Hollywood Husbands

Hollywood Husbands are hot...Hollywood Husbands are

dynamic...Hollywood Husbands are sexy...

Jack Python is the hottest Hollywood Husband of all. He rules

nighttime T.V. and his controversial talk show burns up the ratings, while the

women he encounters melt. With one expensive divorce behind him, and involved

in a highly erotic affair with Oscar-winning actress Clarissa Browning, Jack

Python has power, charisma, success, and money. But sometimes everything isn't

enough.

Howard Soloman, head of Orpheus Studios, is the

man, the Hollywood King. Anything Howard wants, he gets. Including

women. The sweet smell of power and Howard's street-smart style reels them

in. Working for billionaire studio owner Zachary Klinger, a man with a whim of

iron, Howard has problems enough. And if Howard can't deliver daytime soap

megastar Silver Anderson at Klinger's command, he may lose his footing at the

top of the heap. Though in Hollywood it's said that when you fall, you fall up

— from the top Howard has nowhere to go but down.

Mannon Cable is a superstar. With great looks and a body to

match, he is full of self-deprecating charm. Married briefly to gorgeous

Whitney Valentine, who left him to become a television superstar, he was hit by

the divorce where it really hurts — his giant ego.

Jack Python, Howard Soloman, and Mannon Cable have been competitive friends for

years. Yet when Jade Johnson enters their lives, the least-expected one of the

self-styled "Three Comers" may have finally met his match.

Jade Johnson is a woman of the eighties. Strong, independent, a

top New York model, she comes to L.A. for a series of million-dollar TV

commercials. Jade is a dangerously beautiful woman with personal integrity and

a mind of her own. The Hollywood game fails to impress her, but slowly, surely,

she is sucked in. And, high roller that she is, if she must play, Jade will play to win.

HOLLYWOOD WIVES,with its ten-million copy sales, and its

spectacular success as a television mini-series, left Jackie Collins' devoted

audience avid for the other side of the story.

NOW

HOLLYWOOD HUSBANDS

GO ALL THE WAY!

There have been many imitators, but only Jackie Collins can tell you what really goes on in the fastest lane of all. From Beverly Hills bedrooms to a raunchy prowl along the streets of Hollywood; from glittering rock parties and concerts to stretch limos and the mansions of power brokers—Jackie Collins chronicles the real truth from the inside looking out.

Jackie Collins has been called a “raunchy moralist” by the late director Louis Malle and “Hollywood’s own Marcel Proust” by Vanity Fair magazine. With more than 500 million copies of her books sold in more than forty countries, and with some twenty-seven New York Times bestsellers to her credit, Jackie Collins is one of the world’s top-selling novelists. She is known for giving her readers an unrivalled insider’s knowledge of Hollywood and the glamorous lives and loves of the rich, famous, and infamous. “I write about real people in disguise,” she says. “If anything, my characters are toned down—the truth is much more bizarre.”

Visit Jackie’s website www.jackiecollins.com, and follow her on Twitter at www.twitter.com/JackieJCollins, Facebook at www.facebook.com/jackiecollins and Pinterest at www.pinterest.com/jackiejcollins.

Biography

Unquestionably. Jacqueline Susann may be the Emily Bronte of the naughty bits, but Collins is surely Charlotte, having filled her books to the rim with skin since her first novel The World Is Full of Married Men appeared in 1968. Since then, there has been a string of sexy Hollywood moguls, sexy models, sexy wives of Hollywood moguls, sexy divorcées and sexy children of Hollywood moguls in such titles as Chances, Lucky and Throb as well as The Bitch and The Stud (both made into movies starring big sister Joan).

The critics, when they take notice at all, tend to sniff. ("While no one expects Lady Boss to be a literary banquet, certainly a yummy little snack is in order" is about the best to expect from The New York Times.) But those who can look past the satin sheets and champagne flutes see more going on in the Collins canon. Hers is a dissection of the vacuous, viperish entertainment class hiding behind designer sunglasses in Los Angeles. Vanity Fair called her "Hollywood's own Marcel Proust.” The Advocate hinted that she might be the Charles Dickens of Beverly Hills. And Joe Queenan, a Hollywood player himself, said Collins's 1993 novel American Star was nothing less than a lament of the American family's demise.

"It would be easy to self-righteously label this book trashy and worthless -- but it's not entirely either," the Detroit News wrote in a review of Collins's 1983 novel Hollywood Wives. "Jackie Collins has a talent for titillation and a knack for wooing the most reluctant of readers into a plot that spends 15 percent of the time peeking at people in the sack and the other 85 percent daydreaming about it. Deliberately or not, she speaks eloquently of emptiness through the lives of people who would seem to have everything: French poodles, Mexican maids, American Express."

And Judy Bass wrote in the Los Angeles Times that Collins's gimlet eye for detail is what makes her novels such a gas: "Collins caricatures the life styles of the rich and famous with devastating accuracy. She spoofs every nuance of their attire, speech and relationships, never allowing tedium or predictability to dilute the reader's fun."

There are a number of recurring characters in Collins's books, though none better known than Lucky Santangelo, the sexy (natch) film studio owner who has appeared in Lucky, Lady Boss, Vendetta: Lucky's Revenge and Dangerous Kiss. The Lucky series bring together all the required ingredients of a Collins cocktail: the rich and famous, the shifty Hollywood shenanigans, scheming opportunists and a bug-on-the-wall vantage point of every -- or every other -- bedroom in the 90210 zip code.

Time once wrote of a Collins novel that it allowed the reader the rare opportunity to watch adverbs mate. Of course. There's a high art to the lowbrow. The Village Voice, writing in 2000, understood that: "The beauty of the trashy novel is twofold: It's a lightning-quick read, and you can howl in smug superiority as you turn the pages. Lethal Seduction, the latest from well-appointed and leopard-print-swathed Queen of Trash Jackie Collins, is a prime example of page-turning, literary-hauteur-stoking fun."

But it might have been People, reviewing Vendetta: Lucky's Revenge, that most succinctly summed up the contradictory seductiveness of the Jackie Collins novel: "embarrassing to pick up, impossible to put down."

Good To Know

Collins spends about a year writing each novel, and does so entirely in longhand.

She eschews the stodgy demands of grammar. "I don't basically understand grammar," she is quoted as saying in Contemporary Popular Writers. "I call myself a street writer. I write purely by instinct. I've decided people don't speak in grammatical conversations.... The important thing is I get people into the bookstores who probably wouldn't be there otherwise."