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Film Biographies & Interviews, Murder, Entertainment Biography, True Crime, Biography Reference
Murder in Hollywood: Solving a Silent Screen Mystery by Charles Higham — book cover

Murder in Hollywood: Solving a Silent Screen Mystery

by Charles Higham
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Overview

For more than eighty years, the unsolved murder of William Desmond Taylor, one of the leading silent film directors, has generated debate and controversy. Now, best-selling author Charles Higham has solved the crime. Higham uncovers the corruption and intrigue of Los Angeles in the Roaring Twenties—and the film industry moguls' complete domination of the city's authorities. Through remarkable research, exclusive interviews with the killer, and unique access to police records, Higham scrutinizes every angle of the massive cover-up that protected the famous star responsible for Taylor's death. The result is a compelling answer to a long-standing mystery and a fascinating study of a place, and an industry, that let people reinvent themselves.

Synopsis

For more than eighty years, the unsolved murder of William Desmond Taylor, one of the leading silent film directors, has generated debate and controversy. Now, best-selling author Charles Higham has solved the crime. Higham uncovers the corruption and intrigue of Los Angeles in the Roaring Twenties—and the film industry moguls' complete domination of the city's authorities. Through remarkable research, exclusive interviews with the killer, and unique access to police records, Higham scrutinizes every angle of the massive cover-up that protected the famous star responsible for Taylor's death. The result is a compelling answer to a long-standing mystery and a fascinating study of a place, and an industry, that let people reinvent themselves.

Publishers Weekly

Although the author, a veteran Hollywood biographer (Kate; Bette; Marlene), claims to have solved the murder of silent film director William Desmond Taylor (1872-1922), this overly melodramatic account of his life and death sheds little light on the mystery. In 1907, Taylor, an Irish immigrant, deserted his wife and daughter in New York City and turned up in Hollywood as a screen actor; later, he became a well-known director. Attractive and intelligent, Taylor had many affairs with both men and women, including actress Mabel Normand and his cook and houseman, Edward Sands, a thief and compulsive liar whom Taylor later fired. On the night of February 1, 1922, Taylor was shot and killed at his home. According to Higham, the murderer was actress Mary Miles Minter, who harbored an unrequited love for Taylor. He bases his theory on some police documents given to him by director King Vidor, Minter's lack of an alibi for the time of the murder, and some complicated political corruption, which, according to the author, motivated the district attorney to eliminate Minter from the list of suspects. Higham doesn't really overturn other hypotheses that implicate Normand, Sands and others or an unidentified man seen by a witness leaving the scene. There's more heat than light in this convoluted account. B&w photos. Agent, Dorris Halsey. (Nov.) Copyright 2004 Reed Business Information.

About the Author, Charles Higham

Charles Higham, critically acclaimed writer, poet, critic, and playwright, is a literary and film detective. Among his many publications are The Duchess of Windsor and Kate, Bette, and Marlene, biographies of Katharine Hepburn, Bette Davis, and Marlene Dietrich, which have earned him high positions on bestseller lists and prestigious literary prizes. After holding the post of Regents Professor and writer in residence at the University of California, Santa Cruz, he was the Hollywood feature writer for the New York Times from 1970 to 1980. He is also the author of Howard Hughes: A Secret Life, which is a basis for the Martin Scorsese film The Aviator, starring Leonardo DiCaprio.

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Editorials

Publishers Weekly

Although the author, a veteran Hollywood biographer (Kate; Bette; Marlene), claims to have solved the murder of silent film director William Desmond Taylor (1872-1922), this overly melodramatic account of his life and death sheds little light on the mystery. In 1907, Taylor, an Irish immigrant, deserted his wife and daughter in New York City and turned up in Hollywood as a screen actor; later, he became a well-known director. Attractive and intelligent, Taylor had many affairs with both men and women, including actress Mabel Normand and his cook and houseman, Edward Sands, a thief and compulsive liar whom Taylor later fired. On the night of February 1, 1922, Taylor was shot and killed at his home. According to Higham, the murderer was actress Mary Miles Minter, who harbored an unrequited love for Taylor. He bases his theory on some police documents given to him by director King Vidor, Minter's lack of an alibi for the time of the murder, and some complicated political corruption, which, according to the author, motivated the district attorney to eliminate Minter from the list of suspects. Higham doesn't really overturn other hypotheses that implicate Normand, Sands and others or an unidentified man seen by a witness leaving the scene. There's more heat than light in this convoluted account. B&w photos. Agent, Dorris Halsey. (Nov.) Copyright 2004 Reed Business Information.

Kirkus Reviews

Perceptive Hollywood historian and biographer Higham (Howard Hughes, 1993, etc.) tackles one of Tinseltown's most notorious unsolved crimes. The murder of silent-film director William Desmond Taylor on February 1, 1922, has fascinated writers, film buffs, and journalists, Higham included, for decades. Many books, articles, and even a now-defunct publication called Taylorology have covered the story. One reason for the interest may be that none of the suspects, or the victim, could in any way be described as "usual." Nearly everyone in the case packs a revolver. Taylor, his film career peaking, led a double life as a closeted gay man (clues in his bathroom included a woman's nightgown) and the brief, indifferent lover of actress Mary Miles Minter. Did an obsessed Minter rub out Taylor after he eventually spurned her passionate declarations of love? Or did Minter's mother Charlotte, who makes Gypsy's Mama Rose look like a nun, shoot Taylor to keep him away from her daughter? Did Taylor's male lover do it out of jealousy over Minter and Taylor's tepid affair? Or was the culprit cagey Edward Sands, a cook who had already robbed Taylor? Drawing on unpublished documents compiled by director King Vidor, and making witty, insightful comments as he does, Higham cuts through a thicket of suspects, motives, and cover-ups to point the finger where it had rather clearly been pointing all along, arguing that for some years a hypocritical, moralistic press did its best to point the finger in other directions. More than the solution, what impresses here are Higham's portraits of Taylor, Minter, et al., as scarred souls who believed Hollywood would be their Lourdes on the Pacific. They were mistaken.Wide-angle vision places a colorful cast of characters in meaningful relief against nascent Hollywood, politically corrupt LA, and the dysfunctional American family.

Book Details

Published
February 1, 2006
Publisher
University of Wisconsin Press
Pages
242
Format
Paperback
ISBN
9780299203641

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