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Overview
Immediately hailed as a classic (Atlantic Monthly called it "the best contemporary novel on colonialism to be written by an African woman"), Nervous Conditions is a wrenching chronicle of the coming of age of Tambu, a teenage girl in 1960s Rhodesia, and her relationship with her British-educated cousin, Nyasha. Tambu, who yearns to be free of the constraints of her rural village, thinks her dreams have come true when her wealthy uncle offers to sponsor her education. But education at his mission school comes with a price. There she meets sophisticated Nyasha, whose rebellion against her father brings disaster. With irony and skill, Dangarembga explores the struggle of two young women to liberate themselves in a society still suffering the effects of colonization. This edition of this highly acclaimed novel is "an expression of liberation not to be missed." β Alice WalkerSynopsis
This stunning first novel, set in colonial Rhodesia during the 1960s, centers on the coming of age of a teenage girl, Tambu, and her relationship with her British-educated cousin Nyasha. Tambu, who yearns to be free of the constraints of her rural village, especially the circumscribed lives of the women, thinks her dreams have come true when her wealthy uncle offers to sponsor her education. But she soon learns that the education she receives at his mission school comes with a price. At the school she meets the worldly and rebellious Nyasha, who is chafing under her father's authority. Raised in England, Nyasha is so much a stranger among her own people that she can no longer speak her native language. Tambu can only watch as her cousin, caught between two cultures, pays the full cost of alienation.
Publishers Weekly
Tambu, an adolescent living in colonial Rhodesia of the '60s, seizes the opportunity to leave her rural community to study at the missionary school run by her wealthy, British-educated uncle. With an uncanny and often critical self-awareness, Tambu narrates this skillful first novel by a Zimbabwe native. Like many heroes of the bildungsroman, Tambu, in addition to excelling at her curriculum, slowly reaches some painful conclusions--about her family, her proscribed role as a woman, and the inherent evils of colonization. Tambu often thinks of her mother, ``who suffered from being female and poor and uneducated and black so stoically.'' Yet, she and her cousin, Nyasha, move increasingly farther away from their cultural heritage. At a funeral in her native village, Tambu admires the mourning of the women, ``shrill, sharp, shiny, needles of sound piercing cleanly and deeply to let the anguish in, not out.'' In many ways, this novel becomes Tambu's keening--a resonant, eloquent tribute to the women in her life, and to their losses. (Mar.)