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Down and Out on Murder Mile by Tony O'neill — book cover

Down and Out on Murder Mile

by Tony O'neill
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Overview

After exhausting their resources in the slums of Los Angeles, a junkie and his wife settle in London's "murder mile," the city's most violent and criminally corrupt section. Persevering past failed treatments, persistent temptation, urban ennui, and his wife's ruinous death wish, the nameless narrator fights to reclaim his life.

In prose that could peel paint from a car, Tony O'Neill re-creates the painfully comic, often tragic days of a recovering heroin addict.

Synopsis

After exhausting their resources in the slums of Los Angeles, a junkie and his wife settle in London's "murder mile," the city's most violent and criminally corrupt section. Persevering past failed treatments, persistent temptation, urban ennui, and his wife's ruinous death wish, the nameless narrator fights to reclaim his life.

In prose that could peel paint from a car, Tony O'Neill re-creates the painfully comic, often tragic days of a recovering heroin addict.

Publishers Weekly

Novelist O'Neill (Digging the Vein), a recovered heroin addict and lapsed rocker, draws on his experiences for this fast-paced, compulsively readable (if occasionally self-indulgent) portrait of a young would-be rocker junkie. After most of his belongings are repossessed (or sold for drug money) and his wife Susan admits to embezzling thousands of dollars from her company to support their habit, the unnamed narrator and his wife flee Los Angeles for his former home in England. There, he tries frantically to plug back into the London drug and music scenes and struggles to get clean. Fighting violent withdrawal symptoms, living in squalor on London's infamous Clapton Road (aka "Murder Mile") and grappling with a sadistic and controlling rehab doctor, O'Neill's antihero paints a grim, bloody picture of compulsive self-destruction. As veteran of half a dozen bands (including the Brian Jonestown Massacre), O'Neill gives himself too much space to voice his professional grievances, and there's a tendency to name-drop. Still, the novel's consistent tone of urgency and desperation creates a gritty world of its own that compels despite its flaws. (Nov.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author, Tony O'neill

Tony O'Neill is the author of Digging the Vein and Down and Out on Murder Mile, and the coauthor of Neon Angel and the New York Times bestseller Hero of the Underground. He lives in New York with his wife and daughter.

Reviews

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Editorials

Scott Heim

"Tony O’Neill is one of my favorite new writers, and DOWN AND OUT ON MURDER MILE is his best book yet. In O’Neill’s wizardlike hands, all the drugs and sex, the fierce fights and shouts and blaring rock & roll, amount to a story both horrifying and beautiful."

Josh Kilmer-Purcell

"Finishing DOWN AND OUT ON MURDER MILE hurts. O’Neill paints a vividly original picture of addiction and recovery that made my veins thirst and my heart worry."

Metro

"Down and Out on Murder Mile doesn’t disappoint if you’re looking for a visceral, grisly experience...Fans of Irvine Welsh and Warren Ellis are sure to enjoy this dark, disturbing journey."

Publishers Weekly

Novelist O'Neill (Digging the Vein), a recovered heroin addict and lapsed rocker, draws on his experiences for this fast-paced, compulsively readable (if occasionally self-indulgent) portrait of a young would-be rocker junkie. After most of his belongings are repossessed (or sold for drug money) and his wife Susan admits to embezzling thousands of dollars from her company to support their habit, the unnamed narrator and his wife flee Los Angeles for his former home in England. There, he tries frantically to plug back into the London drug and music scenes and struggles to get clean. Fighting violent withdrawal symptoms, living in squalor on London's infamous Clapton Road (aka "Murder Mile") and grappling with a sadistic and controlling rehab doctor, O'Neill's antihero paints a grim, bloody picture of compulsive self-destruction. As veteran of half a dozen bands (including the Brian Jonestown Massacre), O'Neill gives himself too much space to voice his professional grievances, and there's a tendency to name-drop. Still, the novel's consistent tone of urgency and desperation creates a gritty world of its own that compels despite its flaws. (Nov.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Kirkus Reviews

The continuation of O'Neill's autobiographical debut, Digging the Vein (2006), even more caustic than its predecessor. After a quick recount of his descent into a massive opium habit and marriage to similarly fixed Susan, the unnamed narrator confesses the nature of his troubles. "I needed to know that Death was here, in the room, and that I was too fast, too young, and too smart for him." Fleeing Los Angeles, the newlyweds return home to London only to enter the institutional nightmare of the city's overflowing methadone clinics, from which the whip-smart but self-destructive musician reports with fascinating candor. He manipulates his physician while simultaneously using 12-step meetings to find drug dealers to feed his compulsions. Yet he still pretends to be part of society, whether shoplifting from his record store job or practicing his craft as a member of fly-by-night rock bands. While most of the action focuses on the desperate mechanics of addiction, O'Neill also paints London as a character and co-conspirator, illuminating the filthy squalor of council slums and the florescent detritus of a broken system. This is no redemption song. "The lie at the heart of treatment centers, the recovery industry, and self help groups is that that life off drugs is any better than life on them," the narrator declares. "A preposterous idea. The two states coexist in a parallel sense-to say that one is preferable to the other is to miss the point entirely." He struggles to break the kick-then-relapse cycle, but fails until he meets and falls in love with punk-rock princess Vanessa from New York. Call it a junkie fairy tale: Boy meets girl, gets clean and lives. The whole truth with noreservations: not a pretty story, but a rare telling. Agent: Michael Murphy/Max & Company

Book Details

Published
October 1, 2008
Publisher
HarperCollins Publishers
Pages
258
Format
Paperback
ISBN
9780061582868

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