Dark Specter
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Overview
In this majestically unnerving novel, Michael Dibdin, the creator of the acclaimed Aurelio Zen mysteries, explores themes that might have been ripped out of today's headlines, as he charts America's dual epidemic of religious cultism and random violence.The murders take place in distant cities and with no apparent motive. All that connects them is their cold-blooded efficiency. But a dogged Seattle detective and a horribly bereaved survivor are about to come face-to-face with their perpetrator—a man named Los, a self-styled prophet who has the power to make his followers travel thousands of miles to kill for him. Out of mayhem and revelation, the minutiae of police work and the explosive contents of a psychotic mind, Michael Dibdin orchestrates a tour de force of dread. This should be read with the lights on and the doors firmly bolted.
With an extraordinarily acute take on the extremist mind, the award-winning author of Ratking gives readers an electrifying story of interconnected lives, all of which spin in a desperate orbit around a man known to his followers as the "Eternal Prophet."
Synopsis
In this majestically unnerving novel, Michael Dibdin, the creator of the acclaimed Aurelio Zen mysteries, explores themes that might have been ripped out of today's headlines, as he charts America's dual epidemic of religious cultism and random violence.
The murders take place in distant cities and with no apparent motive. All that connects them is their cold-blooded efficiency. But a dogged Seattle detective and a horribly bereaved survivor are about to come face-to-face with their perpetrator—a man named Los, a self-styled prophet who has the power to make his followers travel thousands of miles to kill for him. Out of mayhem and revelation, the minutiae of police work and the explosive contents of a psychotic mind, Michael Dibdin orchestrates a tour de force of dread. This should be read with the lights on and the doors firmly bolted.
Publishers Weekly
Poets and psychopathology converge in another crime thriller as Dibdin, known best for his Aurelio Zen procedurals set in Italy, writes about a religious cult led by a Blake-obsessed fanatic. The evil in this tale, however, which is at once more organized and more random than that in Michael Connelly's Poe-prompted The Poet, also ranges across the U.S. Dibdin meticulously establishes the skeleton of his intricate story, introducing readers first to a boy who by chance survives the shooting murder of everyone else in his Seattle household. More murders-near Chicago, in Kansas City, in Atlanta-are related in chapters that alternate with those narrated by Phil, a college English teacher in Minneapolis, who is married and the father of a little boy. Phil runs into Sam, a Vietnam vet with whom he shared a house in their druggie student years. Later, Phil's son disappears and is presumed dead; his wife commits suicide and Phil, unmoored, visits Sam on an island off the Washington coast. There the threads of this plot, which Dibdin has so masterfully laid out, are drawn together in a diabolical pattern that is loosely pinned on the writings of Blake and ends, as it began, in a house whose occupants, bound and gagged, are threatened with execution. Dibdin's fans may decry his having exchanged elegant, dark Venice for this glossy, plastic-colored U.S. setting, but his deft plotting and reliable characterization are fully present in this top-notch thriller. 50,000 first printing; author tour.
Editorials
Publishers Weekly -
Poets and psychopathology converge in another crime thriller as Dibdin, known best for his Aurelio Zen procedurals set in Italy, writes about a religious cult led by a Blake-obsessed fanatic. The evil in this tale, however, which is at once more organized and more random than that in Michael Connelly's Poe-prompted The Poet, also ranges across the U.S. Dibdin meticulously establishes the skeleton of his intricate story, introducing readers first to a boy who by chance survives the shooting murder of everyone else in his Seattle household. More murders-near Chicago, in Kansas City, in Atlanta-are related in chapters that alternate with those narrated by Phil, a college English teacher in Minneapolis, who is married and the father of a little boy. Phil runs into Sam, a Vietnam vet with whom he shared a house in their druggie student years. Later, Phil's son disappears and is presumed dead; his wife commits suicide and Phil, unmoored, visits Sam on an island off the Washington coast. There the threads of this plot, which Dibdin has so masterfully laid out, are drawn together in a diabolical pattern that is loosely pinned on the writings of Blake and ends, as it began, in a house whose occupants, bound and gagged, are threatened with execution. Dibdin's fans may decry his having exchanged elegant, dark Venice for this glossy, plastic-colored U.S. setting, but his deft plotting and reliable characterization are fully present in this top-notch thriller. 50,000 first printing; author tour.Library Journal
Dibdin (Dead Lagoon, LJ 12/94) incorporates Northwest culture into this suspenseful tale of a cult that requires murder for initiation and considers poet William Blake its source of divine revelation. Though the narrative voice shifts with each chapter, the story is told mostly by one ordinary man. Phil's family has been shattered, unbeknownst to him, by cult leader Sam, a college friend. A Seattle detective labors to find the link in a series of horrific, seemingly motiveless murders from Atlanta to Seattle even as Phil seeks out his friend on an island off the Oregon coast. Dibdin skillfully maintains the suspense, even if not every turn in his narrative surprises; the reader is locked in until the very last sentence. Strongly recommended for thriller collections.-Robert C. Moore, DuPont Merck Pharmaceutical Co. Information Svces., N. Billerica, Mass.Kirkus Reviews
Most suspense novels are spoiled to a certain extent by summary, but Dibdin's unusual new mystery represents an extreme case in which the less you know in advance, the better. With that warning in mind: The crux of the story—a self-proclaimed messiah who claims to be the spiritual descendant of William Blake and envisions a millennial community whose initiation rites prescribe what look like random acts of violence—is familiar enough from recent fiction (and indeed recent headlines), though you've rarely seen a cult leader limned with such casual intensity. What's distinctive here is the disturbingly oblique approach made to the cult of the Son of Los: the senseless massacre of a suburban Washington family; a first-person anecdote about a routine drug score gone wrong; a police investigation seeking to link the Washington killings to similar executions in Evanston, Ill., Kansas City, and Atlanta; a bereaved father's grief- stricken reaction to his son's kidnapping and his wife's suicide. The cliché of multiple points of view, in the hands of a master like Dibdin (Dead Lagoon, 1995, etc.), brings the nasty implications of his plot startlingly to life while concealing its preposterously melodramatic underpinnings until almost the very end.A superior vintage pressed from the most unlikely grapes.