Overview
Whether you are using a digital compact or dSLR camera to shoot, or a Mac or PC to manipulate your images, Joe Farace explains what products are out there-and how to use them to get the best shots.While most books offer photographers tips and tricks for working with the latest software package, this book offers a new approach to working with digital images:
Learn how to use digital imaging tools - not just a particular software package - to produce professional prints or digital images for the web.
Getting Started with Digital Imaging offers a new approach for amateur photographers working with digital images. It takes you behind the screens, showing you how to use the tools - not the software itself - to produce professional prints or digital images for the Web.
Joe Farace guides you through the entire digital workflow, from choosing the right digital camera, setting up your digital darkroom, learning the key imaging tools and shortcuts, understanding file formats, printing and preparing images for the web.
Packed with step-by-step tutorials, case studies and invaluable tips from the pros, this guide will help you get to grips with digital imaging and produce fantastic results in no time at all.
* Guides you through digital workflow from capture to output
* Relevant for ALL digital imaging software
* Real world examples and invaluable tips are clearly explained with high quality full color images and screengrabs
Editorials
From Barnes & Noble
The Barnes & Noble ReviewThis is a refreshingly simple, friendly, and useful introduction to digital photography for anyone who cares about their photos. Joe Farace's philosophy: You don't need the world's latest, most expensive tools. Why work harder than you have to? And, above all, stay focused on what matters most: the image.
Farace, a longtime professional photographer, instructor, and Shutterbug columnist, has answered a lot of questions in his career. This book organizes and distills that knowledge. You'll find sensible guidance on picking computers and software, scanning images, and working with file formats (including and especially RAW). Whatever tools you're using, Farace shows how to take advantage of core techniques like layers, levels, and curves. You'll find thoughtful chapters on ink-jet printing, preparing images for the Web, and doing great work in monochrome, too. All of it down-to-earth, practical -- and a pleasure to look at. Bill Camarda, from the January 2007 Read Only