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Fiction, Teen Fiction, World Literature, Fiction Subjects, Science Fiction & Fantasy
Luka and the Fire of Life by Salman Rushdie — book cover

Luka and the Fire of Life

by Salman Rushdie
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Overview

With the same dazzling imagination and love of language that have made Salman Rushdie one of the great storytellers of our time, Luka and the Fire of Life revisits the magic-infused, intricate world he first brought to life in the modern classic Haroun and the Sea of Stories. This breathtaking new novel centers on Luka, Haroun’s younger brother, who must save his father from certain doom.

For Rashid Khalifa, the legendary storyteller of Kahani, has fallen into deep sleep from which no one can wake him. To keep his father from slipping away entirely, Luka must travel to the Magic World and steal the ever-burning Fire of Life. Thus begins a quest replete with unlikely creatures, strange alliances, and seemingly insurmountable challenges as Luka and an assortment of enchanted companions race through peril after peril, pass through the land of the Badly Behaved Gods, and reach the Fire itself, where Luka’s fate, and that of his father, will be decided.

Filled with mischievous wordplay and delving into themes as universal as the power of filial love and the meaning of mortality, Luka and the Fire of Life is a book of wonders for all ages.

About the Author, Salman Rushdie

Salman Rushdie is the author of ten previous novels—Grimus, Midnight’s Children (for which he won the Booker Prize and, recently, the Booker of all Bookers), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, and The Enchantress of Florence—and one collection of short stories, East, West. He has also published three works of nonfiction—The Jaguar Smile, Imaginary Homelands: Essays and Criticism 1981-1991, and Step Across This Line—and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a former president of American PEN.

Biography

Born in Mumbai, India, and educated in the U.K., multi-award-winning novelist Salman Rushdie is considered one of the most important and influential writers of contemporary English-language fiction.

Rushdie freelanced for two London advertising firms before turning to a full-time writing career. He made his literary debut in 1975 with Grimus, a sci-fi fantasy that made a very small splash in publishing circles. However, he hit the jackpot with his second novel, Midnight's Children, an ambitious allegory that parallels the turbulent history of India before and after partition. Widely considered Rushdie's magnum opus, Midnight's Children was awarded the Booker Prize in 1981. (Twelve years later, a panel of judges named it the best overall novel to have won the Booker Prize since the award's inception in 1975; and in 2005, Time included it on a list of the 100 best English-language novels published since 1923.)

Undoubtedly, though, the book that put Rushdie squarely on the cultural radar screen was The Satanic Verses. Published in 1988 and partially inspired by the life of the prophet Muhammad, this erudite study of good and evil won the Whitbread Book Award, but achieved far more notoriety when Muslim fundamentalists condemned it for its blasphemous portrayal of Islam. The book was banned in many Muslim countries, a fatwa was issued by the Iranian Ayatollah, and a multimillion dollar bounty was placed on Rushdie's head. The novelist spent much of the 1990s in hiding, under the protection of the British government. (In 1998, Iran officially lifted the fatwa, but threats against Rushdie's life still reverberate throughout the Muslim world.)

Even without the controversy inspired by The Satanic Verses, Rushdie's literary fame would be assured. His novels comprise a unique body of work that draws from fantasy, mythology, religion, and magic realism, blending them all with staggering imagination and comic brilliance. He has created his own idiom, pushing the boundaries of language with dazzling wordplay and a widely admired "chutnification" of history. His books have won most major awards in Europe and the U.K. and have garnered praise from critics around the world. Britain's Financial Times called him "Our most exhilaratingly inventive prose stylist." Time magazine raved, "No novelist currently writing in English does so with more energy, intelligence and allusiveness than Rushdie." And the writer Christopher Hitchens lamented in the Progressive that were it not for the death threats against him, Rushdie would surely be a Nobel laureate by now.

In addition to his bestselling novels, Rushdie has also produced essays, criticism, and a book of children's fiction. In 2007, Rushdie was knighted by Queen Elizabeth II. The citation reads: "Ahmed Salman Rushdie -- author, for services to literature."

Good To Know

Rushdie was short-listed for The Literary Review's Bad Sex Award in 1995 for The Moor's Last Sigh, which included such verses as "For ever they sweated pepper ‘n' spices sweat."

Rushdie participated in a two-day, U.S. State Department conference entitled "Why Do They Hate Us?" for 50 diplomats in the wake of the terrorist attacks on New York and Washington, D.C., on Sept. 11, 2001.

Rushdie's first novel was a literate sci-fi fantasy entitled Grimus. Although it made only a very small splash in publishing circles, the book was deemed outstanding enough to be selected by a panel of distinguished writers (including Brian Aldiss, Kingsley Amis, and Arthur C. Clarke) as the best science fiction novel of 1975. However, at the last minute, his publishers withdrew the book from consideration, fearing that, if he won, Rushdie would never be able to shake the label of "genre writer."

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Editorials

From Barnes & Noble

In a sort of digital age Arabian Nights, the characters of Salman Rushdie's new novel float, regenerate, and climb to new levels in a video game-like atmosphere. In this story inspired by his son, Rushdie follows a young boy's quest to save his father. On his mission, the youngster is aided, abetted, and distracted by a wild menagerie of supporting characters, including hybrid bird-elephants, a dog named Bear, a bear named Dog, a princess with a flying carpet, and habitual litterer otters. An imaginative excursion.

Mark Athitakis

Rushdie has made some Super Mario-like tweaks to the magical realm he invented in Haroun…But while the setting feels like something out of Nintendo, the characters come either from Rushdie's lively interpretations of mythology or his jovial, limber imagination…his exuberant wordplay is evident on every page, and the book closes with an entertaining defense of storytelling, even in video game form. But as Luka's mother cautions, "in the real world there are no levels, only difficulties," and the book offers many reminders that those difficulties will be hard to shake, no matter how digitized our unmagical world becomes.
—The New York Times

Elizabeth Ward

"Playful" could be Salman Rushdie's middle name, he's been called it so often. But in his second book for kids of all ages, he takes his fondness for play up a few levels with a quest fable that mimics a video game, complete with special effects. It's nonstop fun. It's about big things: love, imagination, death, life. And like many a video game, it's a tad frenetic.
—The Washington Post

Publishers Weekly

Rushdie unleashes his imagination on an alternate world informed by the surreal logic of video games, but the author's entertaining wordplay and lighter-than-air fantasies don't amount to more than a clever pastiche. A sequel of sorts to Haroun and the Sea of Stories, this outing finds Haroun's younger brother, Luka, on a mission to save his father, guided, ironically, by Nobodaddy, a holograph-like copy of his father intent on claiming the old man's life. Along the way, they're joined by a collection of creatures, including a dog named Bear, a bear named Dog, hybrid bird-elephant beasts, and a princess with a flying carpet. As with video games, Luka stores up extra lives, proceeds to the next level after beating big baddies, and uses his wits to overcome bottomless chasms and trash-dropping otters. Rushdie makes good use of Nobodaddy, and his world occasionally brims with allegory (the colony of rats called the "Respectorate of I" brings the Tea Party to mind), but this is essentially a fun tale for younger readers, not the novel Rushdie's adult fans have been waiting for. (Nov.)

Library Journal

Using a format that combines video game-like progress with mythology and pop-culture references, Rushdie weaves together a wonderfully rich and most enjoyable story about a young boy who goes on a quest to save his father. While the 12-year-old Luka encounters many obstacles as he struggles to complete the journey, he receives assistance from both the denizens of the magic world and his real-world companions, a bear named Dog and a dog named Bear. Narrator Lyndam Gregory, who previously read Rushdie's Midnight's Children for Recorded Books, brings an excellent storytelling voice to this audio that allows listeners to imagine that they, too, are hearing a favorite childhood adventure story. For juvenile and/or YA collections. [See Prepub Exploded, BookSmack! 5/6/10; the Vintage pb will publish in June 2011.—Ed.]—J. Sara Paulk, Wythe-Grayson Reg. Lib., Independence, VA

Kirkus Reviews

Rushdie's 11th novel is a sequel to his charming 1990 fableHaroun and the Sea of Stories, written—as was its predecessor—for one of its author's two sons.

Visions of Kipling and J.M. Barrie may swim through readers' heads as we meet 12-year-old Luka Khalifa, the child of his parents' middle age (andyounger sibling to the previously eponymous Haroun), and an eager listener to lavish tales of the Magical World dreamed into being by his father Rashid, a celebrated storyteller aka "the Shah of Blah." When Rashid falls into a mysterious prolonged sleep (and hence a silence that raises memories of Rushdie's own "silenced" life as a writer following thefatwaissued by Ayatollah Khomeini), everything Luka has ever learned tells him he must brave the dangers of the Magical World, steal the revivifying Fire of Life from the Mountain of Knowledge and restore his beloved dad to consciousness. Guarded by animal companions (Bear the Dog, and Dog the Bear) and bedeviled by a "phantom Rashid" (aka "Nobodaddy"), the young Prometheus undertakes his heroic deed. He wins a riddling contest against the cantankerous Old Man of the River, encounters vicious Border Rats and compassionate Otters and assorted celebrities (including Mark Twain's Connecticut Yankee and The Terminator), en route to confronting the petty, egomaniacal gods of antiquity. Adult readers will rightfully delight in Rushdie's brilliant wordplay throughout, but younger ones may yearn for less cleverness and more narrative. Fortunately, the story gathers whiz-bang velocity once Luka has heatedly persuaded the sulky gods and monsters that "it's only through Stories that you can get out into the Real World and have some sort of power again." Everything races briskly toward the satisfactory completion of Luka's quest, and a quite perfect final scene.

A celebration of storytelling, a possible prequel to the book Rushdie is said to be writing about his own enforced "slumber," and a colorful, kick-up-your-heels delight.

Book Details

Published
September 20, 2011
Publisher
Random House Publishing Group
Pages
240
Format
Paperback
ISBN
9780679783473

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