World Literature, Fiction Subjects

In Persuasion Nation

Name: In Persuasion Nation
Author: George Saunders
ISBN: 9781594482427

by George Saunders

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Overview

Talking candy bars, baby geniuses, disappointed mothers, castrated dogs, interned teenagers, and moral fables-all in this hilarious and heartbreaking collection. The best work yet from an author hailed as the heir to Kurt Vonnegut and Thomas Pynchon.

"The first thing you ought to know is that Saunders is the funniest writer in America... [But] Saunders's laughs are a cover, a diversion, beneath which reside some profoundly serious intentions regarding the morality of how we live and hte power of love and immanent death to transform us into vastly better creatures... I can't think of another writer who would try to do what Saunders is doing, or anything close to it. This is an important book." — The Nation

"Saunders is a hilarious, wicked, and pitch-perfect satirist of our times, of course, but for a satirist he has a whole lot of heart." — Esquire

From the author of Tenth of December...

Synopsis

George Saunders has earned enthusiastic acclaim and a devoted cult-following with his first two story collections and the recent novella The Brief and Frightening Reign of Phil. With his new book, In Persuasion Nation, Saunders ups the ante in every way, and is poised to break out to a wide new audience.

The stories In Persuasion Nation are easily his best work yet. "The Red Bow,"about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing.

Saunders's work in the last six years has come to be recognized as one of the strongest-and most consoling-cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.

Publishers Weekly

Following his superb story collections Civilwarland in Bad Decline (1996) and Pastoralia (1999), as well as last year's novella The Brief and Frightening Reign of Phil, Saunders reaffirms his sharp, surreal vision of contemporary, media-saturated life, but keeps most of the elements within his familiar bandwidth. In the sweetly acerbic "My Flamboyant Grandson," a family trip through Times Square is overwhelmed by pop-up advertisements. In "Jon," orphans get sold to a market research firm and become famous as "Tastemakers & Trendsetters" (complete with trading cards). "CommComm" concerns an air force PR flunky living with the restless souls of his parents while covering for a spiraling crisis at work. The more conventionally grounded stories are the most compelling: one lingers over a bad Christmas among Chicago working stiffs, another follows a pair of old Russian-Jewish women haunted by memories of persecution. Others collapse under the weight of too much wit (the title story especially), and a few are little more than exercises in patience ("93990," "My Amendment"). But Saunders's vital theme-the persistence of humanity in a vacuous, nefarious marketing culture of its own creation-comes through with subtlety and fresh turns. (May) Copyright 2006 Reed Business Information.

About the Author, George Saunders

In 1999, the The New Yorker named George Saunders one of the "20 Writers for the 21st Century." He writes regularly for The New Yorker, Esquire, GQ, and The New York Times Magazine.

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Editorials

From Barnes & Noble

To our way of thinking, George Saunders writes some of the most hilarious, deranged, and disturbing satiric fiction being published today. Familiar to readers of The New Yorker and other literary magazines, Saunders has garnered an enthusiastic cult following that seems to grow with each new book. Following up his novella The Brief and Frightening Reign of Phil, the author returns to his true stock-in-trade: profoundly weird short stories set in a darkly funny, dystopian world. Combining the pop art sensibilities of Andy Warhol and the futuristic stylings of William Gibson, Saunders is a startlingly original voice in contemporary fiction. But don't take our word for it: Read for yourself. And prepare to be stunned.

Publishers Weekly

Kirkus Reviews

Within this series of thematically linked stories, consumerism goes haywire in a country and era somewhat like our own. Following his fabulist novella (The Brief and Frightening Reign of Phil, 2005), Saunders returns to the short story with his signature synthesis of satire and surrealism, through which flights of the imagination assume a hyper-reality. Within the brave new world of "Persuasion Nation," parents buy computerized masks for their babies, transforming infants into amazing, more articulate facsimiles of themselves (and making the neighbors jealous). Advertising holograms based on individual preferences shadow potential shoppers, in a society where consumption equals patriotism. Children are taken from their homes to live in a training camp, where they form an elite Tastemakers & Trendsetters cadre (complete with their own bubblegum cards). With all the pressures to consume and conform, free will is either an illusion or a betrayal. The stories take a variety of formats-letters of complaint and comment, a scientific report, a holiday memory (in the uncharacteristic, bittersweet realism of "Christmas")-and most of them feature first-person narration by a series of oddly dysfunctional narrators. Exceptions to the variety of first-person voices are two of the longer stories at the collection's center: "Brad Carrigan, American" finds a television series under threat of cancellation resorting to increasingly extreme measures to sustain interest (and in the process probing the morality of anything-goes reality TV). The title story that follows turns the world of commercials into a battlefield of all-American revolt. Though much of the fiction is slapstick funny in a dark, deadpanway, a spiritual undercurrent courses through the work, as desire and suffering feed on each other, and God may be just another pitchman or empty promise. Where many short stories at the creative vanguard seem to bear minimal relation to the world at large, Saunders's work is as effective as social commentary as it is at exploring the frontiers of fiction. Many readers will be glad that they don't live in Persuasion Nation, though the most perceptive will recognize that we already do.