Join Books.org — it's free

Fiction, World Literature, Fiction Subjects
Get a Life by Nadine Gordimer β€” book cover

Get a Life

by Nadine Gordimer
Write a review
Log in to track your reading progress.

Overview

Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. Paul Bannerman, an ecologist in South Africa, believes he understands the trajectory of his life, with the usual markers of vocation and marriage. But when he's diagnosed with thyroid cancer and, after surgery, prescribed treatment that will leave him radioactive-and for a period a danger to others-he begins to question, as Auden wrote, "what Authority gives / existence its surprise." As Paul recuperates in the garden of his childhood home, he enters an unthinkable existence and another kind of illumination-a process that will irrevocably change not only his life but the lives of his wife and parents. BACKCOVER: "More profound, more searching, more accomplished than what she was writing earlier in her long and distinguished career."
-Los Angeles Times

"Nadine Gordimer's work is endowed with an emotional genius so palpable one experiences it like a finger pressing steadily upon the prose."
-The Village Voice

"A timely novel and a provocative one: a novel to enjoy and ponder, as its characters all do, the dizzying complications inherent in human choice."
-The Washington Times

"I will always be grateful for the presence in the world of Nadine Gordimer, who has delivered in literature a South Africa most of us could not have known without her."
-Gail Caldwell, The Boston Globe

Synopsis

Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. Paul Bannerman, an ecologist in South Africa, believes he understands the trajectory of his life, with the usual markers of vocation and marriage. But when he's diagnosed with thyroid cancer and, after surgery, prescribed treatment that will leave him radioactive-and for a period a danger to others-he begins to question, as Auden wrote, "what Authority gives / existence its surprise." As Paul recuperates in the garden of his childhood home, he enters an unthinkable existence and another kind of illumination-a process that will irrevocably change not only his life but the lives of his wife and parents. BACKCOVER: "More profound, more searching, more accomplished than what she was writing earlier in her long and distinguished career."
-Los Angeles Times

"Nadine Gordimer's work is endowed with an emotional genius so palpable one experiences it like a finger pressing steadily upon the prose."
-The Village Voice

"A timely novel and a provocative one: a novel to enjoy and ponder, as its characters all do, the dizzying complications inherent in human choice."
-The Washington Times

"I will always be grateful for the presence in the world of Nadine Gordimer, who has delivered in literature a South Africa most of us could not have known without her."
-Gail Caldwell, The Boston Globe

Publishers Weekly

The phrase "late work" is usually reserved for masters, and it is appropriate to this 14th novel from Gordimer, whose cruel meditations on mortality and commitment are enacted within two marriages a generation apart. Paul Bannerman, a 35-year-old activist ecologist who works to prevent development of the South African bush, is diagnosed with thyroid cancer. Following radiation treatment, he stays with his parents, Adrian and Lyndsay; his ad exec wife, Berenice (Benni), and toddler son, Nicholas, visit him, but must avoid contact with Paul while he's radioactive. During Paul's stay, Gordimer sounds the depths of Paul and Benni's connection (shallow but sometimes tender) and replays Adrian and Lyndsay's turbulent (but on the surface, placid) past together. Paul and Benni's professional lives are at odds (she does ads for developers); Adrian chucked a potential career as an archeologist to advance Lyndsay's as a lawyer. When Paul returns home, change comes very rapidly-and dramatically-for everyone. Gordimer's narrator is chilly, remote and omniscient, toying with the characters and taking shots at them at almost every opening, particularly the two career-women: "How girlishly exciting it must have been," says the narrator of Lyndsay's past affair, begun at a conference. Paul's vulnerable, mortal body and everyone's life choices are relentlessly, tauntingly picked over in a manner that is spare and quick to the point of offhandedness. The result is a lacerating novel, one in which conflicted professional and domestic lives are played for all their contradictory possibility. (Dec.) Copyright 2005 Reed Business Information.

About the Author, Nadine Gordimer

Nadine Gordimer, who was awarded the Nobel Prize in Literature in 1991, is the author of fourteen novels, nine volumes of stories, and three nonfiction collections.

Reviews

There are no reviews yet. Log in to write one.

Editorials

Publishers Weekly

The phrase "late work" is usually reserved for masters, and it is appropriate to this 14th novel from Gordimer, whose cruel meditations on mortality and commitment are enacted within two marriages a generation apart. Paul Bannerman, a 35-year-old activist ecologist who works to prevent development of the South African bush, is diagnosed with thyroid cancer. Following radiation treatment, he stays with his parents, Adrian and Lyndsay; his ad exec wife, Berenice (Benni), and toddler son, Nicholas, visit him, but must avoid contact with Paul while he's radioactive. During Paul's stay, Gordimer sounds the depths of Paul and Benni's connection (shallow but sometimes tender) and replays Adrian and Lyndsay's turbulent (but on the surface, placid) past together. Paul and Benni's professional lives are at odds (she does ads for developers); Adrian chucked a potential career as an archeologist to advance Lyndsay's as a lawyer. When Paul returns home, change comes very rapidly-and dramatically-for everyone. Gordimer's narrator is chilly, remote and omniscient, toying with the characters and taking shots at them at almost every opening, particularly the two career-women: "How girlishly exciting it must have been," says the narrator of Lyndsay's past affair, begun at a conference. Paul's vulnerable, mortal body and everyone's life choices are relentlessly, tauntingly picked over in a manner that is spare and quick to the point of offhandedness. The result is a lacerating novel, one in which conflicted professional and domestic lives are played for all their contradictory possibility. (Dec.) Copyright 2005 Reed Business Information.

Library Journal

After being treated for thyroid cancer, South African ecologist Paul Bannerman finds that he is temporarily radioactive and retreats to his childhood home to protect his wife and child. Not surprisingly, it's a chance to rethink his life. Copyright 2005 Reed Business Information.

Kirkus Reviews

The 1991 Nobel winner's 14th novel is one of her most provocative books: an unsparing analysis of the permutations-and ramifications-of commitment and fidelity, endangerment and survival. Its initial crisis is the personal one afflicting 30ish white South African Paul Bannerman, an ecologist dedicated to protecting the pristine African environment from commercial overdevelopment. Diagnosed with malignant thyroid cancer, Bannerman is treated with a "destructive [chemical] substance" that renders him temporarily radioactive, removing him from contact with his wife Berenice ("Benni") and young son and placing him under a kind of benign house arrest in the home of his still-nurturing parents Lyndsay and Adrian. Gordimer employs this confinement as a stage for revelations of her major characters' contrasted and intertwined professional and personal lives. Benni is a successful advertising copywriter, whose clients include commercial enterprises her husband opposes. Paul's father Adrian is a retired businessman with a passion for archaeology left unrequited during the early years of his long marriage to Lyndsay, who is still, in her 60s, a busy civil-rights lawyer. Gordimer has a tendency to tip her hand, and spell out themes (e.g., Benni's lament "why must her man take on the survival of the whole bloody world, and now himself a threatened species?"). But her terse, slashing prose compels attention, and she shares Saul Bellow's ability to make discursive commentary vividly dramatic. And as the novel's initially simple plot cunningly exfoliates, Paul's re-entry into the world of family and work encounters ironic complications, as does his parents' seemingly rock-like marriage, which enduresseparation, failed communication and-in an irony worthy of Sophocles-Lyndsay's accession to a judgeship. Yes, this is a talky novel, but if the conscience of South Africa hasn't earned the right to have her say, who has?One of our great writers at her challenging, blistering best. Mandatory reading.

Book Details

Published
October 1, 2006
Publisher
Penguin Group (USA)
Pages
208
Format
Paperback
ISBN
9780143037927

More by Nadine Gordimer

Similar books