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Method Actors by Carl Shuker — book cover

Method Actors

by Carl Shuker, R. Carl Shuker
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Overview

The Method Actors is set in Japan, New York, and New Zealand—places in an age of the global village and pervasive internationalism where many young people find themselves in transit. The story traces the disappearance of a young military historian named Michael Edwards from his desk in Tokyo. His sister Meredith returns to the city in search of him and there she meets up with old friends and acquaintances from all over the world: ex-JET exchange teachers from Canada, ex-drug addicts from Australia, drug dealers from the Netherlands, young American women with Japanese husbands, French kitchen hands, young Japanese mushroom growers, and wealthy young Chinese-Americans living the high life.

Meredith begins to encounter increasing evidence that Michael has been involved in a secret history going back through Japanese war crimes in China in World War II to the quarantining of Dutch merchants on manmade islands during Japan's period of isolationism in the seventeenth century. The secret history works as a juxtaposition to the moral ambiguity of modern gaijin life in Tokyo.

Stylistically daring, this multilevel narrative and cutting-edge debut novel questions no less than the moral framework of our modern world.

Synopsis

The Method Actors is set in Japan, New York, and New Zealand—places in an age of the global village and pervasive internationalism where many young people find themselves in transit. The story traces the disappearance of a young military historian named Michael Edwards from his desk in Tokyo. His sister Meredith returns to the city in search of him and there she meets up with old friends and acquaintances from all over the world: ex-JET exchange teachers from Canada, ex-drug addicts from Australia, drug dealers from the Netherlands, young American women with Japanese husbands, French kitchen hands, young Japanese mushroom growers, and wealthy young Chinese-Americans living the high life.

Meredith begins to encounter increasing evidence that Michael has been involved in a secret history going back through Japanese war crimes in China in World War II to the quarantining of Dutch merchants on manmade islands during Japan's period of isolationism in the seventeenth century. The secret history works as a juxtaposition to the moral ambiguity of modern gaijin life in Tokyo.

Stylistically daring, this multilevel narrative and cutting-edge debut novel questions no less than the moral framework of our modern world.

Publishers Weekly

Kiwi novelist Shuker's debut follows a set of gaijin-young international 20-somethings who have gravitated to ultrahip, fast-forward Tokyo-as one of their number goes missing. A young Wellington-born military historian researching the Rape of Nanking, Michael Edwards suddenly disappears from his coterie, and his ex-pat clan swings into action despite their own problems. Michael's sister Meredith, 22, rushes back from a U.S. trip and must negotiate their complicated family's concern, as well as her own lack of direction. Catherine (married at 24 and having recently ended an affair with Michael), Yasuhiko (a misfit ex-botanist drug dealer to the rich and foreign), New Zealander Simon and his occasional bedmate Jacques-all get involved to one degree or another, when they can stop thinking about fashion, sex or drugs. Shuker uses short sections titled by character to shift back and forth in time, place and perspective. Meredith tirelessly roots around her brother's life, but the complex, grandiose scope of Michael's research (which may hold the key) pales in comparison to the Tokyo appearance of Catherine's husband. Shuker's dizzying debut shimmers with authentic detail, an uncanny, otherworldly sense of place and a cast of believably hardcore hipsters. (June) Copyright 2005 Reed Business Information.

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Editorials

Publishers Weekly

Kiwi novelist Shuker's debut follows a set of gaijin-young international 20-somethings who have gravitated to ultrahip, fast-forward Tokyo-as one of their number goes missing. A young Wellington-born military historian researching the Rape of Nanking, Michael Edwards suddenly disappears from his coterie, and his ex-pat clan swings into action despite their own problems. Michael's sister Meredith, 22, rushes back from a U.S. trip and must negotiate their complicated family's concern, as well as her own lack of direction. Catherine (married at 24 and having recently ended an affair with Michael), Yasuhiko (a misfit ex-botanist drug dealer to the rich and foreign), New Zealander Simon and his occasional bedmate Jacques-all get involved to one degree or another, when they can stop thinking about fashion, sex or drugs. Shuker uses short sections titled by character to shift back and forth in time, place and perspective. Meredith tirelessly roots around her brother's life, but the complex, grandiose scope of Michael's research (which may hold the key) pales in comparison to the Tokyo appearance of Catherine's husband. Shuker's dizzying debut shimmers with authentic detail, an uncanny, otherworldly sense of place and a cast of believably hardcore hipsters. (June) Copyright 2005 Reed Business Information.

Kirkus Reviews

Lost in Translation for the noir crowd: a carefully plotted tale of a decidedly postmodern bent, with plenty of hip name-checking and lots of mind-altering substances to keep things moving. Japan, as every Western reader and filmgoer knows, is relentlessly weird. Anywhere that you can buy a briefcase or a telephone in a vending machine and have a robot pal is likely to acquire such a reputation. Debut novelist Shuker, a young New Zealander, has been living in Japan for the last half-dozen years and knows firsthand how dislocating the place can be to foreigners, even the mostly young and worldly ones who populate these pages, banding together to survive in such alien climes. Center stage is a young historian, Michael Edwards, who has been researching what might be called Japan's hidden history, unearthing testimonials that plenty of people would like to see disappear. ("I'd seen children tied with signal corps wire," writes a Chinese survivor of a Japanese massacre. "Threaded through their bodies. Terrible things.") Instead, Edwards disappears, as if in a puff of smoke. His fellow gaijin, inclined to heavy-duty drugs ("You only microwave a shroom to mitigate the dose") and offbeat philosophizing (" 'Dude, nature abhors a vacuum,' Simon says"), take their time in noticing. The reader, quicker on the uptake, is left to sort out their concentric rings of involvement with one another while steadily comprehending just what a distorted, tendentious mess Michael has gotten himself into by looking into Japanese history to begin with. His Euro-compatriots are forward-looking types, more interested in sex, gadgets and the next high and in the possibilities of self-reinvention than in the past;still, they find plenty of messes of their own to deal with. Shuker's wide-screen narrative manages to embrace them all, and even, in the end, make sense. Engaging, leisurely, at times otherworldly; reminiscent at turns of David Mitchell's Ghostwritten (2000) and at others of the early Doug Coupland. A pleasure for readers with time on their hands-say, on the next night flight to Tokyo.

Book Details

Published
May 1, 2005
Publisher
Counterpoint
Pages
492
Format
Paperback
ISBN
9781593760656

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