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Day Out of Days: Stories by Sam Shepard — book cover

Day Out of Days: Stories

by Sam Shepard
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Overview

From one of our most acclaimed writers: a collection of tales set mainly in the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks.
 
A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs. A wandering actor returns to his hometown and runs into an old friend, who recounts their teenage days of stealing cars, buying Benzedrine, and sleeping with whores in Tijuana. A Minnesota couple and their children, traveling south for vacation, are so caught up in the ordinary dramas of family life that they remain oblivious to the beauty of the Yucatan peninsula. Stunning, inventive, and powerful, these stories are Shepard at his flinty-eyed, unwavering best.

Synopsis

From one of our most admired writers: a collection of stories set mainly in the fertile imaginative landscape of the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks.

A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering actor returns to his hometown against his better instincts and runs into an old friend, who recounts their teenage days of stealing cars, scoring Benzedrine, and sleeping with whores in Tijuana. A Minnesota family travels south for a winter vacation but, caught up in the ordinary tyrannies of family life, remains oblivious to the beauty of the Yucatán Peninsula. A solitary horse rancher muses on Sitting Bull and Beckett amid the jumble of stuff in his big country kitchen—from rusted spurs and Lakota dream-catchers to yellowing pictures of hawks and galloping horses to “snapshots of different sons in different shirts doing different things like fishing, riding mules and tractors; leaning up against their different mothers at radical angles.”

Made up of short narratives, lyrics, and dialogues, Day out of Days sets conversation against tale, song against memory, in a cubistic counterpoint that finally links each piece together. The result is a stunning work of vision and clarity imbued with the vivid reverberations of myth—Shepard at his flinty-eyed, unwavering best.

About the Author, Sam Shepard

Sam Shepard is the Pulitzer Prize-winning author of more than forty-five plays. As an actor, he has appeared in more than thirty films, and received an Oscar nomination in 1984 for The Right Stuff. He was a finalist for the W. H. Smith Literary Award for his story collection Great Dream of Heaven. He lives in New York and Kentucky.

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Editorials

Kirkus Reviews

A table of contents listing 133 (count 'em) entries may tempt readers to dismiss this new collection from Shepard (Great Dream of Heaven, 2002, etc.) as a literary grab bag; they will be richly surprised by its thematic depth and coherence. A quick browse suggests a mix of travelogue, dialogue (unattributed to any speakers), free verse, tall tales, stage directions, journal jottings, dreams and writing that resists categorization. Yet rather than a busman's holiday for the Pulitzer Prize-winning playwright (Buried Child, etc.) and Oscar-nominated actor (The Right Stuff, etc.), this volume offers a profound meditation on mortality, identity, eternity, blood ties, the passage of time, the essence of America, the mythos of the West and the possibilities of art. It demands to be read in order and in its entirety: Juxtapositions offer thematic links, and narratives that initially appear self-contained resume multiple times over the course of the collection. One of those narratives concerns a severed head that retains consciousness and speech and somehow convinces a passing man to carry him (it?) elsewhere. Another features three buddies whose lives have devolved into traveling from place to place for no apparent purpose. "We're all in terrible shape," says the narrator. "I don't know how we got this way." First-person narration dominates, some of it apparently representing the voice of the author, some of it obviously not. In one of Shepard's more arresting images, "You circle all around your life, but do you find it? You circle from above. Like a hawk." Older rarely means wiser in these pages filled with vagabonds who aren't sure what they're looking for, where they're looking for it or why.They circle back to homes that no longer exist, at least not the way they did in memory. They are "lost souls wandering in the desert," but they can never quite lose themselves. Echoes and resonances across the selections intensify the cumulative impact.

Book Details

Published
February 8, 2011
Publisher
Knopf Doubleday Publishing Group
Pages
304
Format
Paperback
ISBN
9780307277824

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