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City by Alessandro Baricco — book cover

City

by Alessandro Baricco, Ann Goldstein
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Overview

The author of the international bestseller Silk now delivers a ravishing and wildly inventive novel about friendship, genius and its discontents, and the redemptive power of narrative. Somewhere in America lives a brilliant boy named Gould, an intellectual guided missile aimed at the Nobel Prize. His only companions are an imaginary giant and an imaginary mute. Improbably—and yet with impeccable logic—he falls into the care of Shatzy Shell, a young woman whose life up till that point has been equally devoid of human connection .

Theirs is a relationship of stories and of stories within stories: of Gould’s evolving saga of an underdog boxer and the violent Western that Shatzy has been dictating into a tape recorder since the age of six. Out of these stories, Alessandro Baricco creates a masterpiece of metaphysical pulp fiction that recalls both Scheherazade and Italo Calvino. By turns exhilarating and deeply moving, City is irresistible.

Synopsis

The author of the international bestseller Silk now delivers a ravishing and wildly inventive novel about friendship, genius and its discontents, and the redemptive power of narrative. Somewhere in America lives a brilliant boy named Gould, an intellectual guided missile aimed at the Nobel Prize. His only companions are an imaginary giant and an imaginary mute. Improbably—and yet with impeccable logic—he falls into the care of Shatzy Shell, a young woman whose life up till that point has been equally devoid of human connection .

Theirs is a relationship of stories and of stories within stories: of Gould’s evolving saga of an underdog boxer and the violent Western that Shatzy has been dictating into a tape recorder since the age of six. Out of these stories, Alessandro Baricco creates a masterpiece of metaphysical pulp fiction that recalls both Scheherazade and Italo Calvino. By turns exhilarating and deeply moving, City is irresistible.

Publishers Weekly

Baricco struggles to regain the magic that made Silk an international bestseller in this disappointing follow-up set in the U.S. and starring a precocious 13-year-old named Gould, who finds himself losing his childhood amid the demands of life as a mathematical genius. Left alone in the wake of a family meltdown that cost his mother her sanity, Gould turns to flighty, 30-ish Shatzy Shell, who becomes the boy's governess. Their friendship starts as an exchange of innocent fantasy stories, with Gould's consisting of a series of imagined fights involving a heroic boxer, while Shell chips in with her lifelong desire to make a Western. Baricco spends the bulk of the book exploring the effects of Gould's baroque academic life on his development. The climax involves a fellowship award allowing Gould to go to Europe to perform advanced research, but he buckles at the prospect of leaving his cloistered, quaint life and disappears, allowing Baricco to explore the boy's upbringing when his father arrives for an emergency visit. Baricco writes a few engaging, entertaining scenes, but he can't get the sparks to fly with his two protagonists, and the fantasy subplots used to explore their ambitions remain murky and lifeless. The author never delves into Gould's mathematical world, either, making his protagonist seem more like a helpless savant than someone with the intellectual capacity to dominate a complex field. This book has some touching moments, but as a novel it never quite comes together. (June 11) Forecast: The success of Silk (the basis of a forthcoming feature film by John Madden and an opera by Andr Previn) will keep City afloat, but sales of Baricco's latest are unlikely to match those of its predecessor. Copyright 2002 Cahners Business Information.

About the Author, Alessandro Baricco

Alessandro Baricco was born in Turin in 1958. The author of three previous novels, he has won the Prix Médicis étranger in France and the Selezione Campiello, Viareggio, and Palazzo del Bosco prizes in Italy. His third novel, Silk, became an immediate best-seller in Italy and has been translated into twenty-seven languages. It is the basis of a forthcoming opera by André Previn and a film to be produced by Miramax.

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Editorials

Publishers Weekly

Baricco struggles to regain the magic that made Silk an international bestseller in this disappointing follow-up set in the U.S. and starring a precocious 13-year-old named Gould, who finds himself losing his childhood amid the demands of life as a mathematical genius. Left alone in the wake of a family meltdown that cost his mother her sanity, Gould turns to flighty, 30-ish Shatzy Shell, who becomes the boy's governess. Their friendship starts as an exchange of innocent fantasy stories, with Gould's consisting of a series of imagined fights involving a heroic boxer, while Shell chips in with her lifelong desire to make a Western. Baricco spends the bulk of the book exploring the effects of Gould's baroque academic life on his development. The climax involves a fellowship award allowing Gould to go to Europe to perform advanced research, but he buckles at the prospect of leaving his cloistered, quaint life and disappears, allowing Baricco to explore the boy's upbringing when his father arrives for an emergency visit. Baricco writes a few engaging, entertaining scenes, but he can't get the sparks to fly with his two protagonists, and the fantasy subplots used to explore their ambitions remain murky and lifeless. The author never delves into Gould's mathematical world, either, making his protagonist seem more like a helpless savant than someone with the intellectual capacity to dominate a complex field. This book has some touching moments, but as a novel it never quite comes together. (June 11) Forecast: The success of Silk (the basis of a forthcoming feature film by John Madden and an opera by Andr Previn) will keep City afloat, but sales of Baricco's latest are unlikely to match those of its predecessor. Copyright 2002 Cahners Business Information.

Library Journal

Baricco, author of the international best seller Silk, is what's the cliche? a writer's writer. Or, more accurately perhaps, he's an experimentalist's experimentalist. His latest novel features Gould, a 13-year-old genius bound to win the Nobel prize whose mental life revolves around a boxing tableau created and shared with two imaginary friends, a giant and a mute. Also prominent is Schatzy Shell, his thirtysomething attendant (his mother is "ill" and his military father absent), who is similarly absorbed by an imaginary Western she developed as a six year old. As the core of the book, these fixations are fascinating, and there's even some writing about boxing that makes similar efforts by Joyce Carol Oates look pale. Two self-absorbed characters may not make for a lot of plot, but plot isn't really the point with this genre. Like the best experimental novel of the 1990s, Stephen Dobyns's Wrestler's Cruel Study, Baricco uses the boxing ring as a moral framework and the comic strip as a frame of reference. City lacks Dobyns's verbal pyrotechnics, but it's still brilliant. That said, it would also leave the average library reader who chanced on it frustrated and confused. For large collections and academic libraries, especially those that support writing programs. [Silk is being made into an opera by Andr Previn and a film by John Madden. Ed.] Robert E. Brown, Onondaga Cty. P.L., Syracuse, NY Copyright 2002 Cahners Business Information.

Kirkus Reviews

The fourth novel from the Italian author of Silk (1997) and Ocean Sea (1999) is a manic comedy set in the US, about the process of storytelling, as performed by its two protagonists: a precocious 13-year-old boy improbably called Gould, who recounts a rags-to-riches story of an unlikely boxing champion to two effectively captive listeners, and Gould's paid companion (and eventual surrogate mother), the even more improbably named-and characterized-Shatzy Shell. As her name perhaps suggests, Shatzy is a deranged Scheherazade, whose ineffably over-the-top story of a violent Old West intermittently parallels both her charge's curious path toward maturity and her own manifold eccentricities. Is this a parody of genre-writing, or of the absurdities to which the creative urge drives would-be writers? Whatever, it's a labored, unfunny amalgam of fragmented narrative and (a truckload of) cutesy dialogue utterly insensitive to conversational idiom ("Are these damn [malfunctioning] telephones made out of shit?"; "They say it's horrendously cold"). Reading City is like trying to play a newly marketed game whose rules aren't included in the package.

Book Details

Published
June 1, 2003
Publisher
Knopf Doubleday Publishing Group
Pages
336
Format
Paperback
ISBN
9780375725487

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