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Moab Is My Washpot by Stephen Fry — book cover

Moab Is My Washpot

by Stephen Fry
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Overview

A number one bestseller in Britain, Stephen Fry's astonishingly frank, funny, wise memoir is the book that his fans everywhere have been waiting for. Since his PBS television debut in the Blackadder series, the American profile of this multitalented writer, actor and comedian has grown steadily, especially in the wake of his title role in the film Wilde, which earned him a Golden Globe nomination, and his supporting role in A Civil Action.
        
Fry has already given readers a taste of his tumultuous adolescence in his autobiographical first novel, The Liar, and now he reveals the equally tumultuous life that inspired it. Sent to boarding school at the age of seven, he survived beatings, misery, love affairs, carnal violation, expulsion, attempted suicide, criminal conviction and imprisonment to emerge, at the age of eighteen, ready to start over in a world in which he had always felt a stranger. One of very few Cambridge University graduates to have been imprisoned prior to his freshman year, Fry is a brilliantly idiosyncratic character who continues to attract controversy, empathy and real devotion.

Synopsis

A number one bestseller in Britain that topped the lists there for months, Stephen Fry's astonishingly frank, funny, wise memoir is the book that his fans everywhere have been waiting for. Since his PBS television debut in the Blackadder series, the American profile of this multitalented writer, actor and comedian has grown steadily, especially in the wake of his title role in the film Wilde, which earned him a Golden Globe nomination, and his supporting role in A Civil Action.
        
Fry has already given readers a taste of his tumultuous adolescence in his autobiographical first novel, The Liar, and now he reveals the equally tumultuous life that inspired it. Sent to boarding school at the age of seven, he survived beatings, misery, love affairs, carnal violation, expulsion, attempted suicide, criminal conviction and imprisonment to emerge, at the age of eighteen, ready to start over in a world in which he had always felt a stranger. One of very few Cambridge University graduates to have been imprisoned prior to his freshman year, Fry is a brilliantly idiosyncratic character who continues to attract controversy, empathy and real devotion.
        
This extraordinary and affecting book has "a tragic grandeur that lifts it to classic status," raved the Financial Times in one of the many ecstatic British reviews. Stephen Fry's autobiography, in turns funny, shocking, sad, bruisingly frank and always compulsively readable, could well become a classic gay coming-of-age memoir.

The New York Times - Michiko Kakutani

...[E]normously entertaining....engaging...idiosyncratic....[T]he dominant voice...is comic, by turns insolent and witty, ribald and pugnacious....His reminiscences are animated not by anger or indignation, but by a genial sense of regret, his portraits informed by an elegaic if irreverent nostalgia....[E]ngagingly rueful...

About the Author, Stephen Fry

Stephen Fry no longer steals, cheats or lies nearly as much as he used to. He still talks too much, and he still has an annoying flop of schoolboy hair that seventeen of London's most expensive and absurd hairdressers have been able to do nothing about.

Fry has written three novels—The Liar, The Hippopotamus and Making History—and played Peter in the film Peter's Friends, Wilde in the film Wilde, Jeeves in the television series Jeeves & Wooster, and (a closely guarded show-business secret, this) Laurie in the TV series A Bit of Fry and Laurie.
        
Much of his past life is contained between the covers of the book you are now holding; much of his present life is spent trying to be good. He rarely succeeds, yet still he tries. He divides his time between New York and his English homes in London and Norfolk.

Reviews

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Editorials

Michiko Kakutani

...[E]normously entertaining....engaging...idiosyncratic....[T]he dominant voice...is comic, by turns insolent and witty, ribald and pugnacious....His reminiscences are animated not by anger or indignation, but by a genial sense of regret, his portraits informed by an elegaic if irreverent nostalgia....[E]ngagingly rueful...
The New York Times

Randy Cohen

...[E]ngaging....Fry has a knack for depicting childhood's unhappiness....Like many...adolescents — he is fiercely loyal to his misery, denouncing any future happiness as a betrayal....Fortunately, Fry's voice grows stronger as his story builds...
The New York Times Book Review

Michiko Kakutani

...[E]normously entertaining....engaging...idiosyncratic....[T]he dominant voice...is comic, by turns insolent and witty, ribald and pugnacious....His reminiscences are animated not by anger or indignation, but by a genial sense of regret, his portraits informed by an elegaic if irreverent nostalgia....[E]ngagingly rueful...
The New York Times

Rod Dreher

...[A] poignant, disarmingly witty, and felicitous account of an extravagantly misspent youth....a critical but thoughtful remembrance of childhood, a confession...and, there is not the slightest trace of self-pity or blame-tossing.....The actor's generosity of spirit infuses every chapter...
National Review

Sunday Telegraph

One of the most poignant, funny, intelligent, frank and horribly addictive books you'll read all year.

Financial Times

Stephen Fry is one of the great originals...This autobiography of his first twenty years is a pleasure to read, mixing the outrageous acts with sensible opinions in bewildering confusion...[T]hat so much outward charm, self awareness and intellect should exist alongside behaviour that threatened to ruin the lives of the innocent victims, noble parents and Fry himself, gives the book a tragic grandeur that lifts it to classic status.

Publisher's Weekly

Witty, intelligent and honest...it's a pleasure to read him...

Michael J. Giltz

[An] engaging, discursive book...Reading Moab Is My Washpot is like joining the author for a long lunch and several bottles of wine. He may start with an anecdote about public school, but soon he wanders off into his thoughts on corporal punishment and The Exorcist.
The Advocate

Kirkus Reviews

Fry, the British novelist (Making History, 1998) and TV and movie performer, turns thoroughly solipsistic with the story of his early life, taking us through his teens. (The tale follows, in large measure, that of the protagonist in his 1995 novel, The Liar). The engaging Mr. Fry admits to lies, thievery, homosexuality, excessive cleverness, and other peccadilloes in this boarding-school adventure that goes far beyond Tom Brown or Billy Bunter naughtiness. He revels in his proclaimed peculiarities, and "grieves" and "blushes" to confess to various youthful solecisms. There's much about his first true love (for a schoolmate), "arses," and the like amid the luxuriant verbal diversions and flicks of the author's linguistic eyebrows. Almost unexpectedly, Fry expresses love and admiration for his family, who were, apparently, remarkably understanding as he worked his way through some particularly flamboyant juvenile angst. Adventure in his chosen profession of mummery must await the next installment, but surely Fry's recently acclaimed impersonation of Oscar Wilde must have affected him greatly. Why else would he essay such epigrams as "It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue." It sounds a bit like a Wodehouseian take on Reginald Bunthorne. But what the bloody hell, it's all so amusing, so ingratiating, don't you see? Trouble is, on this side of the Atlantic the text is frequently as unintelligible as cricket. Only a devoted Anglophile could tell what "a First or a 2:1 as well as an inevitable triple haul of sporting Blues" at Cambridge might mean. And why his washpot, in which Fry "wallows," is the same asthe ancient land of Moab is not clear; the title remains a mystery. An author in the long and honorable tradition of English Eccentrics, Theatrical Division, presents his coming-of-age story. With all the wit and Pythonesque antics, his book will entertain the Masterpiece Theatre crowd—and others as well.

Book Details

Published
July 1, 2003
Publisher
Soho Press, Incorporated
Pages
384
Format
Paperback
ISBN
9781569472026

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