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Overview
After exhausting their resources in the slums of Los Angeles, a junkie and his wife settle in London's "murder mile," the city's most violent and criminally corrupt section. Persevering past failed treatments, persistent temptation, urban ennui, and his wife's ruinous death wish, the nameless narrator fights to reclaim his life.
In prose that could peel paint from a car, Tony O'Neill re-creates the painfully comic, often tragic days of a recovering heroin addict.
Synopsis
After exhausting their resources in the slums of Los Angeles, a junkie and his wife settle in London's "murder mile," the city's most violent and criminally corrupt section. Persevering past failed treatments, persistent temptation, urban ennui, and his wife's ruinous death wish, the nameless narrator fights to reclaim his life.
In prose that could peel paint from a car, Tony O'Neill re-creates the painfully comic, often tragic days of a recovering heroin addict.
Publishers Weekly
Novelist O'Neill (Digging the Vein), a recovered heroin addict and lapsed rocker, draws on his experiences for this fast-paced, compulsively readable (if occasionally self-indulgent) portrait of a young would-be rocker junkie. After most of his belongings are repossessed (or sold for drug money) and his wife Susan admits to embezzling thousands of dollars from her company to support their habit, the unnamed narrator and his wife flee Los Angeles for his former home in England. There, he tries frantically to plug back into the London drug and music scenes and struggles to get clean. Fighting violent withdrawal symptoms, living in squalor on London's infamous Clapton Road (aka "Murder Mile") and grappling with a sadistic and controlling rehab doctor, O'Neill's antihero paints a grim, bloody picture of compulsive self-destruction. As veteran of half a dozen bands (including the Brian Jonestown Massacre), O'Neill gives himself too much space to voice his professional grievances, and there's a tendency to name-drop. Still, the novel's consistent tone of urgency and desperation creates a gritty world of its own that compels despite its flaws. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Editorials
Scott Heim
"Tony O’Neill is one of my favorite new writers, and DOWN AND OUT ON MURDER MILE is his best book yet. In O’Neill’s wizardlike hands, all the drugs and sex, the fierce fights and shouts and blaring rock & roll, amount to a story both horrifying and beautiful."Josh Kilmer-Purcell
"Finishing DOWN AND OUT ON MURDER MILE hurts. O’Neill paints a vividly original picture of addiction and recovery that made my veins thirst and my heart worry."Metro
"Down and Out on Murder Mile doesn’t disappoint if you’re looking for a visceral, grisly experience...Fans of Irvine Welsh and Warren Ellis are sure to enjoy this dark, disturbing journey."Publishers Weekly
Novelist O'Neill (Digging the Vein), a recovered heroin addict and lapsed rocker, draws on his experiences for this fast-paced, compulsively readable (if occasionally self-indulgent) portrait of a young would-be rocker junkie. After most of his belongings are repossessed (or sold for drug money) and his wife Susan admits to embezzling thousands of dollars from her company to support their habit, the unnamed narrator and his wife flee Los Angeles for his former home in England. There, he tries frantically to plug back into the London drug and music scenes and struggles to get clean. Fighting violent withdrawal symptoms, living in squalor on London's infamous Clapton Road (aka "Murder Mile") and grappling with a sadistic and controlling rehab doctor, O'Neill's antihero paints a grim, bloody picture of compulsive self-destruction. As veteran of half a dozen bands (including the Brian Jonestown Massacre), O'Neill gives himself too much space to voice his professional grievances, and there's a tendency to name-drop. Still, the novel's consistent tone of urgency and desperation creates a gritty world of its own that compels despite its flaws. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.