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Goya, Are You with Me Now?: Novel by H. E. Francis β€” book cover

Goya, Are You with Me Now?: Novel

by H. E. Francis
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Overview

Few writers capture the human spirit and its desperate quest for meaning like Herb Francis. His previously published short stories have given us just a hint of what Francis could offer in a novel.

Goya, Are You With Me Now? is a masterful achievement in literature. By way of a revelation while studying Goya's Black Paintings, a well-known photographer (Brand) searches for the world of true art--the understanding and realization of immortality. Through the eyes of his dearest friend, Ferris, we see the emerging secrets of Brand's life and his struggle against the barely known Nazi past of his father, whose unconscious shadow becomes blacker and denser when condoned by Brand's mother. In search of illusive answers, the journeys of Ferris and Brand take them to Providence and Bristol, Rhode Island; Huntsville, Alabama; and Madrid.

In one of the most compelling dramas of our time, this work makes one feel the despair of having an abyss between one's self and one's aspiration to a calling.

Synopsis

Few writers capture the human spirit and its desperate quest for meaning like Herb Francis. His previously published short stories have given us just a hint of what Francis could offer in a novel.

Goya, Are You With Me Now? is a masterful achievement in literature. By way of a revelation while studying Goya's Black Paintings, a well-known photographer (Brand) searches for the world of true art--the understanding and realization of immortality. Through the eyes of his dearest friend, Ferris, we see the emerging secrets of Brand's life and his struggle against the barely known Nazi past of his father, whose unconscious shadow becomes blacker and denser when condoned by Brand's mother. In search of illusive answers, the journeys of Ferris and Brand take them to Providence and Bristol, Rhode Island; Huntsville, Alabama; and Madrid.

In one of the most compelling dramas of our time, this work makes one feel the despair of having an abyss between one's self and one's aspiration to a calling.

Publishers Weekly

The roots of hatred are difficult to eradicate, as this earnest first novel by short story writer Francis (The Itinerary of Beggars) proposes. Driven news photographer Paul Brand makes a career capturing iconic images of Vietnam, Kent State, Woodstock and the Gulf War. Narrator Ferris's friendship with Brand began in high school (class of '63) in Bristol, R.I., where Brand lived with his grandparents. Three decades later, Ferris is shocked to learn that Brand has committed suicide. Gradually, Ferris discovers the shameful, paradoxical legacy that plagued his friend. He learns that the German-born Brand family emigrated to America near the end of WWII, after Brand's father, Heinrich, a scientist working at Pennem nde, was captured by the Allies. Offered freedom if he will work in the U.S. space program at Huntsville, Ala., the elder Brand never changes his racist views. His son fights to rid himself of his Nazi heritage by fully assimilating into American culture and nurturing his artistic side, but his identity crisis is exacerbated after he marries famous artist Esther Friedman. Sexually and spiritually restless after he returns from photographing the Vietnam War, Brand is distraught when headstrong Esther matches his affairs. After they divorce, Brand's malevolent father finds out that Esther is Jewish and disowns Brand as well as his two grandsons, while demanding that Esther change the boys' names to Friedman so their "tainted blood" will not be associated with his family. Brand seeks solace with Ferris, now a nationally known art critic, in Madrid. There he discovers Goya's dark period paintings, which exercise an almost hypnotic influence over him; Brand finds in them "the same turbulence... I had to capture in my own photos." Returned to Huntsville, his mental struggles become overwhelming as he observes the trial of a young man who is accused of killing his wife and infant son. Francis endows his novel with intellectually stimulating, if italic-ridden, dialogue, and though the plot becomes a bit unwieldy, the intensely imagined characters and historical scope make for a solid, serious read. 3000 first printing. (Dec.) Copyright 1999 Cahners Business Information.

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Editorials

Publishers Weekly - Publisher's Weekly

The roots of hatred are difficult to eradicate, as this earnest first novel by short story writer Francis (The Itinerary of Beggars) proposes. Driven news photographer Paul Brand makes a career capturing iconic images of Vietnam, Kent State, Woodstock and the Gulf War. Narrator Ferris's friendship with Brand began in high school (class of '63) in Bristol, R.I., where Brand lived with his grandparents. Three decades later, Ferris is shocked to learn that Brand has committed suicide. Gradually, Ferris discovers the shameful, paradoxical legacy that plagued his friend. He learns that the German-born Brand family emigrated to America near the end of WWII, after Brand's father, Heinrich, a scientist working at Pennem nde, was captured by the Allies. Offered freedom if he will work in the U.S. space program at Huntsville, Ala., the elder Brand never changes his racist views. His son fights to rid himself of his Nazi heritage by fully assimilating into American culture and nurturing his artistic side, but his identity crisis is exacerbated after he marries famous artist Esther Friedman. Sexually and spiritually restless after he returns from photographing the Vietnam War, Brand is distraught when headstrong Esther matches his affairs. After they divorce, Brand's malevolent father finds out that Esther is Jewish and disowns Brand as well as his two grandsons, while demanding that Esther change the boys' names to Friedman so their "tainted blood" will not be associated with his family. Brand seeks solace with Ferris, now a nationally known art critic, in Madrid. There he discovers Goya's dark period paintings, which exercise an almost hypnotic influence over him; Brand finds in them "the same turbulence... I had to capture in my own photos." Returned to Huntsville, his mental struggles become overwhelming as he observes the trial of a young man who is accused of killing his wife and infant son. Francis endows his novel with intellectually stimulating, if italic-ridden, dialogue, and though the plot becomes a bit unwieldy, the intensely imagined characters and historical scope make for a solid, serious read. 3000 first printing. (Dec.) Copyright 1999 Cahners Business Information.

Book Details

Published
December 1, 1999
Publisher
Beil, Frederic C. Publisher, Incorporated
Pages
164
Format
Hardcover
ISBN
9781929490011

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