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Teen Fiction - Romance & Friendship, Fiction - General & Miscellaneous
Crash Test Love by Ted Michael — book cover

Crash Test Love

by Ted Michael
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Overview

The last thing Henry Arlington wants is a girlfriend. He's just very, very good with girls—reading their body language, knowing what they want to hear, and more importantly: getting them into the backseat of his car. But all that changes when he meets Garrett Lennox at one of the many Sweet Sixteen parties he crashes.
 
Garrett thinks she's done with guys. She was dumped by her ex when she moved from Chicago to Long Island, and now she realizes that she needs to find out who she is by herself, instead of with a boyfriend. What she really needs is some good friends.
 
Fortunately for Garrett, the J Squad—the "it" girls of East Shore High School—want her in their clique. All she has to do is pass one little test: get East Shore god Henry Arlington to take her to one of the biggest Sweet Sixteens of the year, then dump him in front of everyone.
 
Garrett has promised herself not to fall for another guy, so playing with Henry's heart shouldn't be hard. Right?
 
And Henry doesn't fall for girls, so when he and Garrett start to click, it doesn't matter. Does it?
As William Shakespeare once said, "Love is blind," or in this case, the lovers may be, as Henry and Garrett fall in love—and into the trap that awaits them. Because neither of them can even begin to see what the girls of Henry Arlington's past have in store.
 
This hilarious, sharp, and surprisingly thoughtful novel is the teen Wedding Crashers, filled with love, hope, laughs, and surprising insights about the terrifying process of falling in love.

From the Trade Paperback edition.

Synopsis

The last thing Henry Arlington wants is a girlfriend. He's just very, very good with girls—reading their body language, knowing what they want to hear, and more importantly: getting them into the backseat of his car. But all that changes when he meets Garrett Lennox at one of the many Sweet Sixteen parties he crashes.
 
Garrett thinks she's done with guys. She was dumped by her ex when she moved from Chicago to Long Island, and now she realizes that she needs to find out who she is by herself, instead of with a boyfriend. What she really needs is some good friends.
 
Fortunately for Garrett, the J Squad—the "it" girls of East Shore High School—want her in their clique. All she has to do is pass one little test: get East Shore god Henry Arlington to take her to one of the biggest Sweet Sixteens of the year, then dump him in front of everyone.
 
Garrett has promised herself not to fall for another guy, so playing with Henry's heart shouldn't be hard. Right?
 
And Henry doesn't fall for girls, so when he and Garrett start to click, it doesn't matter. Does it?
As William Shakespeare once said, "Love is blind," or in this case, the lovers may be, as Henry and Garrett fall in love—and into the trap that awaits them. Because neither of them can even begin to see what the girls of Henry Arlington's past have in store.
 
This hilarious, sharp, and surprisingly thoughtful novel is the teen Wedding Crashers, filled with love, hope, laughs, and surprising insights about the terrifying process of falling in love.

Publishers Weekly

Henry Arlington is a self-confessed ladies' man (his personal rules include "Never tell a girl your real name" and "No hos before bros"). But all it takes is a chance encounter with knockout new girl Garrett, and he is contemplating breaking another rule--no girlfriends. Their relationship evolves in alternating firstperson chapters; Henry becomes more sympathetic as it becomes clear that his attitude toward women stems from abandonment by his mother, though his love of film (evidenced mostly by conversations that appear in screenplay format) feels as artificial as the incorporation of song titles and lyrics into Garrett's narration--"Then my thoughts turn to Ben and ‘The Day We Fell Apart' (Kelly Clarkson, 2009)." The secondary characters, from the J Squad clique to Henry's oafish cohorts, never amount to more than stereotypes. Still, the emotional intensity--sometimes passionate, sometimes tender--that develops between Garrett and Henry should help some readers care about them enough to want to find out whether, against the odds, they can make their love work. Ages 14-up. (June)

About the Author, Ted Michael

Ted Michael was born in 1984 and grew up in Roslyn Heights, New York. He is a graduate of Columbia University and the Juilliard School and is a Presidential Scholar in the Arts. His first novel, The Diamonds, is available from Delacorte Press.

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Editorials

Publishers Weekly

Henry Arlington is a self-confessed ladies' man (his personal rules include "Never tell a girl your real name" and "No hos before bros"). But all it takes is a chance encounter with knockout new girl Garrett, and he is contemplating breaking another rule--no girlfriends. Their relationship evolves in alternating firstperson chapters; Henry becomes more sympathetic as it becomes clear that his attitude toward women stems from abandonment by his mother, though his love of film (evidenced mostly by conversations that appear in screenplay format) feels as artificial as the incorporation of song titles and lyrics into Garrett's narration--"Then my thoughts turn to Ben and ‘The Day We Fell Apart' (Kelly Clarkson, 2009)." The secondary characters, from the J Squad clique to Henry's oafish cohorts, never amount to more than stereotypes. Still, the emotional intensity--sometimes passionate, sometimes tender--that develops between Garrett and Henry should help some readers care about them enough to want to find out whether, against the odds, they can make their love work. Ages 14-up. (June)

School Library Journal

Gr 10 Up—Self-proclaimed player and party crasher Henry Arlington has every intention of following the "Crasher Code" that he and his buddies established, including never being with the same girl twice. But while cruising a Sweet Sixteen party with a fictitious identity, he meets beautiful and intriguing Garrett Lennox. New to East Shore High School, she struggles to make friends among the cliques of the senior class. While Henry ignores her and perpetuates the rumor that they hooked up at the party, Garrett is given a proposal by three mean girls, the J Squad. Lonely and missing her ex-boyfriend back in Chicago, she decides to accept the trio's challenge—in exchange for membership in their group, she must convince Henry to be her boyfriend and then dump him at a hotly anticipated, MTV-aired Sweet Sixteen party. As readers will anticipate, they wind up forming real feelings for one another and are faced with the consequences of their separate deceptions. Using interspersed movie-script format for dialogue and song references throughout, the narrative is trendy and indulgent. The evolution of Garrett's and Henry's characters is difficult to believe, and the supporting characters are stock and one- dimensional. However, romance fans will enjoy the familiar theme of reluctant, ill-fated love and entertainment aficionados will appreciate the popular-culture references. While the events surrounding the demise of the relationship stretch believability, the ending is realistic if not rewarding.—Lynn Rashid, Marriotts Ridge High School, Marriottsville, MD

Kirkus Reviews

Henry is "not the girlfriend type of guy." He enjoys crashing Sweet Sixteen parties with his buddies Duke and Nigel and conning gullible, pretty girls into sex. When he meets Garrett, though, Henry rethinks his boyfriend potential. Garrett desperately wants to be accepted at her new high school in her senior year, and the key to that is the "J Squad" clique. The admission price is to hook Henry and then publicly dump him in retaliation for how he's treated them. Predictably, Henry falls in love with Garrett, and she develops feelings for him, too. Their mutual love of motion pictures draws them together, but in the end, Garrett breaks up with Henry, although not for the J Squad. Henry is heartbroken but has the expected epiphanies about relationships, sex, etc. Neither Henry nor Garrett is particularly well developed, despite alternating first-person narrations (occasionally punctuated by script-like dialogue), nor is either especially likable. The movie-fan angle gives some novelty to a familiar story but not enough to make it more than mediocre escapism. (Fiction. 14 & up)

Book Details

Published
June 1, 2010
Publisher
Random House Children's Books
Pages
352
Format
Paperback
ISBN
9780385735803

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