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World Literature, Fiction Subjects
Last Lovers by William Wharton β€” book cover

Last Lovers

by William Wharton, Multivoice
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Overview

This love story, by the author of Birdy and Dad, is set in Paris in 1975. Jack, 49, and American, has walked out on his fast-lane corporate career and troubled marriage to return to his first love, painting. He lives a hand-to-mouth existence in Paris, struggling to express his long-suppressed feelings through his art. While painting in the park (and blocking the sidewalk), an elderly blind woman walks into him, knocking him off his feet and getting herself smeared with paint. Mirabelle, 71, is small, elegant, and radiant.

They fall slowly, carefully, and improbably in love, and into a tender physically passionate affair. While Mirabelle's tremendous sense of life inspires Jack to paint with new vision and freedom, he shares with her the mysteries of passion, and frees her from the traumatic event that blinded her in childhood.

Synopsis

This love story, by the author of Birdy and Dad, is set in Paris in 1975. Jack, 49, and American, has walked out on his fast-lane corporate career and troubled marriage to return to his first love, painting. He lives a hand-to-mouth existence in Paris, struggling to express his long-suppressed feelings through his art. While painting in the park (and blocking the sidewalk), an elderly blind woman walks into him, knocking him off his feet and getting herself smeared with paint. Mirabelle, 71, is small, elegant, and radiant.

They fall slowly, carefully, and improbably in love, and into a tender physically passionate affair. While Mirabelle's tremendous sense of life inspires Jack to paint with new vision and freedom, he shares with her the mysteries of passion, and frees her from the traumatic event that blinded her in childhood.

Publishers Weekly

In this touchingly whimsical tale darkened by the undercurrent of a serious parable, Wharton ( Birdy ; Franky Furbo ) explores moments in which sexuality and art intersect. As in Wharton's previous novels, the protagonist is an artist, here, American expatriate painter Jack, 49, who is recovering from a broken marriage and years of scrambling in the corporate rat race. Now penniless, Jack subsists as a squatter in a Paris attic and paints in a public square, where he meets Mirabelle, a blind, 71-year-old, self-appointed pigeon lady who cares for the birds who flutter about his easel. Between Jack and Mirabelle springs a friendship that deepens into an improbable but impassioned sexual union. Mirabelle's blindness is psychological; its sudden onset occurred at age 14 when her mother committed suicide. While their love is often heavily belabored (``In your blindness you taught me to see,'' Jack tells her), it does produce miracles. Difficulties arise when Jack's wife wants him back, but Mirabelle's frailty in the end helps him solve his dilemma. Jack's bizarre homage to Mirabelle at the story's close somewhat redeems the novel from sentimentality. (May)

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Editorials

Publishers Weekly - Publisher's Weekly

In this touchingly whimsical tale darkened by the undercurrent of a serious parable, Wharton ( Birdy ; Franky Furbo ) explores moments in which sexuality and art intersect. As in Wharton's previous novels, the protagonist is an artist, here, American expatriate painter Jack, 49, who is recovering from a broken marriage and years of scrambling in the corporate rat race. Now penniless, Jack subsists as a squatter in a Paris attic and paints in a public square, where he meets Mirabelle, a blind, 71-year-old, self-appointed pigeon lady who cares for the birds who flutter about his easel. Between Jack and Mirabelle springs a friendship that deepens into an improbable but impassioned sexual union. Mirabelle's blindness is psychological; its sudden onset occurred at age 14 when her mother committed suicide. While their love is often heavily belabored (``In your blindness you taught me to see,'' Jack tells her), it does produce miracles. Difficulties arise when Jack's wife wants him back, but Mirabelle's frailty in the end helps him solve his dilemma. Jack's bizarre homage to Mirabelle at the story's close somewhat redeems the novel from sentimentality. (May)

Library Journal

``Believing is seeing,'' proclaims Wharton in the epigram to this charming novel, and he then proceeds admirably to prove it. Jack is a fiftyish American in Paris. Having abandoned a too successful career and the family life that went sour because of it, he aims to fulfill his lifelong dream of becoming a painter. A chance meeting with a blind old lady--she inadvertently crashes into his easel--helps him realize his dream. For Mirabelle is a remarkable woman who, though hysterically blind since witnessing her mother's suicide as a child, nevertheless demonstrates a penetrating comprehension of the world. As the newly dubbed Jacques tries to describe his paintings to Mirabelle and she tries to describe her memories of a Paris she has not seen for years, he learns to see in a new way. Their friendship eventually blossoms into a tender yet physically passionate love far removed in its thoughtful depiction from the standard erotic entanglements of contemporary page and screen. The story may seem improbable, but Wharton makes us believe--and see. Highly recommended.-- Barbara Hoffert, ``Library Journal''

Book Details

Published
August 1, 2008
Publisher
Brilliance Audio
Format
MP3 on CD
ISBN
9781423358190

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