Join Books.org — it's free

Fiction, Fiction Subjects
Merrick (Vampire Chronicles Series #7) by Anne Rice β€” book cover

Merrick (Vampire Chronicles Series #7)

by Anne Rice
Write a review
Log in to track your reading progress.

Overview

In her mesmerizing new novel, the author of The Vampire Chronicles and the saga of the Mayfair Witches demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic. Here, in a magnificent tale of sorcery and the occult, she makes real for us a hitherto unexplored world of witchcraft.

At the center is the beautiful, unconquerable witch Merrick. She is a descendant of the gens de couleur libres, a society of New Orleans octoroons and quadroons steeped in the lore and ceremony of voodoo, who reign in the shadowy world where African and French--the dark and the white--intermingle. Her ancestors are the great Mayfair witches, of whom she knows nothing--and from whom she inherits the power and the magical knowledge of a Circe.

Into this exotic realm comes David Talbot--hero, storyteller, adventurer, almost-mortal vampire, visitor from another dark realm. It is he who recounts Merrick's haunting tale--a tale that takes us from the New Orleans of past and present to the jungles of Guatemala, from the Maya ruins of a century ago to ancient civilizations not yet explored.

Anne Rice's richly told novel weaves an irresistible story of two worlds: the witches' world and the vampires' world, where magical powers and otherworldly fascinations are locked together in a dance of seduction, death, and rebirth.

Synopsis

In this mesmerizing new novel, Anne Rice demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic, as she weaves together two of her most compelling worlds? those of the Vampire Chronicles and the Mayfair witches.



From the Paperback edition.

Publishers Weekly

Talbot, a vampire familiar to Rice readers, though now inhabiting a different body, relates this eerie tale about an "octoroon of exceptional beauty" named Merrick, a Mayfair witch with whom he has been obsessed for an eternity. The narrative weaves through time--from present-day New Orleans, to Talbot's first meeting with Merrick, to an adventure they shared years ago in the jungles of Guatemala. Flashbacks aside, this story focuses on Talbot's attempt to convince Merrick to use her voodoo magic to conjure up the vampire daughter of his friend and fellow vampire Louis. Fans will recognize characters from past books, including Louis and Lestat. Rice offers a haunting look at the separate but equally intriguing worlds of witches and vampires united here through Merrick's witchcraft on Talbot's behalf. Jacobi's reading of the tale is spellbinding. His refined British tone--with the slightest trace of a classic Transylvanian accent--fits Talbot's character perfectly, and he flavors the narrative with verve and mystery accordingly. Simultaneous release with the Knopf hardcover (Forecasts, Aug. 14). (Oct.) Copyright 2000 Cahners Business Information.

About the Author, Anne Rice

Best known for The Vampire Chronicles, a series of dark, hypnotic novels steeped in Gothic horror, Anne Rice now applies her vivid storytelling skills to Christian fiction, most notably an acclaimed series based on the life of Christ.

Reviews

There are no reviews yet. Log in to write one.

Editorials

From Barnes & Noble

The Barnes & Noble Review
Merrick is bewitching -- Anne Rice is in top form with this novel of witches and vampires. In the sultry world of Rice's New Orleans, the almost-mortal vampire David Talbot, of the notorious Talamasca, meets Merrick, the sensual Mayfair witch. Lestat, Louis, and other Rice favorites make appearances in this tale. This novel is Rice's ultimate marriage of her bestselling witch and vampire story lines -- and it should not be missed.

Anne Rice has earned literary accolades and international fame for her darkly sensual novels featuring magical worlds and otherworldly creatures. Whether it's vampires, witches, or body thieves, Rice's characters are among the most unforgettable in literary history. And now, with the release of her latest novel, Merrick, Rice brings all of her worlds together and resurrects (in one case, in the most literal sense) some of her most memorable characters, including the vampires, Lestat and Louis. The star of this latest tale is a new member of the Mayfair witch clan: Merrick, a beautiful woman with incredible powers.

Merrick, a descendant of a little-known African-American branch of the Mayfair family, is raised in New Orleans by her godmother, Great Nananne, a powerful voodoo woman. Merrick is only eight when her Great Nananne dies. Eventually Merrick is found and cared for by the then-mortal David Talbot and his friend Aaron, both of whom have connections to the Talamasca. But David's connection to this beautiful creature, who he comes to love with an intensity that is both frightening and puzzling, is lost when he falls victim to the body thief and, later, to Lestat.

As Merrick grows, so do her powers, including her ability to raise the spirits of the dead. It is this particular power that leads vampire David Talbot to seek her out, hoping she can help Louis, who has become despondent with guilt over the role he played in young Claudia's conversion to vampirism and subsequent death. Louis is desperate to know that Claudia's soul is at peace and that she forgives him. But when Merrick tries to bring back Claudia's spirit, all hell breaks loose.

This is classic Rice at her best, exploring the moral and philosophical quandaries of the undead and showing how utterly human they are despite their inhuman makeup. The spirit-conjuring scenes are spooky and chilling, and the plot leaves the door wide open for a sequel that promises to be even more exciting than any of its predecessors.

--Beth Amos

Publishers Weekly - Publisher's Weekly

Talbot, a vampire familiar to Rice readers, though now inhabiting a different body, relates this eerie tale about an "octoroon of exceptional beauty" named Merrick, a Mayfair witch with whom he has been obsessed for an eternity. The narrative weaves through time--from present-day New Orleans, to Talbot's first meeting with Merrick, to an adventure they shared years ago in the jungles of Guatemala. Flashbacks aside, this story focuses on Talbot's attempt to convince Merrick to use her voodoo magic to conjure up the vampire daughter of his friend and fellow vampire Louis. Fans will recognize characters from past books, including Louis and Lestat. Rice offers a haunting look at the separate but equally intriguing worlds of witches and vampires united here through Merrick's witchcraft on Talbot's behalf. Jacobi's reading of the tale is spellbinding. His refined British tone--with the slightest trace of a classic Transylvanian accent--fits Talbot's character perfectly, and he flavors the narrative with verve and mystery accordingly. Simultaneous release with the Knopf hardcover (Forecasts, Aug. 14). (Oct.) Copyright 2000 Cahners Business Information.

Library Journal

From the Mayfair Witches collection, only The Witching Hour seems to provide much of a coherent story, though the other works have considerable information on Rice's world of witchcraft, spirits, and human-like aliens as well as the Mayfair family of witches itself. The three titles are excellently read by Joe Morton, Lindsay Crouse, and Tim Curry, but it's unclear what the producer was trying to accomplish by arranging the set out of chronological order. The action in Lasher logically follows that of The Witching Hour, which ends describing the relationship of Rowan Mayfair with the spirit Lasher. Taltos seems to be a vehicle to redefine Lasher, killed off in the earlier work, as a demon who assumed the identity of Mr. Ash/St. Ashlar, a nonhuman, nonvampire being whose kind live for millennia. There's a lot of pseudomyth touched up with Catholic or voodoo imagery and laced liberally with incestuous or otherwise taboo sex: a Mayfair dynasty no doubt but with no discernible witchcraft and quite a fixation on the female breast. Horrifying, no, though quite horrible. Merrick, on the other hand, provides the listener with an excellent abridgment, read with great feeling and effectiveness by Sir Derek Jacobi. Though Merrick is a Mayfair and a witch, one will not have had to read a majority of other works Rice has written about the Mayfairs to understand what is happening in this story. Also, along with the myth and voodoo allusions, one actually gets some of what the listener would think of as witchcraft. It's decidedly spooky stuff that also explores Rice's visions of possible afterlives, the mortality of witches, and the virtual immortality of vampires. Acquire Mayfair Witches in this abridged set only if circulation patterns indicate you should. Merrick is highly recommended for adult fiction and horror collections. Cliff Glaviano, Bowling Green State Univ. Libs., OH Copyright 2001 Cahners Business Information.

Kirkus Reviews

Large arterial heart-piece in Rice's Vampire Chronicles. Though much of the lordly speech ("Oh . . . you foolish, mad, self-important dreamer!") suggests no advance in dialogue since Lew Wallace's Ben-Hur (1880) or H. Rider Haggard's She (1887), Rice opens grandly, reviewing cultural vampirology, its origins and historical underpinnings, in a backstory skimmed from earlier works. Akasha, mother of all vampires and Queen of the Damned (1990), is 6,000 years old when red-haired twins Maharet and Mekare rise up and behead her. Mute Mekare becomes Queen, having taken into herself from Akasha the Sacred Core of blood drinkers. Akasha's destruction liberates Marius, who for 2,000 years kept safe the sleeping bodies of Akasha and her consort Enkil, to tell his story to red-haired Thorne, a Viking given the Dark Gift long ago by Maharet. Too sensitive to kill, Thorne encased himself in an arctic cave for centuries and only now awakens to the modern world. As Thorne listens, Marius describes carrying the royal vampire coffins from Antioch to Rome, seeing Byzantium change into Christian Constantinople, and (skipping the Dark Ages) participating in Italy's glory years of blood and gold, during which he becomes a great painter. For centuries he mourns his beloved Pandora, whom he fled in Antioch. A pair of two-dimensional vampires, angry Mael and tearful Avicus, cling to Marius as he meets the glorious Eastern vamp Eudoxia, who herself has drunk from Akasha. But Eudoxia must die and be replaced by Zenobia, a virginal variation on child-vampire Claudia. Besotted by Botticelli, painter Marius hears Satan whisper, Give Botticelli the Blood. Then Marius loves Bianca the poisoner and the Russian waifAmadeo/Armand. Later turns: Marius is burned by Christian Satanists and tries to win back Pandora. Given her historical antecedents, Rice-Who-Must-Be-Obeyed writes like a damned Queen. Pure vellum in the chronicle. First printing of 750,000; Book-of-the-Month Club/Quality Paperback Book Club/Science Fiction Book Club main selection; Literary Guild/Doubleday Book Club/Mystery Guild selection

Book Details

Published
October 1, 2001
Publisher
Random House Publishing Group
Pages
400
Format
Paperback
ISBN
9780345422408

More by Anne Rice

Similar books