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Overview
New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.
Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.
Synopsis
"Lippman shows herself to be a master of short fiction....read them fast, like a glutton, or slowly to savor each one. Either way, this is a treasure. " - Library JournalHardly Knew HerIn 1975 Baltimore, thirteen-year-old Sophia has a father with a gambling problem. When he pawns her most prized possession to cover his poker debts, Sophia takes matters into her own hands -- and learns to bluff in the process. "Lippman fans won t be disappointed with these small treasures. "- Kirkus Reviews
Publishers Weekly
It’s not Linda Emond’s fault that most of Lippman’s women who kill are white, middle-class and between the aged 30–40. Almost all live in the corridor between Philadelphia and Washington, D.C., and eradicate men who have it coming to them. No wonder they tend to speak alike. The talented Emond strives with some success to individualize these murderers’ first-person narratives. In the short story “My Baby Walks the Streets of Baltimore,” Emond, who has previously read Lippman’s Another Thing to Fall, performs Tess Monaghan as the crisp and efficient detective she is meant to be. While Francois Battiste is given comparatively little to do, he shines in his reading of “Pony Girl” as the too-smooth and confident man-on-the-make who is no match for two beautiful Mardi Gras celebrants. This collection is both entertaining and forgettable, but Lippman fans will not be disappointed by these talented performances. A Morrow hardcover (Reviews, Aug. 25). (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Editorials
Publishers Weekly
It’s not Linda Emond’s fault that most of Lippman’s women who kill are white, middle-class and between the aged 30–40. Almost all live in the corridor between Philadelphia and Washington, D.C., and eradicate men who have it coming to them. No wonder they tend to speak alike. The talented Emond strives with some success to individualize these murderers’ first-person narratives. In the short story “My Baby Walks the Streets of Baltimore,” Emond, who has previously read Lippman’s Another Thing to Fall, performs Tess Monaghan as the crisp and efficient detective she is meant to be. While Francois Battiste is given comparatively little to do, he shines in his reading of “Pony Girl” as the too-smooth and confident man-on-the-make who is no match for two beautiful Mardi Gras celebrants. This collection is both entertaining and forgettable, but Lippman fans will not be disappointed by these talented performances. A Morrow hardcover (Reviews, Aug. 25). (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Library Journal
Lippman's fans may be diappointed to discover that her latest book is a collection story. They shouldn't be. Having won awards and increasing popularity for both her Tess Monoghan series and her darker stand-alone novels (What the Dead Know), Lippman shows herself to be a master of short fiction, too. She also clearly agrees with Kipling that the female of the species is deadlier than the male. Women's victims here include a female friend, boyfriends (both current and ex), a husband, and one-night stands and strangers; their murders are all the more chilling. The novella "Scratch A Woman," featuring a single suburban Maryland soccer mom who works as a prostitute, and one of several stories featuring Tess are the only entries not published previously. But those that have been published are scattered in a variety of anthologies over the last seven years, including Baltimore Noir. Here are nearly all of the short stories Lippman has ever written in one volume; read them fast, like a glutton, or slowly to savor each one. Either way, this is a treasure. [See Prepub Alert, LJ6/15/08; library marketing.]
—Michele Leber
People, places and the things they love are the focus of Lippman's unwavering gaze in this collection of 17 stories, 15 of them reprints from 2001-07. Not all of Lippman's characters have the burning sense of justice of Tess Monaghan, Lippman's series sleuth. The dual heroines of "Scratch a Woman," the volume's brand-new centerpiece novella, seem more concerned with safeguarding their comfortable suburban lifestyle against threats real and imagined. Protecting what's theirs cuts across age categories, as 20-something Molly of "The Crack Cocaine Diet," over-mortgaged soccer mom Sally in "ARM and the Woman" and senior-citizen porn star Mona in "Femme Fatale" all prove. In the chilling title story, a Dundalk teenager learns to protect herself against her inveterate gambler dad. Lippman's Baltimore tales have the strongest sense of place, from the tony Brass Elephant on Charles Street where Tess and her best friend Whitney Talbot interrupt a fistfight in "The Shoeshine Man's Regrets" to the gentrified Federal Hill of "Easy as A-B-C," to the south-of-Pimlico row houses in "Black-Eyed Susan," where enterprising families find ingenious ways to make a buck on Preakness Saturday. But her sketches of New Orleans and D.C. ring true, and "Honor Bar," set in Dublin, could take place in any hotel in any town in the world. As "Dear Penthouse Forum (A First Draft)" demonstrates, Lippman's best action is inside her characters' minds anyway. Lippman fans won't be disappointed with these small treasures. Agent: Vicky Bijur/Vicky Bijur Literary Agency