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Lads: A Memoir by Dave Itzkoff — book cover

Lads: A Memoir

by Dave Itzkoff
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Overview

"What I wanted after college was a job and my own apartment, but what I needed was a good comeuppance, and that’s what I got."

When Dave Itzkoff graduated from Princeton in 1998–the first member of his family to earn a college degree–he expected to be rewarded with a career, and a life, that mattered. Instead, he ended up convinced that he was selling the entire institution of manhood down the river.

After a series of personal and professional experiences stripped him of any lingering sense of entitlement, Itzkoff found himself working as an editor at Maxim, the pugnacious frontrunner in a new breed of men’s periodicals dubbed "lad magazines." There, he was initiated into a culture of heavily retouched girlie pictorials, dirty jokes, disingenuous sex advice, and shopping guides for expensive electronic gadgetry. And as Maxim continued its inexorable rise to become the most successful men’s magazine in modern publishing history, Itzkoff was left wondering what his work–and his life–really meant.
Lads is the hilarious, heartbreaking story of Dave Itzkoff's efforts to define himself as a man while working at a magazine that was purveying a vision of young manhood–a state of perpetual adolescence–that was seductive to all but viable for none. Lads takes us deep inside one young man’s struggle with identity, responsibility, and sexuality, in an unsparingly candid account of how men really relate to one another, as fathers and sons, as employers and employees, as colleagues and friends.

Lads is trenchant. Lads is perceptive. Lads is alarmingly funny. This is an unforgettable debut from a young writer of astounding talent.
 

From the Hardcover edition.

Synopsis

"What I wanted after college was a job and my own apartment, but what I needed was a good comeuppance, and that's what I got."

When Dave Itzkoff graduated from Princeton in 1998-the first member of his family to earn a college degree-he expected to be rewarded with a career, and a life, that mattered. Instead, he ended up convinced that he was selling the entire institution of manhood down the river.

After a series of personal and professional experiences stripped him of any lingering sense of entitlement, Itzkoff found himself working as an editor at Maxim, the pugnacious frontrunner in a new breed of men's periodicals dubbed "lad magazines." There, he was initiated into a culture of heavily retouched girlie pictorials, dirty jokes, disingenuous sex advice, and shopping guides for expensive electronic gadgetry. And as Maxim continued its inexorable rise to become the most successful men's magazine in modern publishing history, Itzkoff was left wondering what his work-and his life-really meant.

Lads is the hilarious, heartbreaking story of Dave Itzkoff's efforts to define himself as a man while working at a magazine that was purveying a vision of young manhood-a state of perpetual adolescence-that was seductive to all but viable for none. Lads takes us deep inside one young man's struggle with identity, responsibility, and sexuality, in an unsparingly candid account of how men really relate to one another, as fathers and sons, as employers and employees, as colleagues and friends.

Lads is trenchant. Lads is perceptive. Lads is alarmingly funny. This is an unforgettable debut from a young writer of astounding talent.

Publishers Weekly

After graduating from Princeton in 1998, Itzkoff entered the world of lad magazines, first at Details and then at Maxim. His book's central irony is that at the center of the hot babes-filled men's mag world, one of its editors can't get no satisfaction. So much of Itzkoff's time in New York is spent being teased, led on and rejected by neurotic women that the book sometimes resembles an ode to onanism. It's fantastic gallows humor; even in the bleakest scene-an attempted suicide-Itzkoff maintains his satirical flair, marveling that drugstores allow crying, inebriated customers to buy as many bottles of sleeping pills as they can carry. But beyond the pleasures and pains of reading a glint-eyed insider's account of the publishing world and its denizens, this is a more universal story of a troubled father-son relationship. Itzkoff's dad is a manic-depressive furrier struggling to stay straight and sane after a decades-long cocaine addiction. Itzkoff eventually leaves Maxim and reconciles with his father-the move from lads to dad a sign of a late-but-redemptive maturity. Unlike with MAD or National Lampoon, there are arguably few things of lasting value that have come out of Maxim's success so far, but Itzkoff may be the exception. Agent, Nina Collins. (Sept. 14) Forecast: Promotions targeting "gossip Web sites" and "men's trend-setting magazines" will attempt to market this book to the elusive lad-lit market. Copyright 2004 Reed Business Information.

About the Author, Dave Itzkoff

Dave Itzkoff is an editor at Spin magazine. His writing has also appeared in The New York Times Sunday Styles section, Details, Playboy, and the New York Press. He lives in New York City. This is his first book.

From the Hardcover edition.

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Editorials

Publishers Weekly

After graduating from Princeton in 1998, Itzkoff entered the world of lad magazines, first at Details and then at Maxim. His book's central irony is that at the center of the hot babes-filled men's mag world, one of its editors can't get no satisfaction. So much of Itzkoff's time in New York is spent being teased, led on and rejected by neurotic women that the book sometimes resembles an ode to onanism. It's fantastic gallows humor; even in the bleakest scene-an attempted suicide-Itzkoff maintains his satirical flair, marveling that drugstores allow crying, inebriated customers to buy as many bottles of sleeping pills as they can carry. But beyond the pleasures and pains of reading a glint-eyed insider's account of the publishing world and its denizens, this is a more universal story of a troubled father-son relationship. Itzkoff's dad is a manic-depressive furrier struggling to stay straight and sane after a decades-long cocaine addiction. Itzkoff eventually leaves Maxim and reconciles with his father-the move from lads to dad a sign of a late-but-redemptive maturity. Unlike with MAD or National Lampoon, there are arguably few things of lasting value that have come out of Maxim's success so far, but Itzkoff may be the exception. Agent, Nina Collins. (Sept. 14) Forecast: Promotions targeting "gossip Web sites" and "men's trend-setting magazines" will attempt to market this book to the elusive lad-lit market. Copyright 2004 Reed Business Information.

Library Journal

Itzkoff, currently an editor at Spin magazine, has authored a modern-day coming-of-age story that recalls Robert Cormier's The Chocolate War and John Knowles's A Separate Peace. As in those classics, this work features someone struggling with issues of identity and trying to fit in while facing ridicule and criticism from peers, family, and friends. After graduating from Princeton in 1998, Itzkoff ends up first as an assistant to the editor in chief at Details, then as an editor at rival magazine Maxim. Not only does he have grave doubts about his ability to handle the various jobs that he was assigned, but he also questions the content of the very publications for which he is working. In addition, he doubts his ability to maintian a normal relationship with a woman and wrestles with issues of his own sexuality. Itzkoff's wit and candor give this memoir an edge. Besides being a captivating read, it provides insight into a niche of popular magazine publishing that experienced rapid growth in the late 1990s and early 2000s. Recommended for public libraries and academic libraries supporting media, publishing, or journalism programs. Valeda F. Dent, Hunter Coll. Lib., New York Copyright 2004 Reed Business Information.

Kirkus Reviews

Driven by a series of demons he's eager to detail, debut memoirist Itzkoff lays bare the torments of his young, post-collegiate life as an aspiring editor in the testosterone-scented offices of men's magazine publishers. With his seething resentment, sexual desperation, and near-crippling insecurity, the author bears more than a passing resemblance to Philip Roth's Portnoy. This time, however, our narrator's Jewish mother is basically off the hook; it's Dad who is the ultimate source of their son's sufferings. Itzkoff bookends his coming-of-age tale with portraits of his father, a furrier who drowned disappointments in cocaine. When the story opens after Dave's graduation from Princeton in 1998, Dad has retired to the New Jersey suburbs to drift around the house in his underwear; at its close, he has nearly died of a drug overdose. Meanwhile, his son, determined not to be this kind of man, is bouncing around the Manhattan offices of men's magazines, first at Details, then Maxim. Working for these publications is less fulfilling that Itzkoff had imagined, however; full of loathing for himself and everyone around him, the author portrays his professional milieu as a waking nightmare of puerile torment and emotional distance. Offering plenty of dirt for those interested in four-year-old magazine gossip, the author isn't shy about describing the debauchery and flawed human relations that were the rule in his places of employ. In fact, he isn't shy about describing anything, including his difficulties with relationships, his various bouts of drug use, and the very specific details of an unpleasant session with a prostitute. At every possible moment, Itzkoff shoehorns in self-deprecating Jewishslurs, mentioning his high-school nose job at least twice. Taken as a whole, however, the author's tale has a not-unappealing nervous energy, and his jumpy, edgy prose will probably keep readers turning the pages. Surprisingly readable, despite the author's abundant disgust for himself and others.

Book Details

Published
October 1, 2005
Publisher
Random House Publishing Group
Pages
288
Format
Paperback
ISBN
9780812970296

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