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Overview
With a simple clap of hands, an itty-bitty beboppin' baby gets his whole family singing and dancing. Sister's hands snap. Granny sings scat. Uncle soft-shoes—and Baby keeps the groove. Things start to wind down when Mama and Daddy sing blues so sweet. Now a perfectly drowsy baby sleeps deep, deep, deep. Lisa Wheeler and R. Gregory Christie pair up for a celebration of music, imagination, and big families—but they know that even a jazz baby needs to snooze. Oh yeah.
Baby and his family make some jazzy music.
Synopsis
One swinging, singing, hip-hop-bopping family romps with their new baby.
Publishers Weekly
With a "clap-clap-clap!" and a "snap-snap-snap," the catchy rhythm of Wheeler's (Mammoths on the Move) cadenced text will instantly grab readers with its up-tempo beat: "Grandpa TOOT-TOOTS./ Granny sings scat./ Bitty-boppin' Baby goes RAT-TAT-TAT!" The fun begins as the eponymous baby awakens in his crib to Daddy taking out a record labeled "Jazz Baby." Everyone-from Sister and Brother to cousins and neighbors (in a rainbow of skin tones)-partakes in an impromptu, upbeat musical dance party, with Baby at the center. His African-American family snuggles, holds and hoofs it up with him, and, with his oversize head and large black eyes, he remains the focal point of most spreads. Christie's (Brothers in Hope) long-limbed characters with tapered hands and feet glide and bop across the pages, while bold type at slanted angles mimics their movements. In one scene with a musical staff ribboned through it, notes are configured to represent drum and bass players, and Baby holds a quarter note like a rattle. The jam session comes full-circle when Baby returns to his bed after hugs, smiles and a blues tune from Daddy. But kids won't be nearly so ready to settle down. After they hear the concluding "OH YEAH!" they're likely to clamor for repeats of this buoyant musical jaunt. Ages 3-7. (Nov.)
Copyright 2007 Reed Business InformationEditorials
Publishers Weekly
With a "clap-clap-clap!" and a "snap-snap-snap," the catchy rhythm of Wheeler's (Mammoths on the Move) cadenced text will instantly grab readers with its up-tempo beat: "Grandpa TOOT-TOOTS./ Granny sings scat./ Bitty-boppin' Baby goes RAT-TAT-TAT!" The fun begins as the eponymous baby awakens in his crib to Daddy taking out a record labeled "Jazz Baby." Everyone-from Sister and Brother to cousins and neighbors (in a rainbow of skin tones)-partakes in an impromptu, upbeat musical dance party, with Baby at the center. His African-American family snuggles, holds and hoofs it up with him, and, with his oversize head and large black eyes, he remains the focal point of most spreads. Christie's (Brothers in Hope) long-limbed characters with tapered hands and feet glide and bop across the pages, while bold type at slanted angles mimics their movements. In one scene with a musical staff ribboned through it, notes are configured to represent drum and bass players, and Baby holds a quarter note like a rattle. The jam session comes full-circle when Baby returns to his bed after hugs, smiles and a blues tune from Daddy. But kids won't be nearly so ready to settle down. After they hear the concluding "OH YEAH!" they're likely to clamor for repeats of this buoyant musical jaunt. Ages 3-7. (Nov.)
Copyright 2007 Reed Business InformationChildren's Literature
Interacting with infants in any way helps to speed their development. Reading a book about singing and playing music to children can be as beneficial as singing to them. A straightforward poem highlights the way people interact when they hear jazz. While brother and sister work on homework, they also tap their hands and snap their fingers while baby claps his hands. Mama and Daddy and Grandpa and Grandma sing and play instruments, and baby sings along as well. The repetitive nature of the text invokes images of jazz and offers a somewhat soothing rhythm when read aloud. The illustrations are colorful and fun and add depth and character to the simple text. Reviewer: Danielle WilliamsSchool Library Journal
PreS
To the contagious rhythm of the text, Baby and his extended family members be-bop and hip-hop, and generally make jazzy music. "Brother's hands tap./Sister's hands snap./Itty-bitty Baby's hands/CLAP-CLAP-CLAP!" Meanwhile, the youngster is passed from arm to arm, bouncing and bopping, smiling and waving, until-worn out-he allows himself to be tucked into his crib. Against stark white pages, Christie's paintings in sepia/ochre tones highlighted with brighter shades of green, blue, violet, and red add to the happy, hoppin' scene. The stylized African Americans with happy, expressive faces, outlined in free-form black line, dance and sway across the pages along with the words (in large and supersize font). Read aloud with a strong emphasis on the beat and a little body movement, too, this lively poetic piece will charm many a little person and provide a joyful musical experience for readers, as well.
—Susan SchepsCopyright 2006 Reed Business Information.