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Children's Non-Fiction, Poetry
Daybreak, Nightfall by Jorge Elias Lujan β€” book cover

Daybreak, Nightfall

by Jorge Elias Lujan, John Oliver Simon, Manuel Monroy (Illustrator), Manuel Monroy
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Synopsis

Day and night, life and death are often seen as opposites. But they can also be understood as a continuum, one containing the other. Both ideas are expressed in these evocative poems by Jorge Elias Lujan. "An Apple in the Apple Orchard" describes a young boy and girl in the early morning playing hide-and-seek among the trees. "Pale as a Bone" places the same children on a carousel ride where a "Lady-as-Pale-as-a-Bone" is trying to choose whom to take with her. Illustrator Manuel Monroy artfully portrays both stories in a magic garden.

Publishers Weekly

Two enigmatic but hypnotic poems by the Argentina-born author of In My Hand constitute the text of this intriguing, often disquieting work. In "An Apple in the Orchard," a boy encounters a girl who "opens her mouth like a bewildered moon." Her hand "slides down/ her face from side to side" and "erases her mouth." In "Pale-as-Bone" a sinister-seeming Lady-as-Pale-as-a-Bone approaches the boy and girl as they ride the merry-go-round. Monroy, a Mexican artist, translates Luj n's elliptical imagery as a surreal sequence of scenes rendered in a deceptively childlike style. The results are dramatic, especially in the second poem, which becomes powerfully ominous. Lady-as-Pale-as-a-Bone resembles a cadaverous, ghostly moon and her streaming, night-blue hair is flecked with carrion crows. Like La Llorona, the weeping woman of Spanish folklore who wanders the streets looking for children to snatch, the lady frightens the two protagonists. She asks, "Which of these shall I carry off first?" Both poems wittily resolve the terror they evoke. In the first poem, the girl's "mouth slowly reappears on her face," as if it were "a moon returning/ from orbit around the apple"-or as if she were playing peek-a-boo ("Carahooria!"). In the second poem, the Lady takes neither boy nor girl but mounts a merry-go-round tin horse. Artistically complex, these tense poetic images may require considerable explication for younger audience members. Ages 8-up. (Apr.) Copyright 2003 Reed Business Information.

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Book Details

Published
April 1, 2003
Publisher
Groundwood Books
Format
Hardcover
ISBN
9780888994868

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