goldwyn-like studio mogul Irv Engel and cosmopolitan mother-figure Dorshka Albrecht). But Frank excels most in rich, deep characterizations of her three principals: heartfelt Dinah, ever trying and failing to do what's right; feline,unstable Veevi; and appetite-driven, faithless Jake, weighted by his own selfish needs ("If he ever had to go without other women, he would die"), a firm believer in his own flickering integrity. Think of a really, really good John O'Hara novel. Frank has delivered the goods. Agent: Joy Harris/Joy Harris Literary Agency

Book Details

Published
October 1, 2005
Publisher
Random House Publishing Group
Pages
560
Format
Paperback
ISBN
9780812969610

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