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In the Bear's House by N. Scott Momaday β€” book cover

In the Bear's House

by N. Scott Momaday
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Overview

"Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression. . . . Bear is a template of the wilderness."--from the Introduction

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and evolution as one of our most gifted artists.

About the Author, N. Scott Momaday

N. Scott Momaday won the Pulitzer Prize for Fiction in 1969 for his novel House Made of Dawn. Several of his books are available from UNM Press, including The Way to Rainy Mountain.

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Editorials

Kirkus Reviews

The Pulitzer-winning novelist (House Made of Dawn, 1969) offers this mixed media collageβ€”forty paintings, a dialogue, twenty or so poems, and two poetic prose sectionsβ€”all on the subject of the bear (or "Bear"), an animal of cosmic and spiritual significance among Momaday's Kiowa Indians. Momaday's blend of biblical and Native American spirituality and language seems almost old-fashioned in light of the more separatist studies that have dominated since he first arrived on the scene back in the β€˜60s. In fact, his traditional verse forms and expressive clarity will remind us of his tutelage under Yvor Winters, and Janet Lewis (to whom this volume is dedicated). The longish, eight-part dialogue between Yahweh (or "Great Mystery") and Urset (the primal Bear) covers issues of essence and nature, dreaming and storytelling, time and evolution. Momaday reshapes Christian and Kiowa myth into a witty and plain-spoken cosmic exchange, and provides a perfect gloss to the seemingly simple poems that follow. Momaday's clean and sharp measures enhance a number of well-made poems that date mostly from recent times, but include a stunning portrait of a bear first written in 1963. "The Blind Astrologers" captures the dual essence of Bear as mythic and mundane; "To An Aged Bear" encourages a bear to prepare for his spirit journey after death; "The Print of the Paw" understands the bear's mark as a "wondrous thing," the imprint suggesting a grand whole; and a few rhymed couplets and quatrains perfectly describe the bears' grandeur in life and art. The bold brushstrokes of Momaday's paintings echo the power and precision of his poetry and prose.

Book Details

Published
October 4, 2011
Publisher
University of New Mexico Press
Pages
112
ISBN
9780826348418

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