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Overview
Becky, Hugh, Dahlia, and Max. Friends who have formed a dysfunctional but necessary surrogate family. And then there is Callie, the crisis-prone, vivid, manipulative chameleon whose friendship has damaged them all individually but who still haunts their waking and sleeping dreams.
Set in the art-world of New York’s East Village, Karen McKinnon’s dissection of Becky and Callie’s lethal emotional rivalry and manipulation of all those around them is as disturbing as it is gripping. A provocative and edgy first novel by a writer whose characters in the words of Andrea Barrett are “acid-etched” and “unforgettable.”
Synopsis
Becky, Hugh, Dahlia, and Max. Friends who have formed a dysfunctional but necessary surrogate family. And then there is Callie, the crisis-prone, vivid, manipulative chameleon whose friendship has damaged them all individually but who still haunts their waking and sleeping dreams.
Set in the art-world of New York’s East Village, Karen McKinnon’s dissection of Becky and Callie’s lethal emotional rivalry and manipulation of all those around them is as disturbing as it is gripping. A provocative and edgy first novel by a writer whose characters in the words of Andrea Barrett are “acid-etched” and “unforgettable.”
Publishers Weekly
McKinnon's debut offers a tightly focused group portrait of 20-something friends in Manhattan's East Village. Becky is an artist who turns photos of herself into collages; she's in love with Hugh, an accountant, and her best friend is Dahlia, a dancer. Erstwhile actor Max lurks around the edges of this makeshift family. Becky narrates, but it's Callie beautiful, treacherous, inscrutable and absent who is the novel's truest subject. The fast-paced story follows Dahlia's plan to finally break away from the femme fatale who has wounded them all, by inviting her to the opening of Becky's first show, where Callie will see them all happy and triumphant. Francine Prose gave McKinnon a New Voice Fiction Award for this work as a novel-in-progress, and the book's first half makes it easy to see why. The writing is exquisitely economical, each word a precise fit with the next: "His lips are slightly parted, the color of my chair. The pink velvet needs recovering. I like coffee and I'm careless." McKinnon also reproduces the overlapping rhythms of speech among old friends authentically, and Becky has a pleasingly dry sense of humor. But as the novel spirals into a revenge scenario, the story devolves into junior high histrionics, including an extravagant faked suicide attempt and elaborately unhealthy sex. By novel's end, the promise of its beginning the precision, the wit, the emotional clarity is overwhelmed by adolescent melodrama. Author tour. (June) Forecast: It's unlikely this title will appeal to an audience other than urban women under 25, despite the formidable blurb roster, including Andrea Barrett and Claire Messud. Copyright 2002 Cahners Business Information.
Editorials
From the Publisher
“Narcissus Ascending stages a sly face-off between artworld ethics and aesthetics while entertaining with juicy plot twists. A hearty welcome, then, to Karen McKinnon, also plainly on the rise.” —The Philadelphia Inquirer“Compulsively readable.” —Marie Claire
“Raw and knowing.” —The New York Times
“[A] tongue-in-cheek send-up of the disaffected, over- privileged, solipsistic, apolitical, anti-intellectual, urban twentysomething crowd.”—The Washington Post
“[Narcissus Ascending] draws readers in and dares us to accept the challenge of sympathizing with characters that aren’t especially sympathetic, and care about the ways in which their lives will be altered.” —San Francisco Chronicle
“Taut and fast-paced, McKinnon’s first novel offers both insight into an artist’s mind and an insightful portrait of the dynamics of a group of friends.” —Booklist
“A gripping, revealing, entertaining debut.” —Kirkus Reviews