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Overview
Published in 1891, LA-BAS is Huysmans' best-selling novel; its success was due, in part, to its sensational contents (descriptions of Satanism in late 1880 France.) It is in this novel that Huysmans' character, Durtal, is introduced for the first time. This character is thought to be a semi-autobiographical depiction of the author and is used in his next three books which chart Durtal's (and Huysmans') search for religious truths and his ultimate conversion to Roman Catholicism. The journey begins with the viewing of an extremely realistic painting: "In Germany, before a Crucifixion by Matthaeus Grunewald, he had found what he was seeking."Synopsis
Published in 1891, La-bas is Huysmans' best-selling novel; its success was due, in part, to its sensational contents (descriptions of Satanism in late 1880 France.) It is in this novel that Huysmans' character, Durtal, is introduced for the first time. This character is thought to be a semi-autobiographical depiction of the author and is used in his next three books which chart Durtal's (and Huysmans') search for religious truths and his ultimate conversion to Roman Catholicism. The journey begins with the viewing of an extremely realistic painting: "In Germany, before a Crucifixion by Matthæus Grünewald, he had found what he was seeking."
Time Out
The classic tale of satanism and sexual obsession in nineteenth-century Paris, in an attractive new edition. The novel's enervated anti-hero, Durtal, is writing a book about Gilles de Rais, child-murderer and comerade in arms of Joan of Arc. When he's not swotting up on alchemy, visiting Rais' ruined clastle and fantasizing about a mystery woman, he is pondering Catholicism with his friends. But his sexual adventures and historical studies mesh when he's invited to witness a black mass.