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Clark Gable: A Biography by Warren G. Harris — book cover

Clark Gable: A Biography

by Warren G. Harris
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Overview

Clark Gable arrived in Hollywood after a rough-and-tumble youth, and his breezy, big-boned, everyman persona quickly made him the town’s king. He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard.

In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures—whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly—as well as a vivid sense of the glamour and excess of mid-century Hollywood.

Synopsis

Clark Gable arrived in Hollywood after a rough-and-tumble youth, and his breezy, big-boned, everyman persona quickly made him the town’s king. He was a gambler among gamblers, a heavy drinker in the days when everyone drank seemingly all the time, and a lover to legions of the most attractive women in the most glamorous business in the world, including the great love of his life, Carole Lombard.

In this well-researched and revealing biography, Warren G. Harris gives an exceptionally acute portrait of one of the most memorable actors in the history of motion pictures—whose intimates included such legends as Marilyn Monroe, Joan Crawford, Loretta Young, David O. Selznick, Jean Harlow, Judy Garland, Lana Turner, Spencer Tracy, and Grace Kelly—as well as a vivid sense of the glamour and excess of mid-century Hollywood.

Publishers Weekly

While throngs of female fans may have worshiped Gable, Harris illustrates that the "King of Hollywood" 's true self was barely visible beyond the camera's glare. Born in 1901 in rural Ohio to a "wildcatter" father and a mother who died not a year after he was born, Gable seemed more suited to becoming an oilrig operator than a movie star. But by the early 1920s, he had found his road to the big time: women. Harris pulls no punches in describing how the man who would become the "King" used many a queen including his first two wives to reach the status of celebrity. From Gable's early days with traveling stage shows to his fast climb up the Hollywood ladder, Harris (Gable and Lombard) presents a not-so-attractive side of Gable to combat his romanticized star image. His never-ending womanizing, utter denial of an illegitimate daughter and his insecurity over his acting abilities are qualities never before so illustrated in print. To most, Clark Gable stood alone atop the motion-picture world in 1939. He'd won an Oscar for his performance in It Happened One Night, had just completed his role as Rhett Butler in Gone with the Wind and had finally settled down with actor Carole Lombard, his third and he was sure would be final wife. Three years later, Lombard died in a plane crash. Her death changed everything. While Harris never says so explicitly, his description of Gable's string of box-office bombs, increased appetite for Scotch, and bitterness toward MGM executives make it plain that Gable had lost his one true love and his vigor for life. Those who wish to keep Gable on the pedestal Hollywood built for him should beware. Harris isn't as kind as Hollywood. Agents, Dan Strone and Owen Laster. (Mar.) Copyright 2001 Cahners Business Information.

About the Author, Warren G. Harris

Warren G. Harris has written critically acclaimed biographies of Cary Grant, Audrey Hepburn, and Sophia Loren, among others. He lives in New York City.

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Editorials

Publishers Weekly

While throngs of female fans may have worshiped Gable, Harris illustrates that the "King of Hollywood" 's true self was barely visible beyond the camera's glare. Born in 1901 in rural Ohio to a "wildcatter" father and a mother who died not a year after he was born, Gable seemed more suited to becoming an oilrig operator than a movie star. But by the early 1920s, he had found his road to the big time: women. Harris pulls no punches in describing how the man who would become the "King" used many a queen including his first two wives to reach the status of celebrity. From Gable's early days with traveling stage shows to his fast climb up the Hollywood ladder, Harris (Gable and Lombard) presents a not-so-attractive side of Gable to combat his romanticized star image. His never-ending womanizing, utter denial of an illegitimate daughter and his insecurity over his acting abilities are qualities never before so illustrated in print. To most, Clark Gable stood alone atop the motion-picture world in 1939. He'd won an Oscar for his performance in It Happened One Night, had just completed his role as Rhett Butler in Gone with the Wind and had finally settled down with actor Carole Lombard, his third and he was sure would be final wife. Three years later, Lombard died in a plane crash. Her death changed everything. While Harris never says so explicitly, his description of Gable's string of box-office bombs, increased appetite for Scotch, and bitterness toward MGM executives make it plain that Gable had lost his one true love and his vigor for life. Those who wish to keep Gable on the pedestal Hollywood built for him should beware. Harris isn't as kind as Hollywood. Agents, Dan Strone and Owen Laster. (Mar.) Copyright 2001 Cahners Business Information.

Library Journal

A recent trend in Hollywood biographies is to abandon the tabloid style in favor of a more scholarly approach. These two new biographies on Clark Gable follow this trend. Harris (Gable and Lombard) has produced a thoroughly researched account of Gable, complete with facts on the writers, producers, studios, costars, and Gable's many lovers. The biography also offers a history of how Hollywood moguls controlled every aspect of a star's creation. The most appealing chapters are on the Gable-Lombard romance, which tragically ended when Lombard perished in a plane crash. Spicer, who teaches professional writing at Victoria University, Australia, offers a take on Gable that is close to Harris's in style and content, sometimes even using the same quotes and description of events. Factual inconsistencies do exist e.g., Harris states that Gable's best friend, Eddie Mannix, called him with the news of Lombard's death, while Spicer has the call coming from Gable's publicist, Larry Barbier. But both bios follow the same format and progression of Gable's life and career, and both offer new information not found in what are at least 15 previous biographies on Gable, one of the best being Lyn Tornabene's 1976 Long Live the King. There are, however, differences between the two books. Harris used his previous research, which includes mostly firsthand accounts from Gable's associates, while Spicer relied heavily on secondary sources that include newspaper and magazine articles as well as Harris's Gable and Lombard. Harris's filmography is more detailed, and he includes an eight-page photo spread, while Spicer's book features photos throughout. Finally, Harris's style is crisper, faster paced, and more interesting; Spicer adds too many little details and becomes too wordy. Both books are recommended, but considering writing style, content, accuracy, and price, Harris's work should be first choice. Rosalind Dayen, Broward Cty. South Regional Lib., FL Copyright 2002 Cahners Business Information.

Kirkus Reviews

Veteran Hollywood biographer Harris, who wrote Gable and Lombard in 1974, now gives Clark Gable a thoroughly engaging bio all to himself. Born in 1901, the only child of an oil speculator in rural Ohio, Gable enjoyed theater visits in Akron and joined tent shows in the early '20s. His first two wives, both much older, helped his career. Acting coach Josephine Dillon improved his appearance (teeth and ears were recurring problems), trained him, and helped him find work in the Pacific Northwest. He left her for rich Houston widow Ria Langham, who followed him to Broadway and then, in 1930, to Hollywood. Teamed with MGM leading ladies Joan Crawford, Jean Harlow, and Myrna Loy, Gable rapidly became the studio's biggest star. Sexually uninterested in Langham, he slept with most of his costars and many studio staffers. In his peak period, 1934-41, he made It Happened One Night (his only Oscar-winner), Mutiny on the Bounty, and Gone With the Wind. Gable and Carole Lombard, happily married, together earned $600,000 in 1940. Harris's command of the material is impressive: plot summaries are concise, working relationships interesting, minor digressions engaging, even revenues and expenses per picture informative. (Indeed, the book is so numerically scrupulous it could well be subtitled Sixty-Six Films, Five Wives, and Two Heirs-an illegitimate daughter with Loretta Young in 1934 and a son born after Gable's death.) The matinee idol's vitality steadily diminished following Lombard's demise in a plane crash in 1942. After a close call during an Antwerp bombing run, Army Captain Gable was gradually grounded by commanders who did not want to be responsible for losing him. With age and weightdiminishing his looks, he struggled to find appropriate roles after the war; The Misfits, with a shaky Marilyn Monroe, was his last film before his death in 1960. Fast-paced, informative entertainment, prodigiously researched. (8 pages b&w photos)

Book Details

Published
October 1, 2005
Publisher
Crown Publishing Group
Pages
416
Format
Paperback
ISBN
9780307237149

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