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Fiction, Fiction Subjects

Fanny: A Fiction

by Edmund White
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Overview

In her fifties, Mrs. Frances Trollope became famous overnight for her book attacking the United States. Twenty-five years later, she sharpens her pen for her most controversial work yet β€” the biography of her old friend, the radical and feminist Fanny Wright. She recalls the 1820s when the young Fanny erupted into the Trollopes' sleepy English cottage like a volcano, her red hair flying, her talk aflame with utopian ideals. Before long, Wright convinced her to follow her to America, a journey of extreme penury, frontier hardships, and the most satisfying sensual romance of Frances Trollope's life.

Fanny: A Fiction is a wonderful new departure for Edmund White β€” a quirky, dazzling story of two extraordinary nineteenth-century women, and a vibrant, questioning exploration of the nature of idealism, the clay feet of heroes, and the illusory power of the American dream.

Synopsis

In her fifties, Mrs. Frances Trollope became famous overnight for her book attacking the United States. Twenty-five years later, she sharpens her pen for her most controversial work yet — the biography of her old friend, the radical and feminist Fanny Wright. She recalls the 1820s when the young Fanny erupted into the Trollopes' sleepy English cottage like a volcano, her red hair flying, her talk aflame with utopian ideals. Before long, Wright convinced her to follow her to America, a journey of extreme penury, frontier hardships, and the most satisfying sensual romance of Frances Trollope's life.

Fanny: A Fiction is a wonderful new departure for Edmund White — a quirky, dazzling story of two extraordinary nineteenth-century women, and a vibrant, questioning exploration of the nature of idealism, the clay feet of heroes, and the illusory power of the American dream.

Publishers Weekly

White's most recent novel, the saturnine A Married Man, showed little of the feline, Nabokovian elegance of his early work-most famously, A Boy's Own Story. White triumphantly returns to form with this historical teaser, a novel wrapped inside a "memoir" of Fanny Wright by Mrs. Frances Trollope. The real Mrs. Trollope is best known for Domestic Manners of the Americans, an 1830s disquisition on her travels in America; Fanny Wright is best known as the utopian feminist who lured Mrs. Trollope to America with her disastrous scheme to abolish marriage and solve America's racial divide at Nashoba, a community she founded in Tennessee. White's conceit is that this is Trollope's last book, written when its author is 76, her health and memory failing, decades after her adventures in the wilds of America when she was in her late 40s. Essentially abandoned by Fanny Wright from the moment she steps ashore, Trollope must fend for herself and see to the well-being of her daughters, her son Henry and her companion, Auguste Hervieu. As Trollope discovers, Fanny, like many a progressive activist after her, implements her humanistic idealism at the expense of her humanity. But White's real subject is Trollope herself: caustic, witty, self-aware, genteelly impoverished, cursed with a cold, hypochondriac husband. Trollope's struggle to maintain her own little bit of interior civilization is a joy to witness. Since Trollope's book is a classic, White risks a lot by offering a competing narrative. He succeeds by letting Trollope's pen run into un-Victorian excesses, giving us the unbuttoned view of her travels. The emotional epicenter of the book is Trollope's affair with an ex-slave, Cudjo, in the unpropitious town of Cincinnati. White's novel, while shying from preaching, is a timely reminder that transatlantic critics of America's "domestic manners" sometimes have a good point or two to make. Agent, Amanda Urban. (Oct. 10) Forecast: The elaborate conceit may scare off some readers, but Fanny is anything but stuffy. Expect lively review coverage. Six-city author tour. Copyright 2003 Reed Business Information.

About the Author, Edmund White

Edmund White is the author of the novels Fanny: A Fiction, A Boy's Own Story, The Farewell Symphony, and The Married Man; a biography of Jean Genet; a study of Marcel Proust; and, most recently, a memoir, My Lives. Having lived in Paris for many years, he has now settled in New York, and he teaches at Princeton University.

Reviews

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Editorials

Seattle Times

"Delectable storytelling fun"

Booklist (starred)

β€œA wonderful novel.”

(starred) - Booklist

"A wonderful novel."

Publishers Weekly

White's most recent novel, the saturnine A Married Man, showed little of the feline, Nabokovian elegance of his early work-most famously, A Boy's Own Story. White triumphantly returns to form with this historical teaser, a novel wrapped inside a "memoir" of Fanny Wright by Mrs. Frances Trollope. The real Mrs. Trollope is best known for Domestic Manners of the Americans, an 1830s disquisition on her travels in America; Fanny Wright is best known as the utopian feminist who lured Mrs. Trollope to America with her disastrous scheme to abolish marriage and solve America's racial divide at Nashoba, a community she founded in Tennessee. White's conceit is that this is Trollope's last book, written when its author is 76, her health and memory failing, decades after her adventures in the wilds of America when she was in her late 40s. Essentially abandoned by Fanny Wright from the moment she steps ashore, Trollope must fend for herself and see to the well-being of her daughters, her son Henry and her companion, Auguste Hervieu. As Trollope discovers, Fanny, like many a progressive activist after her, implements her humanistic idealism at the expense of her humanity. But White's real subject is Trollope herself: caustic, witty, self-aware, genteelly impoverished, cursed with a cold, hypochondriac husband. Trollope's struggle to maintain her own little bit of interior civilization is a joy to witness. Since Trollope's book is a classic, White risks a lot by offering a competing narrative. He succeeds by letting Trollope's pen run into un-Victorian excesses, giving us the unbuttoned view of her travels. The emotional epicenter of the book is Trollope's affair with an ex-slave, Cudjo, in the unpropitious town of Cincinnati. White's novel, while shying from preaching, is a timely reminder that transatlantic critics of America's "domestic manners" sometimes have a good point or two to make. Agent, Amanda Urban. (Oct. 10) Forecast: The elaborate conceit may scare off some readers, but Fanny is anything but stuffy. Expect lively review coverage. Six-city author tour. Copyright 2003 Reed Business Information.

Library Journal

White's latest novel is a well-researched and often wildly funny mock-biography of Fanny Wright, Scots-born American abolitionist and feminist, as "written" by her contemporary, English novelist Trollope. Wright first visited the United States in 1818; a few years later she established Nashoba, an idealistic and ultimately unsuccessful community for freed slaves. An advocate of free love, she generated gossip for a series of affairs and for her public lectures on abolition. Trollope (mother of Anthony), unaware of Wright's scandalous behavior and impressed by her idealism, visited the United States in the hope of settling at Nashoba; eventually repelled by all she saw, she returned to England to publish Domestic Manners of the Americans. White takes this historic framework and has Trollope attempt a biography of Wright; however, she frequently veers from her intended purpose, writing more about the injustices executed on her by Wright and others. While the reader is aware of various sexual and racial permutations among the characters, Trollope, the "biographer," is oblivious. Well known for his numerous novels (e.g., A Boy's Own Story) and nonfiction (e.g., Genet: A Biography), White is often called a "gay" writer, but his superb writing goes beyond simplistic labels. Highly recommended for large public and academic libraries. [Previewed in Prepub Alert, LJ 6/15/03.]-Mary Margaret Benson, Linfield Coll. Lib., McMinnville, OR Copyright 2003 Reed Business Information.

Kirkus Reviews

Novelist and memoirist White (The FlΓ’neur, 2001, etc.) obviously had a ball playing within the double framework of this purported biography-gone-astray of Victorian radical Fanny Wright by hack novelist and travel writer Frances Trollope, Anthony's mother. White's conceit is that an aging Frances, who made her literary debut 30 years earlier with a diatribe against America after a four-year visit, decides to tell the story of her more famous friend Fanny, but Frances's self-absorption causes her to stray more and more into her own life story. The two women meet in the 1820s. Fanny, an heiress without the practical concerns that plague Frances, whose family is nearing financial ruin, is a freethinking feminist/atheist who makes Frances "feel worthy as a mind and attractive as a person." While desperately pragmatic Frances muddles through one family crisis after another, Fanny, drawn to powerful older men, becomes involved with Lafayette and follows him to America. Their relationship falters, but she becomes enamored with the aged Jefferson and then with Scottish philanthropist Robert Owen, founder of the utopian community New Harmony in Indiana. Fanny founds her own utopia, Nashoba, near Memphis, planning to educate slaves to prepare them for emancipation before transporting them to the independent black nation of Haiti. In 1827, under Fanny's charismatic spell, Frances drags her daughters and youngest son Henry to America hoping for a new start. Nashoba turns out to be a disaster-disorganized and unconsciously cruel; the semi-freed slaves are starving-and the Trollopes are plunged into deeper financial distress. Meanwhile, Fanny goes blithely on, unaware she's destroying lives in thepursuit of her ideals. Frances has little use for Fanny's abstractions but a real feel for actual people as exemplified in her wonderfully unexpected (and totally fictional) love affair with the runaway slave who lives next door. As she loses her genteel reticence, Frances begins to pack a real wallop as narrator and character. A brilliantly structured, wonderfully engaging tragicomedy of historic and panoramic yet human proportions. Agent: Amanda Urban/ICM

Book Details

Published
October 1, 2004
Publisher
HarperCollins Publishers
Pages
400
Format
Paperback
ISBN
9780060004859

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