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Book cover of Dancing for Degas
Historical Figures - Fiction, Arts & Entertainment - Fiction, European Peoples & Cultures - Fiction & Literature, Historical Fiction

Dancing for Degas

by Kathryn Wagner
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Overview

In the City of Lights, at the dawn of a new age, begins an unforgettable story of great love, great art—and the most painful choices of the heart.
 
With this fresh and vibrantly imagined portrait of the Impressionist artist Edgar Degas, readers are transported through the eyes of a young Parisian ballerina to an era of light and movement. An ambitious and enterprising farm girl, Alexandrie joins the prestigious Paris Opera ballet with hopes of securing not only her place in society but her family’s financial future. Her plan is soon derailed, however, when she falls in love with the enigmatic artist whose paintings of the offstage lives of the ballerinas scandalized society and revolutionized the art world. As Alexandrie is drawn deeper into Degas’s art and Paris’s secrets, will she risk everything for her dreams of love and of becoming the ballet’s star dancer?

Synopsis

In the City of Lights, at the dawn of a new age, begins an unforgettable story of great love, great art—and the most painful choices of the heart.
 
With this fresh and vibrantly imagined portrait of the Impressionist artist Edgar Degas, readers are transported through the eyes of a young Parisian ballerina to an era of light and movement. An ambitious and enterprising farm girl, Alexandrie joins the prestigious Paris Opera ballet with hopes of securing not only her place in society but her family’s financial future. Her plan is soon derailed, however, when she falls in love with the enigmatic artist whose paintings of the offstage lives of the ballerinas scandalized society and revolutionized the art world. As Alexandrie is drawn deeper into Degas’s art and Paris’s secrets, will she risk everything for her dreams of love and of becoming the ballet’s star dancer?

Publishers Weekly

From Wagner’s debut, a fictional portrait of an aspiring ballerina who inspires famous works of art by Edgar Degas, a living picture emerges of dancers at the turn-of-the-20th-century Paris Opera. After gangly 12-year-old Alexandrie’s brother marries a girl even poorer than himself, Alexandrie becomes her provincial family’s last hope for prosperity, and soon she’s taking lessons in ballet and culture to prepare herself for Paris society. Once in Paris, Alexandrie follows star performer Cornelie’s lead and quickly snags a prospective patron, but she’s most powerfully drawn to Degas, who captures on canvas the dancers’ beauty and humanity. Like Tracy Chevalier, Wagner imagines how layers of meaning pervade works of art, but her real forte is detailing the sexual politics of poverty and evoking the rivalry among dancers, especially between stars and the newcomers who wish to replace them. Wagner’s description of art and sacrifice in old Paris doesn’t have the heft of the classics, but her abandonment of the masterpiece-in-the-making formula is a nice turn. (Mar.)

About the Author, Kathryn Wagner

Kathryn Wagner is a senior fundraiser for a child advocacy nonprofit in Washington, D.C. She holds a B.A. in journalism with a minor in art and has worked as a staff writer and columnist for several newspapers in North Carolina, Massachusetts, and Virginia. Imagining what has inspired great artists has been a longtime passion of hers. She is currently at work on her next novel.

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Editorials

Publishers Weekly

From Wagner’s debut, a fictional portrait of an aspiring ballerina who inspires famous works of art by Edgar Degas, a living picture emerges of dancers at the turn-of-the-20th-century Paris Opera. After gangly 12-year-old Alexandrie’s brother marries a girl even poorer than himself, Alexandrie becomes her provincial family’s last hope for prosperity, and soon she’s taking lessons in ballet and culture to prepare herself for Paris society. Once in Paris, Alexandrie follows star performer Cornelie’s lead and quickly snags a prospective patron, but she’s most powerfully drawn to Degas, who captures on canvas the dancers’ beauty and humanity. Like Tracy Chevalier, Wagner imagines how layers of meaning pervade works of art, but her real forte is detailing the sexual politics of poverty and evoking the rivalry among dancers, especially between stars and the newcomers who wish to replace them. Wagner’s description of art and sacrifice in old Paris doesn’t have the heft of the classics, but her abandonment of the masterpiece-in-the-making formula is a nice turn. (Mar.)

Book Details

Published
March 1, 2010
Publisher
Random House Publishing Group
Pages
400
Format
Paperback
ISBN
9780385343862

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