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Overview
With the same dazzling imagination and love of language that have made Salman Rushdie one of the great storytellers of our time, Luka and the Fire of Life revisits the magic-infused, intricate world he first brought to life in the modern classic Haroun and the Sea of Stories. This breathtaking new novel centers on Luka, Haroun’s younger brother, who must save his father from certain doom.
For Rashid Khalifa, the legendary storyteller of Kahani, has fallen into deep sleep from which no one can wake him. To keep his father from slipping away entirely, Luka must travel to the Magic World and steal the ever-burning Fire of Life. Thus begins a quest replete with unlikely creatures, strange alliances, and seemingly insurmountable challenges as Luka and an assortment of enchanted companions race through peril after peril, pass through the land of the Badly Behaved Gods, and reach the Fire itself, where Luka’s fate, and that of his father, will be decided.
Filled with mischievous wordplay and delving into themes as universal as the power of filial love and the meaning of mortality, Luka and the Fire of Life is a book of wonders for all ages.
Editorials
From Barnes & Noble
In a sort of digital age Arabian Nights, the characters of Salman Rushdie's new novel float, regenerate, and climb to new levels in a video game-like atmosphere. In this story inspired by his son, Rushdie follows a young boy's quest to save his father. On his mission, the youngster is aided, abetted, and distracted by a wild menagerie of supporting characters, including hybrid bird-elephants, a dog named Bear, a bear named Dog, a princess with a flying carpet, and habitual litterer otters. An imaginative excursion.
Mark Athitakis
Rushdie has made some Super Mario-like tweaks to the magical realm he invented in Haroun…But while the setting feels like something out of Nintendo, the characters come either from Rushdie's lively interpretations of mythology or his jovial, limber imagination…his exuberant wordplay is evident on every page, and the book closes with an entertaining defense of storytelling, even in video game form. But as Luka's mother cautions, "in the real world there are no levels, only difficulties," and the book offers many reminders that those difficulties will be hard to shake, no matter how digitized our unmagical world becomes.—The New York Times
Elizabeth Ward
"Playful" could be Salman Rushdie's middle name, he's been called it so often. But in his second book for kids of all ages, he takes his fondness for play up a few levels with a quest fable that mimics a video game, complete with special effects. It's nonstop fun. It's about big things: love, imagination, death, life. And like many a video game, it's a tad frenetic.—The Washington Post
Publishers Weekly
Rushdie unleashes his imagination on an alternate world informed by the surreal logic of video games, but the author's entertaining wordplay and lighter-than-air fantasies don't amount to more than a clever pastiche. A sequel of sorts to Haroun and the Sea of Stories, this outing finds Haroun's younger brother, Luka, on a mission to save his father, guided, ironically, by Nobodaddy, a holograph-like copy of his father intent on claiming the old man's life. Along the way, they're joined by a collection of creatures, including a dog named Bear, a bear named Dog, hybrid bird-elephant beasts, and a princess with a flying carpet. As with video games, Luka stores up extra lives, proceeds to the next level after beating big baddies, and uses his wits to overcome bottomless chasms and trash-dropping otters. Rushdie makes good use of Nobodaddy, and his world occasionally brims with allegory (the colony of rats called the "Respectorate of I" brings the Tea Party to mind), but this is essentially a fun tale for younger readers, not the novel Rushdie's adult fans have been waiting for. (Nov.)Library Journal
Using a format that combines video game-like progress with mythology and pop-culture references, Rushdie weaves together a wonderfully rich and most enjoyable story about a young boy who goes on a quest to save his father. While the 12-year-old Luka encounters many obstacles as he struggles to complete the journey, he receives assistance from both the denizens of the magic world and his real-world companions, a bear named Dog and a dog named Bear. Narrator Lyndam Gregory, who previously read Rushdie's Midnight's Children for Recorded Books, brings an excellent storytelling voice to this audio that allows listeners to imagine that they, too, are hearing a favorite childhood adventure story. For juvenile and/or YA collections. [See Prepub Exploded, BookSmack! 5/6/10; the Vintage pb will publish in June 2011.—Ed.]—J. Sara Paulk, Wythe-Grayson Reg. Lib., Independence, VAKirkus Reviews
Rushdie's 11th novel is a sequel to his charming 1990 fableHaroun and the Sea of Stories, written—as was its predecessor—for one of its author's two sons.
Visions of Kipling and J.M. Barrie may swim through readers' heads as we meet 12-year-old Luka Khalifa, the child of his parents' middle age (andyounger sibling to the previously eponymous Haroun), and an eager listener to lavish tales of the Magical World dreamed into being by his father Rashid, a celebrated storyteller aka "the Shah of Blah." When Rashid falls into a mysterious prolonged sleep (and hence a silence that raises memories of Rushdie's own "silenced" life as a writer following thefatwaissued by Ayatollah Khomeini), everything Luka has ever learned tells him he must brave the dangers of the Magical World, steal the revivifying Fire of Life from the Mountain of Knowledge and restore his beloved dad to consciousness. Guarded by animal companions (Bear the Dog, and Dog the Bear) and bedeviled by a "phantom Rashid" (aka "Nobodaddy"), the young Prometheus undertakes his heroic deed. He wins a riddling contest against the cantankerous Old Man of the River, encounters vicious Border Rats and compassionate Otters and assorted celebrities (including Mark Twain's Connecticut Yankee and The Terminator), en route to confronting the petty, egomaniacal gods of antiquity. Adult readers will rightfully delight in Rushdie's brilliant wordplay throughout, but younger ones may yearn for less cleverness and more narrative. Fortunately, the story gathers whiz-bang velocity once Luka has heatedly persuaded the sulky gods and monsters that "it's only through Stories that you can get out into the Real World and have some sort of power again." Everything races briskly toward the satisfactory completion of Luka's quest, and a quite perfect final scene.
A celebration of storytelling, a possible prequel to the book Rushdie is said to be writing about his own enforced "slumber," and a colorful, kick-up-your-heels delight.