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Fiction, World Literature, Fiction Subjects, Peoples & Cultures - Fiction

Immortality

by Milan Kundera, Peter Kussi (Translator), Peter Kussi
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Overview

Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnès becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

Synopsis

Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnes becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose; to explore thoroughly the great, themes of existence.

Washington Post Book World

Ingenious, witty, provocative and formidably intelligent, both a pleasure and a challenge to the reader.

About the Author, Milan Kundera

Milan Kundera's study of philosophy is evident in his books, which are part meditation, part love story and part satire. In novels such as The Unbearable Lightness of Being and The Book of Laughter and Forgetting, he asks readers to consider not just his characters, but questions of history and human existence.

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Editorials

Christopher Lehmann-Haupt

Despite its tendency to lecture the reader, "Immortality" never suffers from didacticism. As always, its author proves himself to be a master of orchestrating leitmotifs. . . . One is tempted by Mr. Kundera's writing to revise one's definition of a plot. Instead of calling it an action that arouses expectations, one might describe it as a series of verbal gestures that arouse curiosity. The wonder is that nothing is static in this author's work; everything develops and keeps changing shape. . . . strong and mesmerizing novel. -- New York Times

Washington Post Book World

Ingenious, witty, provocative and formidably intelligent, both a pleasure and a challenge to the reader.

Publishers Weekly - Publisher's Weekly

Death and immortality are the interlocking themes of the author's first novel since his 1984 bestseller, The Unbearable Lightness of Being. Kundera, himself a prominent character in the circular narrative, here contrasts the troubled, comic relationships among Goethe; his wife, Christiane; and Goethe's much younger friend Bettina von Arnim to the modern-day triangle of three imaginary Parisians: Paul; his wife, Agnes; and Agnes's sister Laura. In response to her father's death, Agnes confronts her own life and discovers that while her marriage has been happy, she has never known passion; Laura, a divorcee, has never experienced the love that goes beyond sex. The object of both sisters' affections is Paul and it becomes clear that their struggle over him will result in a victor and a loser. Kundera offers brilliant meditations on late-20th-century life, but the novel, combining essays, narrative and biographical material, lacks the dramatic tension of his earlier works. Nevertheless his astute observations on topics ranging from the media to Ernest Hemingway in themselves render this work interesting and significant. 100,000 first printing; $100,000 ad/promo; BOMC selection; first serial to the New Yorker. (May)

Book Details

Published
November 1, 1999
Publisher
HarperCollins Publishers
Pages
368
Format
Paperback
ISBN
9780060932381

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