Lunch with Lenin and Other Stories
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Overview
Deborah Ellis's first collection of short stories explores the lives of children who have been affected directly, or indirectly, by drugs. Sometimes touching and often surprising, the stories are set against backdrops as diverse as the remote north and small town America to Moscow's Red Square and an opium farm in Afghanistan.
This is an unforgettable collection of stories that will elicit discussions about the toll drugs take on the lives of teenagers and their families.
Synopsis
Deborah Ellis's first collection of short stories explores the lives of children who have been affected directly, or indirectly, by drugs. Sometimes touching and often surprising, the stories are set against backdrops as diverse as the remote north and small town America to Moscow's Red Square and an opium farm in Afghanistan.
This is an unforgettable collection of stories that will elicit discussions about the toll drugs take on the lives of teenagers and their families.
VOYA
In this collection, Ellis constructs a group of thematically related stories, each of which explores how drugs, including alcohol, affect people. Perhaps wisely, the stories do not focus particularly on drug users themselves but on all those affected, such as the high school boy nervously buying marijuana for his cancer-stricken grandmother, the farmer's daughter in Afghanistan whose livelihood harvesting opium is about to disappear, and the teenaged drug seller in Manila who contemplates selling his kidney to help his family. Ellis's talent lies in the way she believably assumes so many culturally different viewpoints. In fact, although every story except the exquisite Boot is written in third person, the stories feel as personal as though they were individual narratives. The relatively short stories read quickly, offering neither judgment nor solutions but rather the opportunity for compassion and understanding. The most difficult thing about this collection might be getting it into young adult hands. Middle school readers may be more open to it, and the book's length and lack of gratuitous violence make it particularly appropriate for that age level. It is also sophisticated enough for older readers, but a collection of drug-related stories may be a hard sell for teens who might assume they are being lectured. Librarians should try anyway based on the collection's quality, which is high enough to justify placing this book in every library. Reviewer: Amy Sisson
Editorials
VOYA -
In this collection, Ellis constructs a group of thematically related stories, each of which explores how drugs, including alcohol, affect people. Perhaps wisely, the stories do not focus particularly on drug users themselves but on all those affected, such as the high school boy nervously buying marijuana for his cancer-stricken grandmother, the farmer's daughter in Afghanistan whose livelihood harvesting opium is about to disappear, and the teenaged drug seller in Manila who contemplates selling his kidney to help his family. Ellis's talent lies in the way she believably assumes so many culturally different viewpoints. In fact, although every story except the exquisite Boot is written in third person, the stories feel as personal as though they were individual narratives. The relatively short stories read quickly, offering neither judgment nor solutions but rather the opportunity for compassion and understanding. The most difficult thing about this collection might be getting it into young adult hands. Middle school readers may be more open to it, and the book's length and lack of gratuitous violence make it particularly appropriate for that age level. It is also sophisticated enough for older readers, but a collection of drug-related stories may be a hard sell for teens who might assume they are being lectured. Librarians should try anyway based on the collection's quality, which is high enough to justify placing this book in every library. Reviewer: Amy SissonSchool Library Journal
Gr 9 Up
This short-story compilation focuses on drugs and addiction. Selections vary in perspective, from the sister of a drug addict in rehab to a family in Afghanistan growing and harvesting opium to survive. Many of the stories are fleshed out and well written, including the title story. Valerin is left at Lenin's grave by his mother when he is five, leading to life in an orphanage. There he meets Squid, a boy to whom he opens up and trusts. When Valerin leaves the orphanage, he heads back to Lenin's grave where he sees Squid as a soldier. Squid has turned to drugs and Valerin tries to reason with him, to no avail. However, there are also stories that are cut short, leaving questions and a sense of incompleteness. Such is the case with "Through the Woods," in which Matthew buys marijuana to take to his grandmother's rest home to ease her pain, with no consequence. Overall, though, the variety of characters, settings, and perspectives make this a quality collection.-Nichole King, Morgan Hill Library, CA