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Book cover of Grateful Dead Reader
Folk/Country/Southern Rock, Traditional Rock - General & Miscellaneous, Rock Music - Biography, Pop, Rock, & Soul Musicians - Biography

Grateful Dead Reader

by David Dodd, Diana Spaulding
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Overview

Arranged in chronological order, these pieces add up to nothing less than a full-scale history of the greatest tour band in the history of rock. From Tom Wolfe's account of the Dead's first performance as the Grateful Dead (at an Acid Test in 1965), to Ralph Gleason's 1967 interview with the 24-year-old Jerry Garcia, to Mary Eisenhart's obituary of the beloved leader of the band, these selections include not only outstanding writing on the band itself, but also superb pieces on music and pop culture generally. Fans will be fascinated by the poetry, fiction, drawings, and rare and revealing photographs featured in the book, as well as the anthology's many interviews and profiles, interpretations of lyrics, and concert and record reviews.

Still, The Grateful Dead was more than a band--it was a cultural phenomenon. For three decades it remained on one unending tour, followed everywhere by a small army of nomadic fans. This phenomenon is both analyzed and celebrated here, in such pieces as Ed McClanahan's groundbreaking article in Playboy in 1972, fan-magazine editor Blair Jackson's 1990 essay on the seriousness of the drug situation at Dead concerts, and Steve Silberman's insightful essays on the music and its fans.

Synopsis

Arranged in chronological order, these pieces add up to nothing less than a full-scale history of the greatest tour band in the history of rock. From Tom Wolfe's account of the Dead's first performance as the Grateful Dead (at an Acid Test in 1965), to Ralph Gleason's 1967 interview with the 24-year-old Jerry Garcia, to Mary Eisenhart's obituary of the beloved leader of the band, these selections include not only outstanding writing on the band itself, but also superb pieces on music and pop culture generally. Fans will be fascinated by the poetry, fiction, drawings, and rare and revealing photographs featured in the book, as well as the anthology's many interviews and profiles, interpretations of lyrics, and concert and record reviews.

Still, The Grateful Dead was more than a band--it was a cultural phenomenon. For three decades it remained on one unending tour, followed everywhere by a small army of nomadic fans. This phenomenon is both analyzed and celebrated here, in such pieces as Ed McClanahan's groundbreaking article in Playboy in 1972, fan-magazine editor Blair Jackson's 1990 essay on the seriousness of the drug situation at Dead concerts, and Steve Silberman's insightful essays on the music and its fans.

Library Journal

Diehard Deadheads Dodd and Spaulding, a husband-and-wife editorial team, have compiled 41 short selections from the more than 4000 entries in The Grateful Dead and the Deadheads (Greenwood, 1997), the definitive Grateful Dead bibliography, gathered by Dodd and fellow collaborator Rob Weiner. With the exception of an excerpt from Tom Wolfe s landmark Electric Kool-Aid Acid Test (1968), the editors favor more obscure extracts from fiction, interviews, record liner notes, poems, articles, and concert reviews. They divide the material into four sections, chronicling the band s Haight heyday (1967 75), the growth of the Deadhead legion (1976 86), commercial success (1987 94), and Jerry Garcia s death. Except for two revealing interviews with Garcia and lyricist Robert Hunter, the editors have resurrected Dead ephemera that adds little to the mounting Dead literature that already includes standards such as Robert Greenfield s Dark Star: An Oral Biography of Jerry Garcia (LJ 6/1/96) and Dead manager Rock Scully s Living with the Dead (LJ 12/95). Recommended for Deadheads only. Dave Szatmary, Univ. of Washington Copyright 2000 Cahners Business Information.

About the Author, David Dodd

David G. Dodd and Diana Spaulding are a husband-and-wife editorial team. David co-edited (with Robert Weiner) the definitive Grateful Dead bibliography, The Grateful Dead and Deadheads. He also maintains the Annotated Grateful Dead Lyrics site on the Internet. Diana is a Project Manager for the CARL Corporation. They live in Petaluma, California.

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Editorials

Library Journal

Diehard Deadheads Dodd and Spaulding, a husband-and-wife editorial team, have compiled 41 short selections from the more than 4000 entries in The Grateful Dead and the Deadheads (Greenwood, 1997), the definitive Grateful Dead bibliography, gathered by Dodd and fellow collaborator Rob Weiner. With the exception of an excerpt from Tom Wolfe s landmark Electric Kool-Aid Acid Test (1968), the editors favor more obscure extracts from fiction, interviews, record liner notes, poems, articles, and concert reviews. They divide the material into four sections, chronicling the band s Haight heyday (1967 75), the growth of the Deadhead legion (1976 86), commercial success (1987 94), and Jerry Garcia s death. Except for two revealing interviews with Garcia and lyricist Robert Hunter, the editors have resurrected Dead ephemera that adds little to the mounting Dead literature that already includes standards such as Robert Greenfield s Dark Star: An Oral Biography of Jerry Garcia (LJ 6/1/96) and Dead manager Rock Scully s Living with the Dead (LJ 12/95). Recommended for Deadheads only. Dave Szatmary, Univ. of Washington Copyright 2000 Cahners Business Information.

Kirkus Reviews

What a Long, Strange Trip It Was: a comprehensive, thoughtful anthology depicting the phenomena and foibles encompassing the 30-odd year "unending tour" of the Grateful Dead. Husband-and-wife editors Dodd (The Grateful Dead and Deadheads, not reviewed) and Spaulding shrewdly cast a wide net in addressing the Deadhead phenomenon, and the plurality of perspectives and information helps even neophytes understand the band's tenacity in outlasting the Haight-Ashbury days, their development as an underground phenomenon, and their dedication to musical experimentation (as reflected in everything from idiosyncratic side projects to their obsession with live sound and encouragement of tape trading among their hardcore fans). Though these pieces do not dispel a conception of this Deadhead subculture as solipsistic and clubbish, there's much fine writing here nonetheless. Key pieces include Tom Wolfe's account of an early "Kool-Aid Acid Test," essays on the Dead's beginnings by pioneering pop journalist Ralph Gleason, and accounts of the 1970-era period (when it became evident the band had evolved beyond being a mere California rock group into something more unpredictably fluid) by Steve Silberman, George W.S. Trow, and novelist Ed McClanahan. While contributors like Silberman, Mary Eisenhart, and Blair Jackson are connected within the Dead organization (and, to their credit, find insiders' insights), the rock critical establishment is represented by short, lively pieces from Robert Christgau and Richard Meltzer, as well as writers not associated with the Dead's milieu (like screenwriter Charlie Haas and fiction writer Lee Abbott). Substantial interviews with keyDeadmembers Jerry Garcia, Phil Lesh, and lyricist Robert Hunter also appear. While many pieces hew to depictions of the Dead-related lifestyle as an elaborate traveling utopia, fan-magazine editor Jackson portrays darker qualities in his 1990 depiction of a scene consumed by both overindulgence and undercover drug warriors looking for easy prosecutions. Although the book ends abruptly with saddened consideration of Garcia's 1995 demise (without discussing the Dead's influence upon current cultish, touring "jam bands"), it remains a satisfying and thought-provoking compendium of countercultural commentary.

Book Details

Published
January 1, 2002
Publisher
Oxford University Press, USA
Pages
352
Format
Paperback
ISBN
9780195147063

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